paul_5

This sounds like it’s the sort of thing you’re after; 12 bar blues with lots of ‘extras’ to keep things interesting:

Awesome, this is brilliant!

Reagan’s Raygun. Maggie Thatcher, Milk Snatcher.

Aww, why do I see this just as the cricket season ends?

My Name is Prince - Prince (durr)

The white stilettos

Running round the fountains in Trafalgar Square - George Formby

I tried not to use one, as I like having individual pedals that I can adjust on the fly if I need to, but realistically, some of the dep work so do uses synth bass sounds, so it’s just easier to store a patch that turn on a compressor, octaver, filter and chorus at the same time, and allows for different patch variations to be saved ( slower or faster filter sweep, depending on tempo), so I’m all in. I still use a lot of analogue pedals though; the overdrives just ‘feel’ better from a playing perspective.

Everybody’s free - Rozalla

What was going through their mind? Lysergic acid diethylamide, and lots of it.

Dancing in the moonlight- Thin Lizzy

The fact that the XLR output is working means that the preamp is probably OK. The problem is probably your power amp stage - are these valve or solid state power stage?

My personal favourite is the chunk systems Agent 00Funk.

You might say that, I couldn't possibly comment.

Morrissey is a twunt, that’s understood. Andy Rourke was a cellist before being a bass player, so I reckon that’s where to melodic side of his playing came from. I met him once. We did not get on.

first off, best wishes for a full and speedy recovery to your skinny-stringed comrade. Nirvana stuff?

And with enough delay it’ll last well into the night too!

Wash yer ‘ands yer filthy pig! 😄

Erm, a DI box is a cable adapter… 😄

Jesus!

I’d plump for a cable, but definitely longer than the one above, with a right angled TRS jack plug just in case it gets bumped. Your sound / recording engineer won’t thank you if it gets knocked out by accident because it’s a 2” long metal plug sticking out of your amp like a chapel coat peg.

This, on the other hand, is a thing of beauty… Les Claypool’s ‘Rainbow’ 6 string fretless Carl Thompson.

I always loved this, even before I’d heard the album. Not sure I’d pay money for it though.

Lemmy’s ‘Rickenbastard’ has to be one of the most iconic basses ever.