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paul_5

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Everything posted by paul_5

  1. Hanging’s too good for ‘em - nail ‘em up!!!
  2. I had a play about with it last night, as my plan was to import some Mellotron samples and not have to buy a soft synth mellotron. That is a MASSIVE rabbit hole - there’s so much functionality with this thing.
  3. Mmmm, toroidal transformer, tag board and tubes, what’s not to like?
  4. paul_5

    Zoom MS60-B

    Some power supplies don’t like supplying analogue and digital effects at the same time. Have you tried just powering the zoom on it’s own?
  5. As we’ve already had my favourites (Guy Garvey, Jarvis Cocker, Bill Bragg etc...) I’ll give a tip of the hat to Freddie Mercury’s upper class British accent that poked out every now and then. less favourable mentions go to Joe Elliott of Def Leppard and Milli Vanilli.
  6. ‘Murder One’ - written by Metallica about Lemmy.
  7. It worked really well, the best way would probably be to take the on board switches out of the equation, and just have it exclusively controlled by the foot switch - I might try that this week, as I’m off work with COVID.
  8. Back when I worked on analogue kit with outboard kit I’d bring the FX return back to a spare channel on the desk - reason being was that I could eq the reverb (for example) to suit the song, also gave options for panning effects. These days I group the effects in with the source material (brass tracks with brass reverb etc), as it’s just easier to mute or solo the group and not have to find where the extra returns are.
  9. It’s better than the alternatives though.
  10. Best. Fuzz. Ever. I didn’t think I’d ever take my coloursound bass fuzz off my board until I found this.
  11. I ran an 410hlf and a t coloured the sound immensely - a real hump at about 200Hz. Sometimes it was great, other times not.
  12. I was in a and with my twin brother for a while - we had fun and didn’t fall out. There, I’ve said it.
  13. I've done this sort of thing before - I use a DI box in front of the pedalboard, then take a DI feed with my overdrive units on it. Producer can chop and change, and as a player I can have more fun with a bit of filth.
  14. Just had a quick play with this in Cubase on some DI’ed bass tracks - it’s really very good; an excellent software version of the BDDI. Well worth at least $5 of anyone’s money.
  15. Not necessarily 'cheap', but good quality part bought from wherever I can find a good deal, and then lovingly hand bodged crafted into playable instruments.
  16. I put one in my Jazz basses - between the two J pups. I can record you some audio samples later if you want to hear how they sound.
  17. Good spot, it’s AAX format too, so it’ll play with pro tools as well as Cubase.
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