paul_5

Swaying Arms - Deacon Blue.

[quote name='CHW' timestamp='1450703266' post='2934964'] Maybe the old fashioned methods of positive reinforcement are still the best. [/quote] True, but a big stick with nails in is LOADS more fun!

Moustachioed guitar legend 'Carlos Santana' only changed his name from 'Carlos Santa' to allow him to work all year round.

Is your amp close to a wall? That can cause boominess

I try to run the band's entire repertoire a couple of times a week - don't always make it, but I usually get through 80% of our stuff. The rest of the time I'm playing jazz/funk stuff for my own entertainment and enjoyment - it helps to keep my chops up too, and helps me keep on top of my 'ear' playing. In answer to the OP it;s about a 50/50 split. It doesn't matter that I'll probably never gig the jazz/funk stuff, I enjoy it and it's good to keep things interesting.

You can't fix stooped.

My guitar (6 string) is a 'Vintage' SG in translucent red finish - superb instrument for the money (my brother bought it 2nd hand for less than a ton). Took a bit of setting up, but now plays at least as well as the genuine Gibson SGs I've played.

I've just put some D'Addario flatwounds on my SG and they're superb! I went for 10s, as I was already set up for this gauge, and am very happy. They're really high tension (compared to my usual D'Addario XL10s), but the sound is superb. I tend to just play Jazz, and riff based prog rock (think TOOL etc…), so the issue about bending high tension strings isn't really an issue for me.

[quote name='paul_5' timestamp='1449872633' post='2927752'] I've bought a few albums this year - none of which were released this year. The closest is Primus' 'Wonka' album, and that was October 2014. [/quote] Sorry, I forgot I'd bought 'Sol Invictus' by Faith No More. Very good it is too.

I played guitar and keyboards in my teens, but couldn't figure out what was missing from the music I was playing and writing. Then, on the recommendation of a friend I bought [i]A Show of Hands[/i] by Rush and heard the bass break on the final track (side 4 if, like me, you had it on vinyl) - Closer to the heart. BOOM A week later I bought a bass and have played it ever since.

I'm a big fan of "fairytale of New York" and a couple of the others. I was looking on the iTunes store earlier today with a view to buying the 'Now that's what I call christmas" compilation album, when I noticed it had some bad reviews - apparently folks bought the album last year and have had it deleted from their iTunes accounts as it has been re-issued (with exactly the same track listing), and there's no Cliff on there either. So ultimately, if there want to revel in the capitalist anthems of the season then they'll have to buy it again. Humbug. We'll decorate the tree to 'Bitches Brew' again this year.

[quote name='Naetharu' timestamp='1450274479' post='2931246'] I think this is perhaps at th base of the issue. The fellow is a terrible guitar player (I mean aweful, knows no theory and cannot string a melody to save his life) and he uses scooped and over-saturated sounds to mask his bad playing. I guess its driving me crazy since how terrible he sounds is going somewhat un-noticed at practice because his tone is so aweful that it cannot be heard properly. I have a video of him doing a 'solo' toward the end of our last set and I just want to die of embaressment to be honest. He even tries to do some speed tapping...out of key and time...oh help me. [/quote] A bad workman always blames his tools. Sounds like you need to move on. Life's too short to play in sh*t bands.

[quote name='hairychris' timestamp='1450269918' post='2931184'] Having spent a lot of time in 2 guitar bands as a guitarist, I always found the guitars sit better with one more mid-focused, and the other slightly scooped. Note: slightly, as in just for emphasis, and preferably following the amp's strengths (Marshall JCM800 and Mesa Dual Rectifier is a fantastic combination, for example). [/quote] This. My main band has a one guitarist into a JCM800 head, into a full-sized 4x12" cab with a scooped tone, and another guitarist with a Peavey ValveKing MkII head into a 4x12" extension cab (smaller enclosure) with a lot more mids. They work really well together, and there's [i]just[/i] enough room for me to poke through with a dirty/clanky jazz bass. Took us a while to find what worked though, so if your guitarist is prepared to listen to suggestions bear in mind that it might take a couple of rehearsals (and even gigs) to find the solution.

I'd have walked at 'solid state Marshall'.

I use DI and mic, and blend to taste in the mix. SM57s will give great results - especially with a mild O/D tone, but I tend to use an EV RE20 for clean bass sounds.

I remember pitch pipes too - like a little, sh*t, harmonica.

Loads of great tracks on here - I'll add 'Turn the Page' by Rush [url="https://youtu.be/6E0m0Gcblp0"]https://youtu.be/6E0m0Gcblp0[/url] 'Ethiopia' by RHCP https://youtu.be/yirMSLeV3f0 and Charles Mingus' 'Better Git It In Your Soul' [url="https://youtu.be/hpZTtaWqxsQ"]https://youtu.be/hpZTtaWqxsQ[/url] there may be more...

So now I need 2 pieces of kit to tune up? I'm out.

I've bought a few albums this year - none of which were released this year. The closest is Primus' 'Wonka' album, and that was October 2014.

There's a brilliant video on YouTube running through the spectrum of sounds available from the early VT1s. The updated ones fo the same sort of thing but with a cleaner headphone output. http://youtu.be/cYpdDY3dMxo

I'm on my second VT1 DI-EQ. I sold my first one because it was a hassle having its own power supply (they are 12v, centre positive supply - the opposite of standard 'Boss' style pedals), and I thought I could get the same sound with other pedals. Turns out I couldn't. The mp3 and headphone sockets mean that I can practice at my kitchen table through headphones and still get a great bass sound. Compared with the MXR unit the overdrive sound on the VT1 is massively superior (IMHO) - it'll do tiny amounts of breakup to full on fuzz if that's how you want to run it. The big difference though is that the MXR is 2 channel, so you can set a clean channel and a dirty channel, whereas the VT1 is single channel on/off unit. You've also got a blend control on the MXR and not on the DHA, but to be honest, I've never missed it. The MXR automatically adds a 'mid scoop' on the O/D channel if I remember correctly, making you sound great when you're playing on your own, but put that in a band and you'll just disappear in the mix. That's what I found anyway. I never gig without it.

Massively different - the whole of We Will Rock You is a bad hatchet job.