paul_5

hasn't anyone developed a 'single supply' limiter for use with (just off the top of my head) guitar amps? Just re-read the whole thread, the lump hammer will do fine.

All of what 51m0n says; sage advice.

I was a bout to suggest the old stalwart 'wire brush and dettol' but it seems that you've sorted it. As you were.

Just finished building my VaJazzle fretless bass - Mighty Mite neck, East pre, EMG PUPs etc... absolutley LOVE it.

Hartke Hydrive 410. Really loud, clear cabs.

[quote name='Joebass' timestamp='1331815640' post='1579299'] That's a handy chart. I don't like the spelling on it though. Should be spelt as triads on the E,A and D strings.(E,G#,B-A,C#E etc). The flats make it look more complex than it is. [/quote] Yeah, it's not one of mine - I found it on the internet and taxed it . It might even have come from a fellow BCer, can't remember now.

Yeah, back to the OP my stuff is something like this: Blade B15 and 'vaJazzle' fretless, Sansamp BDDI -> Ampeg SVP1500 -> Hartke Hydrive 410. There's a few effects in the middle, but they're in a perpetual state of ebb and flow. Generally there's a couple of distortions/fuzzes, octave, chorus, filter etc...

[quote name='icastle' timestamp='1331853048' post='1580099'] ...with a built in iPad to stay up to date with BassChat underwear preferences. I think it might require a crash helmet though... [/quote] Yes, Basschat definitely requires protective clothing. Also, am I wrong to really want one of the Oxford basses?

OK, I'll play. Here are my two - a Blade B15 with a Badass bridge and an East Retro 01 and a 'VaJazzle' bitsa (mighty mite neck and an East pre (again). Hmm, maybe I'm a bit too conservative in my taste in basses - time for a BC Rich or something next...

I've got a couple of Behringer Biros They're alright for now, until I can afford something better, and they seem to break every time I step on them.

I did ONE gig with as drum machine many, many moons ago. Thesound quality wasn't an issue, but the other musicians were hopeless at playing with a click. Part of that problem was probably due to inadequate stage monitoring - get that right and you should be ok. I'd definitely go with the programmed laptop beats - stuff like EZdrummer can sound very close to live drummers - except in time.

Brilliant news Clarky, glad to hear you're back in the saddle.

"PICKUP ONLY - NO COURIER - TOO MANY DAMAGED GUITARS - NOT EVEN INSURED HELPS" So am I bidding for just the pickup or the whole bass (assuming that I pass the audition)?

I really want this project to work, I thoroughly enjoyed the second edition - particularly the Jaco video, and am waiting with baited breath for the next instalment, but I have to say; the longer I wait, the less impressed I am.

Try this, should help you find out where the harmonics are, and what pitch they are: [attachment=102433:Harmonics.pdf] Cheers, Paul

good to see that most of his collection is 'in hand'.

Is this one a black label Japanese, or a blue label 'made in Taiwan' version?

Got this for the Snarling dogs 'wonder wah' - I would presume that the 'wah' circuit is based around the same idea, but with a couple of capacitor alterations to allow for more low end... [url="http://i69.photobucket.com/albums/i44/bside2234/SD-WW-Pg-2.jpg"]http://i69.photobucket.com/albums/i44/bside2234/SD-WW-Pg-2.jpg[/url] Sorry, I haven't got anything else at the moment.

Pino, Pino, Pino. My '80's guilty pleasure is this though... [media]http://youtu.be/14IRDDnEPR4[/media]

Allow me to muddy the water somewhat - you could always do what some players have done (Donald 'Duck' Dunn etc) and play a Precision with a Jazz neck. Problem solved.

Musician's Union are perfect for this sort of thing.

Beautiful job there, well done that BC'er.