paul_5

I'd be inclined to get them to buy a bass for you to play at their gigs - see how serious they are about the look of it...

Down that road madness lies; start with a spare bass and end up taking a spare amp and cab and strap and pedalboard etc... I just take the one. If it's set up and maintained regularly then it minimises the chances of failure. One caveat though, if you're playing in different tunings then it's a no-brainer

[quote name='spiltmilk_2000' timestamp='1487605957' post='3241126'] How do you power this? I've been looking at the voodoo lab 2 to power the board but it doesn't seem to provide the 1000ma required for this pedal?? [/quote] One Spot. It delivers 1700mA centre negative, so I just put an inverter to power to DHA. I used to run it at 12v on its own adaptor but it's easier to run just one plug. I prefer the sound of it at 9v too - it's a bit dirtier.

As above, if I'm gigging with just one pedal it's a light overdrive and DI - currently (and has been for a LONG time) the DHA VT1 EQ. Magic.

I'm putting it together myself. Will post some audio samples once it's done.

Off the back of this thread I've just ordered a 'Blue Juice' bass O/D PCB from Fuzz Dog to do a 'boutique' low gain circuit and see how it sounds.

I've had boththe LH500 and LH1000 and been really impressed by their sound. Never had any reliability issues either. Seems I was one of the lucky ones. Twice.

Not cheap, but tiny/wee and great for targeting specific frequencies. http://ews-us.com/item_bassmid.php?item=custom

Looks good. If someone had suggested a purple scratch plate I'd have edged away slowly and started to run as soon as was polite, but I really like that. Good work sir.

80s pop = chorus pedal and sh*t fashion. Bad news on both fronts I'm afraid 😞

[quote name='BigRedX' timestamp='1487084207' post='3236878'] That's the one! Did you save any of the other photos? [/quote] No. Wasn't sure if this was the one you meant. I can't believe it was still playable in that condition.

[quote name='BigRedX' timestamp='1487077493' post='3236782'] Imagine a Fender Precision battered to within an inch of total destruction, but still (just) playable. [/quote] Did it look anything like this? [URL=http://s1221.photobucket.com/user/paul_510/media/front%20view_zpsdijpltox.jpg.html][IMG]http://i1221.photobucket.com/albums/dd471/paul_510/front%20view_zpsdijpltox.jpg[/IMG][/URL] [URL=http://s1221.photobucket.com/user/paul_510/media/rear%20view_zpsot1iecmf.jpg.html][IMG]http://i1221.photobucket.com/albums/dd471/paul_510/rear%20view_zpsot1iecmf.jpg[/IMG][/URL]

Looks a little unorthadox, but Brian Eastwood makes exceptional instruments. He's also really good at making other manufacturer's sh*t ones sing just a little bit more.

I've had a set of flats (dunlops) on my fretless for just under a year, they're just about worn in. It's not unusual to have a set of flats on a bass for years. I'm about to put some pressure wound RS55s on my fretted Jazz. I don't expect they'll last as long as 'proper' flats, but I'm interested to see how long they stay 'zingy' for.

[quote name='pete.young' timestamp='1485093957' post='3221036'] About time this thread had a bump. Came across this conduit cutter in my local CEF yesterday, looks like just the job if you have a lot of enclosures to drill. Screwfix have them too. [url="http://www.screwfix.com/p/armeg-pro-step-drill-bit-4-22mm/8662R?kpid=8662R&cm_mmc=Google-_-Product%20Listing%20Ads-_-Sales%20Tracking-_-sales%20tracking%20url&gclid=CIaDt4D21dECFQEL0wodThANPQ"]http://www.screwfix....CFQEL0wodThANPQ[/url] [/quote] I use a stepper bit for all of my enclosures - saves so much time (and not so easy to lose!)

Just finished a couple of Fuzz Dog pedals. Usually I do them on stripboard, but I'd run out and I reckon my building phase is drawing to a close as I've got all of the bases covered (for now at least). Phase 90 clone (Faze 90) is awesome, but with a tiny drop in volume when engaged (added a small booster on the FX return of the switch) and their Ampegulator (Catalinbread SFT clone), which sounds great going into the DHA VT1EQ. Essentially I'm using it as a 'more dirt' channel on the board, and it's doing really well. Costly in parts, as it takes 8 (eight) JFETs, but I had them lying around after buying a job lot for the Faze 90 and getting 2 matched pairs.

Yup. One of the all-time greats.

[quote name='PaulWarning' timestamp='1486409828' post='3231591'] the way I got my Jazz to 'cut through' was to fit a push/pull volume control so I could make the pick ups in series, makes the lower mids more pronounced, a lot like my P bass, which I guess is not quite the idea, but does solve the problem of the Jazz not being heard in the mix [/quote] This.

[quote name='Barking Spiders' timestamp='1485173344' post='3221705'] Big Martin, ex Faith No More guitarist is a pumpkin farmer [/quote] Thanks for that; I was wondering about 'Big Ugly Jim' the other day. You've saved me a google.

it means fretting the string, but lifting your fretting finger off the string just enough to deaden the note - so you get a rhythmic noise and not an actual note. It's quite common in funk and disco. Scott's Bass Lessons has a video here: https://youtu.be/_GoQDWVuCes

Two of my suggestions have already been mentioned: Presto - Rush One Hot Minute - RHCP

Looks a lot like a Two Notes. I mean that in a [I]very[/I] nice way!

[quote name='casapete' timestamp='1484705365' post='3217714'] Donald Fagen, The Nightfly. Think I'm the only muso ever who doesn't like this. Those irritating 'clever' songs played so perfectly with no soul/feel. Liked early Steely Dan stuff, but then it all ended up sounding like this. [/quote] Me too. I don't get how you have a 'supergroup' at your disposal and end up sounding like lift music from the 80s.

Anything by the Eagles. I used to play in a band whose entire first set (roughly 45 mins) was in the key of G major and featured a minimum of 3 Eagles numbers. We shan't work together again.