Kev

Speechless. [url="http://www.pikeamp.com/collections/all"]http://www.pikeamp.com/collections/all[/url]

At best, an awful wood grain. At worst, well, anything really, crack?

To quote Chris, 98% complete. Just need the ziricote knobs sorting and a final setup and I'll be picking her up, not before it has had it's pro shots of course So close...

Petty issue, but is that really the final artwork on the pedal??

I really hope this works. I just can't see it, and the price is too high for it not to be good enough, considering the retail price of the DI. In fact, the price is very high, when you consider DI was selling for £80 odd street at the end. Can't mark up due to rarity factor of the original! Digitech got that right with the bass whammy.

High Gloss is a custom option for all Warwick master built instruments, and I believe is standard on some of the cheaper Rockbass instruments (used to be on the older Pro Series basses as well?). Strictly speaking, the Masterbuilt German models are all custom order now, so its just a finish option in addition to their natural oil and coloured oil finishes.

[quote name='tauzero' timestamp='1446818630' post='2902624'] Probably, as long as I decide that I can cope with 6 strings. Might even take it to the Copper Pot in Leamington Spa on New Years Eve for Kev to lust at [/quote] Ha! Out of interest, why the copper pot??

Suddenly my yellow NG-2 looks quite subtle! haha Nice work though bud, certainly a transformation.

Most of it sounds like Fender QC, to be honest, but the bass is certainly not as described, hopefully paypal will have your back.

Out of interest, what is it about the natural finish you didn't like? I personally love the natural finish and how you can easily maintain its appearance, as opposed a gloss finish which can look quite scratched and battered after being on the road with no easy fix. Tub of beeswax, cloth, elbow grease and you're away!

So, the electronics package:- [color=#141823][font=helvetica, arial, sans-serif]- Volume (pull for passive mode)[/font][/color] [color=#141823][font=helvetica, arial, sans-serif]- Pickup pan / blend[/font][/color] [color=#141823][font=helvetica, arial, sans-serif]- Dingwall 4 way rotary for neck pickup (which gives back coil, both in series, both in parallel, front coil)[/font][/color] [color=#141823][font=helvetica, arial, sans-serif]- Dingwall 4 way rotary for bridge pickup (which gives back coil, both in series, both in parallel, front coil)[/font][/color] [color=#141823][font=helvetica, arial, sans-serif]- Nordstrand Mid boost/cut (pull for mid shift)[/font][/color] [color=#141823][font=helvetica, arial, sans-serif]- Nordstrand Bass + treble boost + cut (stacked)[/font][/color]

Periphery in Birmingham in a couple of weeks

There is no set rule on what scale length is right for a B string. I have never noticed much of a difference between the 33", 34" and 35" basses I have had. Worst B I have encountered was a Peavey 35". What I don't like is the feel of a D and G (and C on 6 strings) on a 35inch or more scale. For me, Dingwall get it spot on with the multi scale lengths for string balance, but the first position is not the most comfortable at all. Generally, if you discount Fanned frets, for me the best balance comes from 34" and I have chose that scale length for my Alpher build as a result It's all subjective what is best, however to say the longer the better as a general rule is wrong

http://www.kerrang.com/37510/good-tiger-stream-new-album-a-head-full-of-moonlight/ I really dig this! They are supporting Periphery on their tour this month so looking forward to seeing them.

Ha. I tried to buy that instrument from Tom for years and he kept finding an excuse not to sell it to me, or just ignoring my emails! How did you get it off him? Give me a shout if you decide it isn't for you!