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paul_5

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Everything posted by paul_5

  1. paul_5
    Oof! So, to sum up: oof! 😮
  2. paul_5
    Best jazz I ever played was a Blade.
  3. paul_5
    Björk’s Biophilia album. 🥰
  4. paul_5
    Ain’t no mountain high enough - Diana Ross etc...
  5. paul_5
    I’m in the same camp as a lot of you; loved Ride the Lightning, Puppetz and Justice, but after that they sort of lost me. I find myself listening to Hardwired and (to a lesser extent) Death Magnetic and miss the bass. Cliff’s playing and writing was superb, and elevated Metallica to a level above their peers. It’s always been James and Lars’ band though, and Cliff’s death just made it even worse.
  6. paul_5
    Maxwell Murders. Top that bad boy!!!
  7. paul_5
    ‘Ugliest woman I have ever seen!’
  8. paul_5
    Louis Armstrong. As far as I’m aware he was never any sort of weightlifter.
  9. paul_5
    They’re really not!! 😄
  10. paul_5
    And is it any good for metal...? 😄
  11. paul_5
    Samples bump - it’s slightly more versatile than this, having 3 different sweep times available, but this gives a good idea of the kind of sounds... https://soundcloud.app.goo.gl/uJRPeSTkWeSgNmJK9
  12. paul_5
    Joy Division
  13. paul_5
    What?!? The Pistols rehearsed?!?
  14. paul_5
    The simplest way to do it is a DPDT (double pole, double throw) switch. It has 6 lugs: 1 | 4 2 | 5 3 | 6 2 and 5 are connected to the toggle lever, so when lug 1 connects to lug 2, lug 4 connects to 5 - this leaves lugs 3 and 6 unconnected. Same thing in reverse when you flick the switch - pin 2 connects to pin 3, and 5 connects to 6. Snip the wire from the crossover to the speaker in two - you now have 4 loose ends... Connect the 'Live' wire from the crossover to 2, and the 'Ground' to pin 5, then connect the 'Live' speaker cable to 3, and the speaker 'Ground' to 6.
  15. paul_5
    it's just a switch job - nut make sure that the switch is rated to carry the amount of juice that you'll be putting through it. Impedance wise it's a moot point, as the crossover inside the cab will effectively eliminate any change in the load that the amp sees.
  16. paul_5
    Chunk systems Agent 00Funk. Love it!
  17. paul_5
    TUNE!!!! 🙂
  18. paul_5
    I recognise that sansamp clone layout- it’s John K’s layout (John Is a huge contributor on the diy pedal forums) and it’s superb. I notice it has the upgraded opamps too; sansamp use the humble TL074, but John’s layout has TLC2264s. If I hadn’t just finished making one I’d have had this! GLWTS
  19. paul_5
    Annie wants a baby - RHCP
  20. paul_5
    Is it even still working?
  21. paul_5
    Lovely fingers, bitsa Jazz/Stingray hybrid fretless (usually), pedalboard (mostly bypassed) DHA VT1 EQ. iEMs. not used an amp for too long. ☹️
  22. paul_5
    Spotted this the other day and though if this post - a BMC for £75. Definitely worth investigating.
  23. paul_5
    These are really good, I bought one for my fretless Jazz and liked it so much I put one in my fretted jazz as well. I might even put one in my P...
  24. paul_5
    Solid state drive and lots of fast RAM (assuming he’s using plugins) are an absolute must. There are modifications you can make to Windows (mostly turning off a load of unnecessary apps that run n the background), but Windows would not be my first choice; how does he feel about Linux as an OS?
  25. paul_5
    Rush at Sheffield on the Roll The Bones tour. Not sure if it was the first ‘big gig’ I’d been to, but that one stands out as being too loud.
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