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bassist_lewis

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About bassist_lewis

  • Birthday 04/05/1989

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  1. bassist_lewis
    It's been interesting reading everyone's experiences. All a little different, but also very similar. Certainly helps me feel more comfortable taking time off, and hopeful about the outcome.
  2. bassist_lewis
    Mine came with D'Addarios, but I changed them to LaBellas a few months after getting it. I have nylons on my JMJ and love the sound. Though being plastic if there's a ground loop, touching the strings doesn't eliminate the hum.
  3. bassist_lewis
    not surprised at all you're enjoying it! Viv makes some of the best basses in the UK. The real trick is being happy with just one! Interesting you mention the HPF. I have one on my Noble and I use it with all my basses except my Mullarkey. With the Serek and JMJ it does as you say, takes away the mud and makes it sit nicer in the mix. With my Mullarkey it made it took away too much low end, making it sounds thin. I wonder if the difference is in the basses, the HPFs or our ears?
  4. bassist_lewis started following Who are you seeing live next? , Latest board is B I G G E R than I thought , Anyone else done a hard reset? and 2 others
  5. bassist_lewis
    Please tell me you use this with a wedding band for Mr Brightside etc
  6. bassist_lewis
    I'm kind of hoping for this: having a sense of what I actually want to do on the instrument. I've been practicing technique pretty hard for the last 18 months. Its been great learning how to learn, but its not quite music is it... I've met a few dads with the same story!
  7. bassist_lewis
    If this happens for me I'll be happy.... I hope!
  8. bassist_lewis
    I've been playing for almost 25 years now, and gigging regularly for 15 of those, largely in covers bands with a few originals. Five years ago I qualified as a teacher and have been full time for two, all the while doing gigs on the side. This last August I did my last wedding (sort of... I booked one next June because it was 20 minutes from my house and I finish at 9pm!) because its too much working full time, gigging most weekends and being married. Income was the main reason I played, both gigs and practice, but with a full time and very reliable job (feeling very grateful amongst all these layoffs), I've felt at a bit of a loss as to why I play. So, in discussion with my wife I decided to take a month off playing to reset and see what happens at the other side. I've not burned any bridges. I still have 3 bands on the go (one is gigging at the end of the month), but I want to see what kind of motivation is left with now money isn't one of them. Anyone else taken time out from playing? Did it change how you felt about playing or why you played?
  9. bassist_lewis
    I bought a One10 WIDE, so I have one for small gigs, Three10 for medium or bigger gigs (if there's good monitoring) and effectively a 4x10 if I really want to blast it. The Three10 has a relatively small footprint, hardly bigger than your average 1x12 cab.
  10. bassist_lewis
    Admirably! Mine never struggles.
  11. bassist_lewis
    I'd put the POG2 before the Big Muff, as the Muff will affect the tracking on the octaves. Experiment with chorus before and after the Muff, it makes a big difference!
  12. bassist_lewis
    knew it wouldn't last long!
  13. bassist_lewis
    I've had this for a few years and not really used it much, and with life about to get more expensive I can't justify keeping it. These are very hard to come by (hence the price), and it doesn't look like Spencer is going to be building them again any time soon. It's definitely one of the most malleable filters out there, with lots of controls for attack, decay, response etc, plus the FX loop. I don't have the original box, only the Wonderlove box it had when I bought it, but it does have the original instructions. Price includes insured delivery.
  14. bassist_lewis
    I managed to play one of the Mustangs when I was on holiday in the US last week and it plays very well. Setup wasn't quite to my liking but it felt well made. The neck had a brushed feel I've not encountered before. Not bad necessarily, just new to me. It sounded good through an Ampeg combo, and given I don't like Ampegs that must mean it sounds very very good! Its a slab body, but the there is more controlling round the edge than my JMJ Mustang, much more rounded. I would appreciate 70s contouring on a Mustang, but again its not huge minus. Overall it felt like a well made instrument. I'm not sure £1500 worth of well made, but you pay a premium for American labour. I recognise the comments about this line rehashing other lines and I think that is a valid criticism, especially for the Ps and Js. However, as far as Mustangs go, this is a nice slightly higher end addition to the current roster i.e. the Squier CV and Broncos (yes, I know its technically a Musicmaster), Vinteras and JMJs. I never liked the American Performer Mustangs with two pickups, so this feels like a good replacement to me. It'll be the faded Dakota red for me please... when I have money... which probably be never in this economy...
  15. bassist_lewis
    My mum is very generously taking me to New York tomorrow, where we're going to see Ron Carter at Birdland Jazz Club, then off to Minneapolis to see Paul McCartney(!) Ian Allison is doing a clinic at The Guitar Shop NYC, but we have to be at the airport right as it starts 😭
  16. bassist_lewis
    What's the story on these? They look pretty cool! Spied this on Reverb: https://reverb.com/uk/item/92525158-yamaha-broad-bass-bb-vis-short-scale-solid-body-31-5-scale-mij Short scale (ish) Yamaha form the 80s.
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