paul_5

Oh my. GAS attack

We've had a few 'Jazz posts' on here, is it something like that?

Aluminium Teck Picks - nice and edgy.

should have just bought him a choc ice.

Just bought an Artec SE2A from Stu. Arrived quickly and well packaged. Good do!

[quote name='Mornats' timestamp='1355078908' post='1893793'] It's confusing as you can get the Drumkit from Hell EZX for EZDrummer... [/quote] Yes, but it's also great. I tend to run 2 instances of EZ Drummer in most projects - Vintage Rock for Snare, kick and hats and Drumkit From Hell for all the cymbals and extended range of toms. It takes a bit of work to get the two to sound like one kit but it's worth it. EZ Drummer is brilliant. I've also used BFD but I found the graphical interface to be a real nightmare to use compared to EZ drummer.

[quote name='hamfist' timestamp='1355043387' post='1893177'] I've just been through a mass of distortion pedals, only to realise that it is a fuzz pedal on a lower gain setting, mixed with a clean signal that I'm looking for. There's a "broken glass" quality in the high end (even without a tweeter) that is not to my taste with distortion pedals, [/quote] Ditto. I went through about a dozen last year and ended up going back to a Russian Muff. Replaced the 2nd pair of clipping diodes for a pair of germaniums and finally got 'my sound'. Kind of back where I started... ...it was fun finding out though!

[quote name='Horizontalste' timestamp='1354984049' post='1892649'] I like to use Nitrocellulose but youl need a decent respirator. [/quote] Can I not just hold my breath?

[thread hijack] what are the best type of spray paints to use on bodies? I fancy a white/tort number...[/thread hijack]

DHA VT1 EQ for me, I've dropped the overdrive in mine by replacing the 12AX7 for a 12AU7, but other than that, that's pretty much 'my sound' these days. Nice clean DI and a very flexible EQ section coupled with a warm (but not woolly) smooth valve tone or some grit when you need it. Ticks all of my boxes anyway.

http://www.davehallamps.co.uk/page29.html brilliant valve pre/overdrive with a line in and headphone out too. It's my main DI and practice tool.

I've just put a pair of these http://www.guitarfetish.com/GFS-JB-Pro-Jazz-Bass-Style-Alnico-Pickups_p_318.html in my fretless. it's a maple neck, alder (i think) body with a cheap Artec SE2a pre on board and I could not be happier with the sound - it's still warm but with lots of presence. It's got the potential for a really cutting lead bass sound too.

Shim that neck - it's like lowering the action on just the dusty end. Seriously though, I'd recommend getting your technique looked at by a bass tutor. It'll probably just need the one lesson and will save you loads in physiotherapy bills later on.

I was going to suggest "London Calling" by theClash... getting Parka.

[quote name='silddx' timestamp='1354707847' post='1889323'] Well done mate. Get it on Bandcamp Get your codes. Join the PRS and register with PPL Put some video on YouTube Talk about it on Facebook Don't overdo it with Facebook or you'll piss some people off and it will have a negative effect, gentle feeding and watering is the way. Gig gig gig gig gig gig gig, sell albums at gigs, approach people at the gigs and talk to them, ask their opinions, standing at the little trestle table at the back is not much use. Best of luck! [/quote] all of the above. And then gig a bit more.

Recently I've joined a classic rock covers band (and very good they are too), and have been trying to nail the tone of Thin Lizzy/Guns N' Roses etc... so I've been dabbling with playing with a pick. I've got two music degrees and 20 years playing experience, loads of studio jobs under my belt too so I'd say my timekeeping is very, very good. Trying to 'lock in' whilst playing with a pick? Feels like being a beginner again. I know that sometimes the pick gets a bit of a rum deal on here (sometimes in jest, other times not), but don't knock it folks; it's just another technique and is equally as valid as slapping, fretless or any other 'specialist' way of playing you'd care to mention.

If you trust the engineer and he has a proven track record / recommendations etc... then trust his judgement. He's probably thinking 4 steps ahead to what the bass will sound like in the mix - and that's what counts. Tracking bass isn't about keeping bass players happy, it's about the finished product - though a happy bass player helps...

Bass related and under a tenner? Metronome (if you haven't already got one...) 'nome 'nome 'nome

Vocals - Björk Drums - Dennis Chambers Guitar - Larry LaLonde (Primus) Bass - I'd have a stab at it. Not sure about keys, I might use Johnny Marr on rhythm though...

[quote name='Clarky' timestamp='1354559775' post='1887383'] Being owned by me devalues a bass [/quote] Yeah, I devalue basses all the time. In fact, I use MDP as an agent now and I find I get more for them on his eBay listings (as opposed to mine). He takes a cut though.... ...generally with a blunt saw in a really obvious place.