paul_5

Shitsticks, that's awful.

This was on the BBC's webpage today - a little bit mo' info on the charity and what it does with the money... http://www.bbc.co.uk/news/health-24581600

"If you have to ask, you'll never know"

unplug it and dip the end in ethyl alcohol?

Mmmmm, fretless 'Rays just sound the BALLS. I don't know what it is with those 'speed bumps' that most people seem to have fitted on theirs though - stops the mojo coming out.

Not dirty. Not looped. I might do them under the 'trades descriptions act'.

Vai looks about 12 there!

Be aware that you'll need a 75ohm cable, not a standard phono to phono lead for S/PDIF connections.

Yay - Nick as the geek, loving it!

Congratulations on the win. Niiiiiiice bass that.

[quote name='DanEly' timestamp='1382447542' post='2252221'] Loverly advice. One last question, with Bart pups, what wire is essentially black/white? If that's makes sense [/quote] Looking through Bartolini's wiring diagrams it seems that their convention is Black = hot and White = earth/ground.

Big +1 to the live solos are boring posts! I think electric bass [i]can[/i] have just as valid a coice for expressive solo performance, but finding a player who can put all the pieces together is a real needle in a haystack affair. I was listening to some Marcus Miller tonight and I genuinely enjoyed his playing and musicianship. All the usual suspects (Jaco, Flea) etc... are superb musicians who just happen to have chosen the bass guitar as the tool of their trade. Players like these can stop an audience in their tracks at 20 paces. Expressive soloing transcends simply repeating charlie Parker/Jaco licks over the changes and enters the realm of communicating emotional content through sound. THAT, my friends, is a tall order. It's like stepping up to the microphone without knowing exactly what you want to say, and that can only end in embarrasment and airborne fruit.

[URL=http://s1221.photobucket.com/user/paul_510/media/like_zpsa48e7e17.png.html][IMG]http://i1221.photobucket.com/albums/dd471/paul_510/like_zpsa48e7e17.png[/IMG][/URL]

Dunno, maybe a 5 string unlined fretless Jazz with two humbuckers (but switchable between single coil and humbucking) and a John East pre. Swamp ash body , maple neck, ebony fingerboard, tort plate and olympic white finish. Not that I've given it MUCH thought. Pretty please...

Ms Hathaway is a brilliant singer - she's on Marcus Miller's "live and more" album doing 'summertime' (with Poogie Bell on drums too) http://youtu.be/G-SyzPda7RA

Good man - on all fronts!

Yeah, i should do some 'selfies' (i think that's what the young people call them) of my well-maintained beard before it goes down the sink.

Lightning Bolt from Pearl Jam.

Or give Derek at Watford Valves a call - I seriously doubt that there's nothing he doesn't know about valves.

A brief look through a couple of Boss (GE7B and OC2) schematics reveals that they use a 3.9kΩ resistor for the LED

I've bought similar adaptors in the past and have always had a very pleasant, hassle-free experience.

Not Jazzy, but certainly interesting... http://youtu.be/u7QaKxfa2kI

Buffet B12 clarinets are great for metal

Not used that one. A cheaper alternative would be the ARTEC SE3PA. I've got on in my fretless jazz and it's lovely. http://artecsound.com/pickups/index.html