paul_5

Basschat has a lot to answer for here. My GAS list for this year was to possibly defret my 5 string. I haven't done that, but so far this year I've traded amp heads and sold and replaced half of my pedalboard.... Curse you BC, you're so tempting and convenient and I'm weak, so weak...

No. I teach on music production courses at degree level, and the students are taught to eliminate any noise of this kind, which is fine as that's what the University stipulates. On a personal level I think that 'modern' music is overproduced, and the finished product should be faithful to the performance captured during track-laying - if that includes fret buzz then so be it. [/rant]

cheers for the advice. I thought it was a ground loop and tried all posts of gadgets to get rid of it. Isolating transformer, di boxes to lift the ground, resoldering leads etc... The valve in question is an old one that i was using to attenuate the output (12au7 instead of 12ax7) to eliminate a tiny bit of noise that i had in protools. At the moment it's redundant, as that valve just controls the 'drive' circuit, so as long as i don't use it it's clean as a whistle. Oddly enough the svp doesn't have a ground lift option anywhere. Oops

Jeez, how tall is your drummer? Looks like a series 5 4x10 combo, not sure about the 1x18. For a lot of people this is the time that Trace really hit their stride as far as making great amps goes, so somebody should want it. Your quote might not be too far off the mark.

Sorted, swapped V4 and V5 over and voila, no noise. Whodathunkit?

i've only ever bought one bass brand new (straight from the distributer and not hanging up in the shop for 6months). The distinct advantage of this is that i get to relic it myself!

Have you tried boosting the mids and maybe rolling off a little bass? Sorry if that sounds condescending, but it's easy (and free) to try.

welcome to the forum, nice to have you on board.

IT's quite interesting really, you don't get many basses with green frets. Looks like it's been screwed to the outside wall of a music shop in lieu of a proper sign. Not so much 'relic'ed' as simply 'liced' "three strings, that's one more'n y'all need for country music bowah!"

Hi All, I've got two Ampegs - A B2RE solid state and an old SVP PRO preamp. I'd like to use the SVP as my main pre (for obvious reasons) and use the B2RE as a slave amp. I'm currently going from a preamp OUT (1/4" socket) on the SVP to the poweramp IN (1/4") on the back of the B2RE, I know this shouldn't be rocket science, but the pre is really noisy when connected like this. When I use it at home or studios (it's my main recording kit) it's practically noiseless. I'd like it to be noiseless live too, but so far that luxury has escaped me. It's been retubed with quality tubes, and had new power supply caps and a new mains transformer fitted (both from authorised Ampeg suppliers), and the fact that it's quiet when it's just being used as a pre leads me to believe that the problem isn't wit the SVP. Any thoughts? Does it make a difference twisting the two wires that go from the AC inlet socket to the On/Off switch together to act as a 'choke' (of sorts)? is this even safe? [b]edit:[/b] I should add that everything is coming from the same 13A ring - heads, pedalboard supplies etc..

I absolutely love my MXR, it's got a switchable distortion circuit, so for me it scores over the Tech 21.

[quote name='Vibrating G String' post='764686' date='Mar 5 2010, 04:52 AM']Right at 4:40 [/quote] Yeah, but to be fair, the rest of it kicks ass!

Joy Division's 'Disorder' at 1'07". a real honker. Also all of 'you shook me' from Led Zep 1. Slide guitar hopelessly out of tune throughout.

Nice. Sounds like there's few tracking problems withe synth bass on that track. Nice and analogue and better for it though.

Olympic white Jazz bass with a tort scratchplate and block inlays. Mmmmmmm. [attachment=79397:68FenderJazzBassOW.jpg]

I tried one the last time I was shopping for a bass, and found the switches really noisy - audible thumps through the amp whenever I changed the selection, so I didn't buy it. Awesome range of sounds though, and a lovely neck profile made it a dream to play, I just feared for the safety of my speakers.

Did some dep work with a fairly locl soul / funk band. Great set and great musicians (Disco Inferno, Carwash etc...) and all serious fairly pro guys. We played some function or other for some bloke who was a millionaire or something. What a complete twat. The single most obnoxious piece of work I've ever met in my life, he kept making little comments about how much money he had and what the bash had cost him etc... Nobody got stabbed, but he really wound me up.

[quote name='reggaemaster' post='1224601' date='May 8 2011, 10:24 PM']I just listened to some sound clips and i am kind of set on the M80 now :-/ I just really like the distortion, mainly due to the dry/distorted blend knob. Sorry and good luck with your sale![/quote] I absolutely love mine, as do plenty of others on here. I've just built a pedal board with a looper switch, and have placed the M80 outside of the loop, so that it's always on, no matter whatever else is going on - it's become such a big part of my sound.

Geddy Lee. In an entirely non-sexual way. Shame on you all...