acidbass

I'd personally go with Macassar just because I think it looks absolutely stunning when you get a nice piece!

AFAIK Ibanez have codes for all of the parts on their basses - I wanted a replacement bridge for my SRX a few years ago and successfully obtained the code from one of the Ibanez websites. For the life of me, I can't find a suitable link, but there's definitely information out there somewhere in cyberspace! Hope this helps! Danny

[quote name='alexclaber' post='125544' date='Jan 22 2008, 04:28 PM']A cheaper solution would be to turn your Stingray down. Alex[/quote]

Keith Moon - I don't think I could be in a band with him because he's just too damn frantic, but a 1-on-1 session would be awesome!

Hello all, Quick question for all you Badass II users - Which size allen key do I need to adjust the bridge saddles? I've looked online but can't seem to find the right info anywhere! Thanks in advance, Danny

GREAT post! One of my favourite McCartney basslines! I never knew someone had the isolated track before, this is great listening!

My Warwick SSII - Romeo My Fender Fretless P - Juliet

1045.5 plus my 3 = 1048.5

Ahh great, cheers for that link, I watched that video some time ago but couldn't remember what song it was, or what recording! Great post and of course a fantastic bass tone!

[b]Hello all, 23 year old bass player available for studio, theatre, dep work and private tuition based in Northern Ireland.[/b] [list] [*]Extensive experience of pick and fingerstyle [*]Experience of slapping [*]Pro standard equipment including major endorsement deals [*]Proficient sight reader [*]Proficient using fretless bass also if project requires [*]Experience of 150+ gigs per year [*]List of studio credits available on request [*]Full UK driving licence and own transport for gigs UK wide [*]Competitive rates for studio time, dep work and tuition (available on request) [/list] [b][u]Influences[/u][/b] James Jamerson Rutger Gunnarsson Paul McCartney Pino Palladino ...and most other melodic bass players. [b][u]Extensive experience of:[/u][/b] Pop Rock Funk Soul Blues Country Show Tunes ...and am capable of playing to a proficient standard in a number of other styles, as well as the ability to sight read. [u][b]Contact Details[/b][/u] Mobile - 47756190770 (backwards to prevent spamming!) Email - dannymccormack AT hotmail DOT com Website - danny-bass.com I look forward to hearing from (and perhaps playing with) you! Cheers for reading, Danny

[quote name='The Burpster' post='99465' date='Dec 5 2007, 11:46 AM']WHAT? are you being serious? I could easily spend 2k on bass stuff in one outing.... besides it includes amps, effects... infact pretty much all we use except PA equipment....[/quote] I think most of us could easily spend 2k on ONE BASS in an outing!

[quote name='bigd1' post='98150' date='Dec 3 2007, 02:21 PM']The owner wants to run this through one amp but use both pick ups.[/quote] Is there a noticeable difference in doing this over just running in Mono (ie one output jack for both pickups) mode?

I play in a Jazz ensemble with 2 other bass players, normally we either play from the same score or in harmony, and the conductor will instruct one of us to solo at certain times. It actually works quite well but I find it hard to cut through the other two, both on Stingrays!

I'm not sure that moving production overseas will have a huge impact on the quality of the instruments being produced. The parts and machines used will not change, and surely one that is made in China is no more liable to fail than one made in America. From my experience of Chinese labour, quality controls play a huge part in production over there, so I think to have a negative view on the output of their factories cannot always be justified. I expect that as with Ashdown and others that there will be an initial 'teething' period as production is gradually shifted abroad, but after that I'd certainly have no reservations about buying a product that to me is no different.

I have absolutely no idea which is which, but the sound on A is, to my ears, much nicer. I'd suspect that this is the American Jazz thru POD?

Obviously not as good at forging packaging as they are at decals!

Ampeg SVT-4PRO

Simple question really Just wondering if many of you sing backing vocals (either in your current band, or in general) I've been dabbling recently with the hope that it'll improve my employability as a live session bass player, for tours etc. But...is it necessary? Cheers guys! Danny

[quote name='billynoband' post='89234' date='Nov 16 2007, 09:06 AM']Might try to get to De Montford hall in Leicester on 1 dec.[/quote] Great venue, went to see Jethro Tull there last year. Will FTJ now be an all seated gig though? That'd really kill the atmosphere IMO

1. Jaco Pastorius - No way mate. You couldn't survive in the sort of band I want to be in. 2. Victor Wooten - See No.1 3. Billy Sheehan - See No.1 (well, MAYBE an exception for this guy) 4. Jaco Pastorius - See No.1 5. Mark Hoppus - you can sign up for benefits at a lot of places, Mark

I have exactly the same after my 5 hour busking session on Saturday (see other thread) Not as bad as the end of Summer though - 3 gigs on consecutive nights after I'd been out of practice for a while, by the third night it really, REALLY hurt!

I'm GASsing right now for a Bongo HS, I just love the look of that particular model, and the playability of the model itself is extremely comfortable. +1 on whoever recommended the Flea Bass too though!

[quote name='Sean' post='86744' date='Nov 11 2007, 01:38 AM']+100 I've been doing it regularly and you get so much respect from pussy guitarists and bitchboy horn section players who think you are so "hardcore" , bless 'em.[/quote] Just make sure the glue is non-toxic otherwise you're gonna be out of action for a LONG time with blood poisoning!