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paul_5

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Everything posted by paul_5

  1. paul_5
    And so you should!
  2. paul_5
    These are probably my favourite of Fender’s recent output! 😍
  3. paul_5
    If you're handy with an iron then you can swap the 33k (I think) resistor between pin 2 of the opamp and the gain pot - this sets the minimum gain of the unit. Easier to buy a Spark though - those things are great.
  4. paul_5
    Salut! Bienvenue à BC!
  5. paul_5
    Hi, they have been on a fretted P with a 'standard' fender bridge. There's not much wear on the strings as it's my 'corner' bass, and sits redundant more often than not. Cheers, Paul
  6. paul_5
    Plus, as a professional, it’s tax-deductible…
  7. paul_5
    Ikr, she’s still moving her mouth after she’s finished singing!
  8. paul_5
    How far away are you standing from your amp? low frequency sound has some looooonnnggggg wavelengths, could be that standing further (20ft or so) away from your amp might help you to experience more ‘bass’.
  9. paul_5
    swap instruments?
  10. paul_5
    Gallery - Amy Winehouse
  11. paul_5
    …and a shed load of patience, dedication and a big stick with all nails in it.
  12. paul_5
    I disagree. It's dreadful, but at least he's gone the 'whole 9 yards' and accessorised it with a mullet too. Marks for effort.
  13. paul_5
    Thank gawd he 'forgot' occasionally...
  14. paul_5
    What amp and/cab are you using? ampeg cabs have a natural bump at about 200Hz which always helped my jazzes deliver massive amounts of low end whenever I’ve played. Currently I’ve got a custom bass cab with a sub woofer in it and it’s equally deep.
  15. paul_5
    Panthairsoft?
  16. paul_5
    Latter day RHCP stuff?
  17. paul_5
    Changes in the tone stack - it lets more bass through, might be slightly less gain than the NYC one. here’s a link to a site that lists all of the different types, and their main differences. i find this sort of stuff interesting, for some it’s worryingly obsessive- you pays your money etc… http://www.kitrae.net/music/big_muff_history.html
  18. paul_5
    I’m annoyed with power bricks that don’t supply 9v, 12v and 18v simultaneously. 😄
  19. paul_5
    mmm, I’ve found that I prefer to use dirt boxes with passive basses; stingrays just don’t do dirty to my ears. obviously YMMV, and Timmy C (amongst many others) seem to be ok with the sound.
  20. paul_5
    SOLD I made this ages ago and used it as a preamp into a power amp for a portable rig, but now have a mini-head so it’s not being used. Loads of clean gain and headroom thanks to an internal voltage doubling circuit and 3 band eq with switchable mids. Great for use as a clean pre or a second amp channel. now £30 posted to UK mainland SOLD
  21. paul_5
    If you’ve only got one guitarist then I’d be wary of any sort of Muff - the mid scoop is an integral part of their sound, meaning there’s a big hole in the bass tone to help you disappear in the mix. the EQD Cloven Hoof or Coloursound Bass Fuzz will do it.
  22. paul_5
    Outstanding choice!!!
  23. paul_5
    Common advice for this is to get a multi player ffects unit and find one that you like. Then go out and buy the real thing, fall in love with it for about 2 weeks and then rinse and repeat. 😄
  24. paul_5
    I think it’s something to do with the human ear having developed to be more sensitive around the ‘speech’ frequency -round about 1kHz - too much information around this point in the audio spectrum can be tiring on the brain, so scooping it out makes for easy listening. I could be wrong though.
  25. paul_5
    And Club Tropicana too.
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