charic

IIRC the ATK's have a neck shape similar to a P bass. P basses and stingrays are generally more round, "fatter" necks Jazzes and sterlings are generally flatter, "thinner" necks Warwicks actually come in a variety on neck profiles

I think once you add an extra string you need to forget about what profiles used to suit you, a 5 string jazz doesn't feel like a 4 string jazz etc. Assuming by Jazz you mean skinny, then Ibanez might be worth a look.

I have to be honest, I love my P bass but having played a fair few different Fender 5's (some set up fantastically by members on here at basschat)... They just don't work for me, at all... Basses I would prefer in a similar price range that I've played: Musicman (I like the 5's but not the 4's...) Warwick Yamaha TRB series (Honestly, one of the best I've played) Sadowsky (About on par with the TRB) Dingwall (THE BEST 5 I've played, not the combustion though so slightly higher budget) All of these have played much better and generally responded better to my playing than any of the fenders I've tried.

As long as "Paper Soldiers" is owned by you and not the old band then I can't see a problem with continuing down that route as long as you don't want people to consider it a completely new project.

Is it a REALLY big bass trap?

Amazing work as usual!

I take your : [quote name='bigjohn' timestamp='1355794254' post='1902954'] Excellent, excellent... [/quote] and raise you :

[quote name='silddx' timestamp='1355758411' post='1902261'] I also like zero frets. [/quote] That would be a fretless then

I love my 1/4 pounders, if you're every over my way you're more than welcome to pop over and try it out.

Is installing monkey bars really essential for a studio?

Looking goooooooooooooo... ... etc ... ...oooood

You know... not once have I used a reference... I just do what I think sounds best. I'm probably weird

I like the fact that you tell us what colour the pixel is

Actually, tell him there's a rigorous initiation that he has to pass first then mess with him until it gets boring

[quote name='LukeFRC' timestamp='1355745479' post='1902011'] * you're ! [/quote] Corrected, I'm usually pretty good with these things. Unfortunately I was talking a sly break from my work and typed in a hurry

Convince him that his own project would have much better prospects, I mean... you're JUST a cover band after all

They look nice Other than that, umm... they're hard wearing?

Get a second hand bass on here, I'd recommend around about the £200 mark, I doubt there'll be anything even close new which would be as good. A fairly decent second hand amp (with DI out) would mean you don't need to worry about volume. For value for money I would recommend ashdown or hartke. There's also some pretty insane deals going around the TC electronics deal.

The rh450 will actually run down to 2ohms iirc

Are you hanging the last person who's cheque bounced?

Ill be honest, at this point in time weight is the least important thing

Cheers everyone just got back. Ha, they're pretty beefy cabinets! Bert, Pm'd mate

Tbh I dont like behringer either Main source will be coming from a laptop for its main use (monitoring electronic drums and synths as we dont have a drummer, maybe some guitar too) Mixer is a korg d888 from my recording days until I get something smaller/less fragile I have no idea what theyre like lol, im picking thrm up today but they're unloaded atm. Mics we have are shure sm58 and super 55sh

Im looking for a pa about 500w a side at 4ohm. Any advice on what are good/bad? Definitely looking 2nd hand (may upgrade later) Currently watching: Behringer ep2000 QSC RMX1450 Samson s1500 Yamaha p3500s Its to power 2 x bfm dr280 loaded with Eminence Delta pro12s