Agree completely. 🤮
My own pet hates are ‘Buzzard’ basses -
and basses with more knobs than strings; if you exceed this number then you’re an audio engineer first and bass player second.
seriously, get stacked knobs and do it tastefully!
Bought Andy’s B1-Four. Arrived very quickly and packaged to survive the Post-apocalyptic UK postal service.
Deal with confidence BCers. Two thumbs good.
Superb chorus pedal that will go from smooth and light to heavy and wobbly with a switchable crossover and 2 band eq
in excellent condition with original box and instructions.
price includes p&p to Mainland UK addresses.
velcro on the underside too!!
RBass from Wavea is essential for me - adds ‘heft’ to a DIed bass track.
I really rate their SSL buss compressor, and use it on my master outputs pretty much all of the time just to help glue everything together.
I’d be more worried about his soldering skills than damned filthy apes - check out picture no.5.
I doubt I’d have him upholstering my soft furnishings either.
I agree fully. The best thing about Ampegs for me is the flexibility in the midrange.
I don’t like the original Sansamp BDDI for the same reason, but they do seem to be reasonably popular... 😉
First one I learned was ‘free will’ by Rush - it was in an edition of my brother’s guitar magazine, and the only bass music in the house. Not bad for starters!!