casapete

I saw Thin Lizzy at Bridlington Spa in the late 70’s, and they were really good but just not my kind of thing. Got tickets from their record company when I worked in record retail, so around that time I went to loads of gigs I maybe wouldn’t have paid to see and that was one of them. Possibly one of the loudest gigs I’ve been to probably didn’t help either, my ears were ringing for days afterwards.

I prefer Seger’s version, more dynamics / groove and ‘soul’ to it. The TL version sounds a bit like a pub band to me…. ( runs for cover………)

I had two gigs yesterday, first one with the acoustic duo and then later with the blues trio ‘The Alligators’. The duo gig was a 21st birthday party for the daughter of a couple who had come to see us at my local boozer on Thursday. The venue was a large pub in a village just east of York, playing in a long room with about 50 guests of all ages. Lovely people to play for, and a set of requests that spanned the generations - ‘Strangers in the night’ and ‘Fly me to the moon’ through to ‘Fields of gold’ and ‘Watermelon sugar’. Played for nearly two hours with only a short break, finishing at 7pm. When the lady who booked us came to pay me she had also bought us a bottle of wine each too, such a nice gesture. I quickly packed down and set off to gig number two, some 30 miles away in Hornsea on the east coast. Venue was ‘The Green Owl’, a modern cafe bar in the town centre. We’d been booked to cover for a cancellation by another band so didn’t know what to expect. When I arrived it was heaving with people, but fortunately we had a good amount of room to set up. The band are quite loud so I need to wear earplugs which often compromises my sound. Strangely in this room it was fine and had my Rumble 500 combo set in just the right place to hear a nice balance of everything, along with my passive Precision Lyte. Two sets of largely unfamiliar blues stuff went down well with the punters, and we managed to get through ’The Hunter’ by Free / Albert King which was requested by a friend of our guitarist. The encore was for the landlady - she asked rather bizarrely for ‘ 2-4-6-8 motorway’ by Tom Robinson which we attempted by blagging the lyrics with prompts from her! Overall a great night, and we’re back at this venue in April. Got in around 1am, absolutely knackered. Quiet day to recover today.

First two of four gigs for me this week. Tuesday afternoon I played with our duo at a ‘retirement village’ near Hull, the first time we’ve done anything like this. It is a purpose built complex for people 55 and over, with many facilities on site. They have a monthly lunch in an Italian restaurant that features varied sorts of musical entertainment. The guy who booked us saw my guitarist mate playing in a jazz club a few years ago, so we weren’t sure if it was that sort of stuff they wanted to hear. Fortunately ( for me in particular!) they were after us doing our requests thing, and did we get some varied ones - from Django Reinhardt, Tom Waits and James Taylor through to Deep Purple and Led Zep! Always try not to underestimate audiences like this, so we’re mostly ready for them now. The gig went well, with a nice meal before we started too. We’ve been offered another gig later in the year, and the restaurant manager wants us for a private booking in summer so all good. Thursday evening we played at my local pub just down the road. Again, request night format with a fair spread of stuff. Some wag asked for ‘Sir Duke’ and we duly obliged - glad I hadn’t availed myself of the free beers on offer before that one. As we were packing down we got offered a gig for this afternoon at a 21st birthday party near York. We’ve accepted it, but I will have to get on a flyer afterwards as I have a gig with the blues band straight afterwards at Hornsea over on the east coast. Been a while since I’ve done two gigs in one day, so hope my fingers last out.

This has been a massive thing for a long time now. People buy trainers from all over the world just to say they own them - a bit like the current vinyl resurgence. A friend of mine has been buying and selling ‘rare’ trainers for decades , and there are many specialist shops that do this too. It’s a bit Spinal Tap though - ‘don’t touch them, don’t even look at them’ etc. Like vintage bass fanatics, probably mostly a male pursuit as well.

A few years ago I had an Ampeg flip top combo that had a natty tilt back leg, same as in this pic.

In the motor trade in the 70’s it was appropriately known as ‘hearing aid beige’….😆

The Bass Gallery recently had a black reissue by Fender Japan in stock for £1050. Apparently they were only made as a ‘Custom Edition’ for a year, and had a 3 band eq ( similar to the 90’s Precision Lyte Deluxe model ). Don’t know if it mentioned the weight, but every P.Lyte I’ve encountered has been less than 8lbs. 😊

Two set ups have changed my playing scenario significantly and meant I could carry on gigging well into my err….mid 60’s. First one was getting a BF Compact, one of the early models. I ran this with a GK MB800 and it was a game changer! So portable, loud and great tones. Still got the cab. Then more recently I’ve been using Fender Rumble combos. Use a 100 with my duo / small gigs, and the 500 with the blues band / bigger stuff. Both are amazing things - everyone who picks the 100 combo up thinks it hasn’t got a speaker inside! I just love the sound these combos kick out, so easy to dial in ‘my sound’ with no messing around. Bass straight into them, DI out to the PA where needed, job done. Had these lightweight options not been available, then I honestly don’t know if I’d still be gigging.

That sums it up for me too. Along with this, I also like to know that there is a constant part of what I’m doing that I’m in control of! Done so many gigs where the engineer / house monitors haven’t been up to scratch, and every time wish I’d insisted on using my own stuff. I don’t play stupid loud, but just like the authority and familiarity that using my own gear brings. I don’t have any problem with others using IEM’s / no amp, it’s purely a personal choice. Having played in bands for over 50 years and still having pretty good hearing, I’m unlikely to ditch my amps now though, especially as good kit has become so much lighter and easier to use than ever!

I’ve had exactly the same experience as you with the Kingman basses - loved my V1 long scale but just too big for my needs. Now got a V2 short scale and find it much better! Use it into a Fender Rumble 100 combo which suits it well. Incidentally the V2 necks are made of nato with walnut fingerboards. Mine is a bit dry too, so will be giving it a light oiling to sort things. 😊

Absolutely, probably my favourite lyricist. I’ve been singing ‘You never can tell’ for so long ( even before Pulp Fiction was released!) and it always goes down well - a great song. Wow, that’s a Chuck deep cut! Don’t think I’ve ever heard it played, well done. 😀

Another early evening gig yesterday at The Lookout on the Pier in Scarborough with the acoustic duo. We arrived there slightly later than usual due to a traffic accident, meaning we had to divert through Bridlington but still got set up in time to start at 6pm. A full house of diners, some who had come with requests already written so we had a pile of them to get through. Best ones for me were ‘Wichita Lineman’, ‘Just a gigolo / ‘I ain’t got nobody’ ( David Lee Roth style), ‘No particular place to go’ ( which I sang for the first time in my life, forgetting how hard the phrasing was!) and then ended with ‘Enjoy yourself’. Used my Fender Kingman bass into the Rumble 100, with no PA support needed. Still exploring some settings with the preamp on the bass, including the subtle effect the phase switch has on things. We are back at this wonderful venue on 30th March, and it’s always a pleasure.

Sand? ‘Harvest Gold’ purleez………..😁

Not sure if this is relevant, but following the first two lines of headliners listed on each day, the rest of the acts are in alphabetical order. 😊

Afraid not Neil. We do three regular monthly gigs, and only the gig in Scarborough ( The Lookout on the Pier) has a PA we can use. Storage wouldn’t be an option for us anyway, as we need the gear for other stuff - my guitarist mate in the duo works an average of 5 nights a week I reckon, and I do some stuff in a blues three piece. It’s a pain dragging PA around, but at least my Rumble combos are fairly lightweight.

I had a Loud Inc 4x10, then added a 1x15 from the same maker to get the full advantage of two 8 ohm cabs. Then I sold the 1x15 for another identical 4x10 and it was a great rig. Still own one of the 4x10s, and there’s another for sale at the moment on here which I neither need or can afford, but of course still want. 😁

Our regular monthly gig at the Sun Inn in Beverley with the acoustic duo. Well I say ‘acoustic’, it was really ‘half acoustic’ as I used my Sire U5 short scale electric, into my Fender Rumble 500 combo, and it was glorious! Quite a few complements on my bass sound from people in the audience (which doesn’t often happen) so it confirmed my thoughts on using an electric bass on this gig. It can get quite loud and lairy and an electro acoustic can be hard to tame, so it was fun having more freedom to play without constraint. Our usual request format included ‘How sweet it is’, ‘Dance with me’ ( an instrumental of the Orleans tune ), ‘Rehab’ ( for the lovely lady behind the bar who is a massive Amy fan, and we got fed up of playing ‘Valerie’ for her! ), as well as ‘Whole lotta Rosie’, ‘Shang a lang’ ( for a group of ladies this time! ) and ‘Stairway to heaven’ which got the biggest round of applause of the afternoon. Really enjoyed the gig, one of the best we’ve played for ages - a perfect storm of venue / audience / landlords and staff etc. Already looking forward to the next one!

Having had sound limiter wars myself, I feel your pain. Like with your band, the ridiculous level set on the limiter was close to going off before the band started, and anything like a cymbal splash or guitar frequencies made it trigger. Compressed pre recorded music played by the DJ didn’t seem to be so problematic so we ended up shortening our sets accordingly and letting the DJ do more. The bride and groom whose wedding we were playing at were rightly annoyed with the venue for not pointing out the limiter problems when they booked it, and were very understanding of our dilemma. I get the need for limiters but when they have to be set unfeasibly low it is just ridiculous for almost any form of live music ( with peaks/dynamics etc ) to function. All in all a right pain. 🙁

Yeh, but the rattling……..😆

I found that on some theatre stages the sound improved when I left my GK 410 Neo cab in the ’tray’ of it’s flight case - the bit with the castors on. Got rid of excessive booming and odd frequencies being accentuated etc. I did generally prefer the sound of the cab flat on the stage though, but it’s good to have the option of either method.

Yes, if you like the sound of your cabinet when it’s more coupled to the stage. From my experience, using the cabinet on castors does affect the sound, and can reduce some ‘booming’ on more hollow stages. Removable castors do give you the choice of course. 😀

The Wiki page on Badfinger makes for interesting ( and very sad ) reading. Plenty of Beatles connections with them being signed to Apple etc.