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thebrig

⭐Supporting Member⭐
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Everything posted by thebrig

  1. I've now quit the band, I've had a few pleas to reconsider, but as much as I love them all, I don't think anything will change, and I respect the fact that we all have different views on what makes a band work, so I will move on. I've wished them all the best, and hope that they find a replacement bass player soon so they can move on.
  2. I have to admit that I never clean strings, I use D'addario nickel strings and they last me at least six months because I prefer them once have they lost that zingyness, and I usually buy three sets at a time so it works out about £18 for six months use, which is not bad imo.
  3. [size=4][quote name='TimR' timestamp='1492672122' post='3282095'] Ok. How often do you practice and what is the objective of each practice? How long have you agreed that it will take to be gig ready? If it's a start up learning 33 songs you need a solid workable plan and you also need to be very flexible on how the other members commit tunes to memory. As I said before, learning tunes to recordings is one thing, but it's when you play them in a band situation that they get cemented in. You have 16 songs, you can't run through them all in one night and go through new ones as well. You need to work out which tunes are 'passable' and put them to one side, play them once every couple of weeks. You need to pick the tunes that need work and play them a couple of times each week until everyone is up to speed. You need to pick two tunes to learn for next week. These are examples of the way I would approach it, I don't know the ability of the guys you are playing with, but you need to have some kind of plan. Go away and learn 33 song is not a workable plan for a start up. [/quote][/size][color=#000000][font=Helvetica][size=2] [size=4]After our drummer from our old band through his toys out of the pram, myself, the guitarist, and the singer had a meeting on 30th November 2016 and decided to take a different route, we came up with a setlist there and then, and we agreed to get stuck into them and hopefully be up to gigging speed by the end of May 2017 (six months).[/size][/size][/font][/color] [color=#000000][font=Helvetica][size=2] [size=4]We found a new drummer and we’ve rehearsed once a week since then, and last night was the 20th week that we have been working on them, and we only have about a dozen songs that are ready, that’s just over half a song a week, which in my opinion is a poor return for the time we’ve put in, and money we’ve paid out on the rehearsal space.[/size][/size][/font][/color] [color=#000000][font=Helvetica][size=2] [size=4]I’m a believer of learning the songs away from rehearsals and then piecing them together, of course some songs don’t work too well and need a little bit of extra work done, or we might decide to drop them altogether, but as I said before, everyone should at least know the structure of the songs, obviously those with faded endings, we will have to work out the endings, which is no problem for me at all.[/size][/size][/font][/color] [color=#000000][font=Helvetica][size=2] [size=4]Even if we had agreed to learn just two songs a week, our set should have been complete about a month ago, and we should now be polishing them all off and getting them ready to gig.[/size][/size][/font][/color] [color=#000000][font=Helvetica][size=2] [size=4]The songs in our set are pretty much straightforward, and a good example of my frustration is that we have now run through such a simple song like “Tush” five weeks on the trot, we agreed to play it as per the original version with a double solo in the middle, and finish it with same stop as per the original, but the singer still came back in over the second part of the middle solo, and the drummer carried on playing at the end even though the rest of us stopped where we agreed to, surely we shouldn’t be messing up on such a basic song that we have played many times before.[/size][/size][/font][/color] [color=#000000][font=Helvetica][size=2] [size=4]Our first gig is on 3rd June 2017, at this rate there is no way we will have the songs ready, they might be happy to go out and put on a mediocre show, but I won’t.[/size][/size][/font][/color]
  4. [quote name='Dad3353' timestamp='1492642877' post='3282019'] No, indeed you're not, but you are wrong in expecting them all to have the same goals/standards/motivation as yourself. They have, apparently, different ambitions; either accept that, or cut your losses and find like-minded folks to play with. Either choice is fine; it's your call. [/quote]You are right, and although I might come across as being a bit impatient, the opposite is true, this has been going on for a very long time, I've not said too much in the past and just accepted it because they are all good guys, but I take your point that they have different ideas from me, so I guess it really is time to call it a day.
  5. [quote name='peteb' timestamp='1492643678' post='3282021'] One thing I would say is that perhaps learning 33 songs in a month is a bit over-facing. Maybe you should pick them off 3 or 4 at a time?? [/quote]I happened to learn them in a month because I enjoy learning new material, I can happily go into a different room instead of watching TV and play through headphones to learn the songs, and now that I've learn't them, I can relax knowing that I only need to go through every now and then to keep up to speed with them, I didn't expect the rest of the guys to do the same, but we are now five months down the line, and they are still nowhere near knowing them well enough to gig, in fact, we probably only have about twelve to fifteen songs at most that everyone knows well enough to play live.
  6. Just got home from our rehearsal tonight, and after many mistakes on songs we have played a number of times before, and even more on some the newer ones, I said to the guys that we are wasting a lot of rehearsal time going over and over songs where we should at least know the structures, and they couldn't see where I'm coming from. So I explained to them that we agreed to learn from the same versions which are in a band folder on Dropbox, and I said that I don't expect them to play their parts note for note, but at least learn the structures correctly, but the singer said that even though he listens to the songs and sings along to them with no problems, he said that he forgets them when we get to rehearsals, (he also forgets them when we are playing live unfortunately). Our set was agreed in December and I learn't all 33 songs within a month, I know them all to a level where I would be happy to play them live, I'm not the brightest person around, and I'm a steady but average bass player, but I know them well because I have put some effort into learning them, they are probably better on their instruments than I am on mine, but I just think that they are happy to plod along and accept mediocracy, so I think I will make a decision after the next rehearsal, they know how I feel, and if they haven't made a conscious effort to work out a way of learning the songs properly and remembering them, then I think I will call it a day. So again, my question is, [b]Am I wrong to in wanting to learn the set/songs properly? [/b]
  7. [b][size=5][font=helvetica, arial, sans-serif][color=#ff0000]This bass is now sold!!![/color][/font][/size][/b] [b][size=5][font=helvetica, arial, sans-serif][color=#ff0000]Now[/color][color=#ff0000] [u][b]£1895[/b][/u] [/color][color=#ff0000]collected, [u]£1945[/u][/color][/font][color=#FF0000][font=helvetica, arial, sans-serif] posted!!![/font][/color][/size][/b] [size=5][color=#FF0000][font=helvetica, arial, sans-serif]This is the lowest I'm prepared to let this fantastic bass go for.[/font][/color][/size] [u][i]My Feedback: [/i][/u] [url="http://basschat.co.uk/topic/219934-feedback-for-thebrig/page__p__3192080__hl__feedback%20for%20thebrig__fromsearch__1#entry3192080"]http://basschat.co.u..._1#entry3192080[/url] [url="http://basschat.co.uk/topic/294943-feedback-for-thebrig/page__hl__feedback+for+thebrig__fromsearch__1"]http://basschat.co.u...__fromsearch__1[/url] I purchased this fantastic bass a couple of years ago from a well-respected BassChatter, but unfortunately, I am now in the process of thinning out my collection as I have far too many. It's in exceptional Condition for a 42 year old bass, the paintwork is fantastic with just a few blemishes and tiny marks here and there, and the hardware and fittings are also in great condition with just a little bit of dulling due to the age of the bass. It weighs 9lb which is quite light for a seventies Precision. All original other than a replacement switchcraft input socket and a CTS 250 volume pot, the originals will be supplied as part of the sale. Not much else I can add really, other than to say it sounds just like a great vintage precision should, and plays very nice too. The original case is included in the sale. If you live nearby, or you happen to be in the Bridgnorth area, you are more than welcome to come and try it out anytime. Collection preferred, or will post if the buyer arranges a courier. [b]Sorry, but I'm not interested in any trades as I need to thin out my collection.[/b] [i]Here’s what the Guitar Data Project comes up with:[/i] [url="http://www.guitardaterproject.org/fender.aspx"]http://www.guitardat...org/fender.aspx[/url] Your guitar was made at the Fullerton Plant (Fender - CBS Era), USA in 1975 Production Number: 594962
  8. It's the failure to go away and learn the basic structure of the song that frustrates me the most, if there is say, an 8 bar intro followed by verse/chorus, verse/chorus, then a solo, then verse/chorus, outro, why is that so hard to get right? I'm not looking for everyone to play their parts exactly as the original, I just want them to get the structure right, the original recording is the basis of the whole band getting all the parts in the right places, even if it was an original song we wrote ourselves, we would still have a structure that we all agree to work from.
  9. Sola-Sound Tonebender Fuzz Pedal 1975!!! Now £495 This pedal is dated 30th October 1975 and is extremely good condition for a pedal that is 42 years old, far better than most of the examples you will see on eBay and vintage sites. There are are a few sound clips on YouTube of these pedals which will take you back to what fuzz is supposed to sounds like.
  10. [quote name='blue' timestamp='1492245063' post='3278886'] I like where your head's at and I wish you the best and success. You deserve it. Blue [/quote]Thanks Blue, it's not an easy decision as I've known two of the guys for some time now, and they are all nice guys, but I realise now that I need to move on otherwise I am just going to get so frustrated with the way things are going.
  11. [quote name='blue' timestamp='1492211522' post='3278776'] Get some gigs for the band. Yeah, just like that, get some gigs, it's real easy. You just call a venue and say you have a band and they'll just book you right on the spot. I think there's a lot more to it than; "Get some gigs" Blue [/quote]I have always been the one who gets the gigs even though I'm quite new to the area, and every other week after rehearsals I say to all the guys, "can you please try and get gigs in your area's as you know them better than me", of course they all say "ok", but I can honestly say that they never do, because when I repeat the request a couple of weeks later, they usually reply "oh yeah, I'll try", not "I've tried but without success". I'm now about to put an advert out for a ready made band that needs a bass player, I will stay with these guys for a while, but I'm not going to be taken for granted anymore, if they can get the songs gig ready and get out and get some gigs then great, but I don't think it will happen unfortunately.
  12. I really appreciate all your replies and thoughts everyone, although it does seem that some of you may have got the impression that we play every song note for note, and that we are are trying to replicate the song [u]exactly[/u] and maybe that is my fault as I did say in my OP "[color=#282828][font=Helvetica][i]we are a band that plays the songs as per the original[/i]", I didn't mean that we cover every single instrument in the song, ie, if there is piano in the song and we haven't got one, then [/font][/color][color=#282828][font=Helvetica]obviously we can't replicate the piano[/font][/color][color=#282828][font=Helvetica], maybe I should have said "[i]we try to play the songs as close to the originals as possible[/i]", [/font][/color] [color=#282828][font=Helvetica]So i[/font][/color]f I can just clarify, we are a band that's plays the local circuit which is mostly pubs, and we all agreed that we will learn the songs form the original recordings so that when we rehearse we should all be playing the same parts in the same places, but this isn't happening, because when we run through a song, someone might go into a verse when it should be a chorus, or the singer comes back in too soon before the solo has finished etc, etc... Of course we all make mistakes, but because this is happening regularly, it indicates to me that they are not putting the same amount of work in as I am, I'm not the best musician in the band by any means, but I am the one who knows my part, as I have already said, they sometimes get annoyed when I insist we get it right in rehearsals, but when it comes to playing live, they are quite happy to rely on me to prompt them throughout the gig because they know that I learn't them correctly. Some have said that even if you all learn your parts exactly, it still doesn't mean the song will sound ok because it depends on people's individual style of playing etc, and I tend to agree, but surely by having something to work from in the first instance, ie, the original recording, it must help as a guide to playing the song as a band.
  13. [quote name='phil.c60' timestamp='1492102842' post='3278013'] All of the above. I learn songs pretty thoroughly before rehearsals so that I've got the structure nailed down, even if I can't get all the frilly bits. The others do the same working from an agreed version or youtube clip. If we then decide to change things, ie add a harp solo or extend a guitar solo, at least we're all starting fro the same point otherwise it's just chaos and a lot of wasted time. As for ends - if a song ends with a fade we're never going to do that, so we sort that part out after the first run through the main parts. We record the rehearsals, I edit them and send mp3s so that we've all got the final version with the structure and end we want for the next rehearsal or gig. Works well for us. Drummer does sometimes make notes and bring them, but I just learn it. Saves me needing a music stand at a gig. [/quote]Perfect, that's exactly what I'm after, I record every session so that I know how we have arranged a song, just so that next week when we run through it again, everything will be fine, but....
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