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paul_5

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Everything posted by paul_5

  1. Yeah, then they left the vocal track in. Big mistake.
  2. The Rick-O-Sound uses a switching jack as secondary output, so that when a second jack is plugged in the pickups are split neck - output 1 and bridge - output 2, if there's no jack in the second output then the main mono output just gets both pups in parallel, similar to a standard Jazz bass wiring. That's the only thing about Ricks that I like.
  3. Recently bought this as faulty, but jI W fully with eking after making a replacement daughterboard for the footswitch. comes with all the usual ‘case candy’ - cotton bag, instructions and original box. Based on the Mutron (optical envelope detector), so a lovely vintage filter that will do up and down sweeps.
  4. A couple of Maytags and a rotisserie.
  5. yeah - already been playing with my Faux-C2 octave. NICE!
  6. Not tried this before, so I thought I’d give it a spin... ...holy f@?£, that’s a lot of fun!! It’s like a second channel for my 00Funk!!
  7. My thoughts exactly - had one and it was incredibly versatile, but just didn’t scratch my chorus itch. I’m using an EHX Small Clone and I love it. Granted, it’s nowhere near as flexible, but it just sounds right to my ears.
  8. Your TIP147 power transistors will only run to 150 degrees C anyway.
  9. That looks like it’ll be fine; operating temperature up to 240 degrees C - the solder on the boards would melt at just over 200!
  10. paul_5

    Zoom models

    Hi. I'm considering a zoom unit for my pedalboard. It needs to be small, and do phaser, synths, and (ideally) a sequence/arpeggiator with a tap tempo function. Is the Zoom B1-Four any good for this, or should I look elsewhere. I've had an MS60B in the past, and the build quality and footprint are ideal, but just curious how far things have moved on since I last played one.
  11. Just had a blast through mine and love it! One of my favourite filth boxes!
  12. I've just been having a play with this website: http://www.ysw-tct.com/kisekae/kiss_jb/Kiss104.aspx?p1=JB01 I still like Pearloid!
  13. I really like a pearloid white guard against 3TS
  14. Yup, you’ll be fine. Big standard strings will work on an acoustic, as the pickup is a piezo, and picks up physical vibration, instead of using ferrous metal strings to generate power (hence acoustics always have a preamp), so you’ve got more choice with regards to string material (phosphor bronze etc) with an acoustic. I had a short scale acoustic a few years ago and loved the sound of it with flats. I’d stay clear of high tensions strings though, as I was never keen on the idea of wrenching the truss rod up on an acoustic, other BCers with more experience may Pooh Pooh thus though.
  15. Yeppers. I love 3 pieces for this exact reason.
  16. I’ve tried a few, and here’s what I’ve found: Ernie Ball and Dunlop - very stiff La Bella and TI - very floppy Ernie Ball Cobalts - just right.
  17. I thought that first video was an outtake from Father Ted!! Do they do ‘my lovely horse’ as an encore?
  18. Only the ones who sleep indoors.
  19. Fuzz is overdrive on steroids - so overdriven that it compresses the top (peaks) off the wave and turns a sine wave into something similar to a square wave. And bass fuzz is awesome.
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