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spacecowboy

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Everything posted by spacecowboy

  1. I'm sorry mate! I had a feeling there would be a few people from here looking at it, If things don't work out with it I'll be happy to give you first refusal!
  2. Yes, interestingly I was wondering if the body wood was Afzelia as it is incredibly similar to an old Streamer Stage 2 of mine, same figuring and density, the only difference is this looks slightly more dark red and my Stage 2 was for want of a better word Orange!
  3. So... this was a bass I was watching with a very keen eye on eBay last week. It's a ZAK bass, which, from some of Mayones history information, seems to be an export brand name used by Mayones in the mid nineties... check out this old catalog page for instance... vintage! The ZAK branding appearing in the upper right of the page. And here's Mayones founder at a trade expo showcasing the basses in the early nineties... So for the moderately small sum of £215 I got; The Zak BeJJ BO4 bass £? A new Warwick Rockbag worth £70 A brand new unused 5 Pot pre wired Bartolini preamp HR5.2AP/918 worth £145 Ernie Ball replacement knobs worth £13 So already a bit of a good deal all things considered...BUT... this just isn't a cheap bass... it can't be, the quality for a start is superb, for a bass that must be 25 - 28 years old it's oozing quality parts and timbers. The body wood is Etimoe, which is highly curved and shaped, very much like the early Warwick Basses, note the matching control cavity cover and look at this cuuuurve! The timber also has lovely figuring and good matching, and is solid, very solid. Speaking of Warwick Basses... I was pleasantly surprised to see this... I thought, a ha! a fake Warwick Bridge... but no, a Schaller Bridge manufactured to Warwicks Design! Again really solid, nice and heavy, very classy. The neck is a 5 piece, if it's maple it's very dark, possibly cherry / mahogany but I can't see it being much else, stringers are either Wenge or Ebony, but again under the lacquer they're very dark, stamped number 54. Japanese Gotoh tuners. Matching headstock veener cap and truss rod cover. Plastic nut, Wenge fingerboard and mother of pearl inlays. I'm currently stripping the lacquer off the bass as it's very very thick and glossy which I can't stand and I'll be giving this a brief sand before oiling and waxing the finish, but from the parts shown above the bass has the following hardware; Japanese Gotoh Tuners Schaller / Warwick Bridge & Tailpiece MEC active 2 band EQ MEC active jazz pickups it's a super looking and feeling bass, with a little TLC i'll get it looking a little fresher and hopefully for £215 have myself a bloody bargain at long last! I'll be doing a refin build diary over in the build diaries forum for anyone who wants to track that. Cheers!
  4. For what it's worth I have had the whole "you don't need a Marshall 4x10 and JCM 800 head for this tiny practice room" argument too many times, they also don't usually understand that the drummer plays loud, cause they play loud, and as someone else mentioned get the guitarists bass / low knob cut to zero. The best solution for me has always been let the drummer just play and everyone volume up to them. If the drummer smashes the hell out of his drums at practice... leave the band.
  5. Yeah there is! I was in talks with Thomann and they can't get a hold of their new shipment of them, it was supposed to be last month, then next week and now it's been moved to the end of September so I cancelled my order for the 6 string version, don't know if the UK will face similar shipment issues from Ibanez, but I can imagine they will.
  6. Absolutely love these new EHB Ibby basses, I'm still waiting for a 6er to become available! tempted to get this and forget the high c and just shift my lazy hand!
  7. I like these ideas! super glue to the rescue?! Let me try that tomorrow!!
  8. Sad update! The bridge in this guise just doesn't work, I've let the bass settle and set it up, I can get a great action and the level of adjust ability is perfect, but the problem is the saddles and them locking in to the side walls of the timber, over time they are slipping causing unreliable intonation, worse still if the grub screw has bitten in to the timber and then slipped it becomes slightly loose and then you get an awful buzz ringing from the loose component while the string moves, so a bit of a disaster. To get a metal bridge milled to my design is too much money and there's no guarantee of success and an off the shelf bridge doesn't work due to how my strings are loaded through the body so I'm a little bit stuck. The only thing to really do here is to accept that this build wasn't successful, but was a hell of a lot of fun and I've learned so much. I'm going to start a new build of this design soon with a bought bridge and nut and less of the conceptual elements. This one is done, but expect a new diary soon, I'm off to shop woods!
  9. EMGJ5 Active Jazz pickups and VVT solderless loom, you will need pickup screws and a stereo output jack of your choice about £5 on ebay / pickups are used and have a few scratches and dents, but work exactly as they should with that trademark awesome EMG sound
  10. Newtone Custom Medium Scale strings 32" 5 string bass x2 - 1 set cut for a 3 over 2, 1 set uncut and unused, these are £49 a pack with a 2 week leadtime so this is a bargain, .045 / .065 / .085 / .105 / .125, Stainless steel, Hex core
  11. Goldo 5 string 3D bridge - Good condition, 19mm string spacing, lockable and adjustable saddles- £10
  12. For sale Schaller Brass Tuners, boxed in great condition, includes all screws - £45
  13. For sale Schaller 3D5 Brass Roller Bridge, boxed in great condition, includes all screws - £30
  14. Yeah a little bit more context is he'll play his acoustic kit by himself in the room and that's what the sound proofing is for, for me and him we're combining some learning we're both doing and sometimes that'll be done later at night and we're both happier saving our ears at that point as well as staying on our neighbours good sides as @ped says the sound quality through the headphones is brilliant and it's not going to leave me with any ringing in the ears!
  15. Wow yeah that L-8 looks fantastic! Need more funds!
  16. Oh now that sounds very interesting! Another thing to look up!
  17. Guys, Thank you all so much for your advice, thanks for taking me through it. The Focusrite 8i6 sounds like it would tick all boxes here? I'll have a good dive in to that as I also wanted an audio interface in my house for my bass too. Thanks!
  18. Hi guys, Slight technical question ahead... my drummer has built an incredible sound proof drum room in his back garden pretty much a studio it's huge, we want to put his Roland TDK kit in there and my bass amp and then we want to jam with headphones using loops and samples on his Macbook pro; before I go spending money, does this look right to everyone here? If my bass and his drums went to a stereo mixer and then the output from the mixer went in to a DAW on the mac (so we can record too should a good idea land) then have an output channel on the DAW which feeds from the mac in to a stereo headphone amplifier then I and he have a pair of headphones each from that amp, can we can play with no latency and hear the whole mix, live drums, bass and samples from the DAW? Would this in theory work? Or have I completely made that more hassle than it needs to be? Opinions, experience and advice greatly appreciated. Thanks,
  19. Hi guys, For sale Schaller 3D5 Black Roller Bridge, boxed in great condition, includes all screws and allen keys - £35
  20. Fabulous Jazz bass that just doesn't see any playing time anymore. Those of you who have played these basses know how good they are and those of you who want to try one here's a great example for £200! This is the Antique White Alder first generation model, I've had it since new and it has seen alot of playing time. Comes with a nearly new set of Bass Boomers strings on it and a basic Thomann gig bag. Specs of the bass are; Body Material : North American Alder Body Shape : New Marcus Miller Jazz Type Body Color : Antique White Neck Material : 1 Piece Hardmaple Neck Shape : C-Shape Scale : 34″ Fingerboard : Rosewood Fingerboard Radius : 7’25” Frets : Medium Small, 20 Frets String Nut : Natural Bone 46mm width Binding : Bound fingerboard Inlay : White Block Neck Joint : 4 Bolt Steel Square Plate Pickups : Marcus Vintage Jazz Pickup Set Electronics : Marcus Heritage – 3 with Middle Frequency Control Controls : Volume / Tone (Dual Pot) | Pickup Blender | Treble | Middle / Middle Frequency (Dual Pot) | Bass, Mini Toggle (Active / Passive) Knob : Upgraded chrome pots Bridge : Real Vintage Standard Tunning Gear : Marcus Vintage-S Bridge Hardware Finish : Chrome Pickgaurd : Tort I have upgraded the knobs from the black plastic ones to chrome ones that really compliment the look. Bass is £200 collected from Newcastle Upon Tyne or can be posted fully insured but expect that to be around £30-£40 Loads of life in the frets! As for dings on the bass I have tried to show these as best I can, there is nothing major at all nothing more than paint deep but It's best to try and show any marks there are as I like to know what I'm buying; Cracks in the lacquer around the bridge pickup, no idea what has caused this but it's only the top lacquer coat deep. Paint chips around the neck plate Small area of rash on the back of the bass (if you can see it! ) Small chip near the control plate Apart from that the neck is solid, action is great, bass sounds fantastic and it's a lot of fun to play! Thanks,
  21. All PM's replied too. Full disclosure I have 4 people all wanting the bass so there is a que at the moment so I will update the advert should the bass go to one of these chaps tonight. Thank you,
  22. Certificate card information too for reference.
  23. Trades; 6 string basses only; Nothing with a string spacing under 17mm, ideal is 18mm with adjustment up and down Under a 35" scale unless its part of a multi scale layout, again ideal is 34 and under Active preamp only no passive basses That's about it, happy for cash to go either way for the right trade. Thanks,
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