casapete

[quote name='bassman2790' post='892031' date='Jul 11 2010, 04:03 PM']I've got my eye on these.....seem to fit the bill nicely [/quote] Depending on how 'lively' your function band is, I think you may be struggling to hear the Line 6. Not the loudest small combo IMO.

Just done a deal with Guy for a GK amp. Great fella, easy transaction etc......recommended!

I was playing guitar in 1978 - bought a brand new Gibson Firebird reissue with case for £395 from a shop in Sheffield called Sudbury Music. Had it a month but could n't get on with it so took it back and swapped it for a tobacco sunburst Gibson Les Paul,complete with Gibson Protector case! Think that was around £450 - seem to remember that discount Gibsons were unheard of through authorised dealers, so a lot of shops used to obtain them from Europe (Holland mainly?) and bootleg them into the UK.-mine was one of those I believe! Great guitar though. Other shops I have fond memories of around that time were Carlsbro (Mansfield), Music Ground (Stainforth), Scheerers (Leeds),Tim Gentle (Southend),Musical Exchange (Brum). Back of Melody Maker was the place to look for s/h stuff, along with all the London stores advertising Fender,Musicman and Gibson gear etc. such as Tempo, Orange, Macaris, Rose Morris, Argents and all the shops down Denmark St. My band (that was wowing the working mens clubs around Yorkshire) decided to invest in a new PA system. I remember Rick Harrison at Music Ground in Stainforth (near Doncaster) opening the shop specially one Thursday evening to demo an HH PA set up for us - MA150 mixer amp, pair of Pro 200 2x12 cabs, a matching slave amp and a pair of 1x12 monitors! Think that came to around the £400 mark, and we used that PA wherever we played, all 150 watts of it! Never let us down either. You can probably get a similar small PA now for around the same money-crazy!

[quote name='chris_b' post='886352' date='Jul 5 2010, 03:16 PM']For me, the best part of Maggie May is Micky Waller’s drumming. He had a few health problems over the years and never really achieved as much as he should, but in my opinion, he was one of the best British blues and rock drummers.[/quote] +1 - forgot about the drumming too, its ace. Often use it as a reference for dep drummers - 'play it Maggie May style' etc, works every time!

I love the bass line in it - cant imagine the song with it played straight! I remember hearing it for the first time and being blown away by the great loose feel, along with the Hammond and guitar parts too. I've played this tune a lot over the years and agree with previous post - best to try and use the original's feel rather than copy it or you may end up like the guy in the you tube clip above! Interestingly Rod never even seems to get the verses in the right order either. Also the follow up single 'You wear it well' has a bass line not a million miles away from 'Maggie' as well as mandolin etc - obviously a winning formula.

Bummer. When I broke my arm a couple of years ago I carried on gigging on keyboard bass. Actually was a good experience, made me approach stuff from a different angle etc. Also stopped me from getting tetchy about the injury,and gave me something to concentrate on. Worth considering - hope things improve soon.

If its one of the combos (1x15 / 2x10) I reckon anywhere from £100 to £150 depending on condition etc. Having said that, they sometimes go for less - okay amps for the money though.

I loved it,despite the odd 'moment'. Nate appeared to be using a couple of Hartke LH amps, with Hartke Hydrive 1x15 and 4x10 cabs. He played keys on a few including Superstition (which had Stevie on keys on the original.)

But then listen to the Otis Redding version - groovier still, and without all the distorted guitar overkill too!

[quote name='chris_b' post='863458' date='Jun 10 2010, 04:40 PM']As far as I know, British made Maine were sold in the 70's and early 80's. they were bomb proof, very heavy, never broke down and sounded pretty good for guitar. I've known 3 guitarists who used them but have never heard a bass version.[/quote] +1 Maine made guitar amps/combos/cabinets, which often featured metal domed speakers (McKenzies?), and I think did make a bass range (Maine Bassman), but cant remember a 2x12 combo. Seem to remember a fairly compact 2x10 guitar combo being one of their designs. (the guitar amps usually featured reverb and a master vol/distortion control.) AFAIK all of Maine stuff was solid state - cant remember seeing any valve designs. Was briefly in a band which had a Maine PA head - 200 watts/graphic /5 channels etc which was a hell of a lot at the time! Was well made honest gear that took a fair bit of abuse,still see the odd item for sale so must have been ok!

I generally use my amp set flat - only use the tone controls where room/stage dictates i.e. to get rid of boom etc. Keeping it simple works for me.

[quote name='mike6182' post='860708' date='Jun 8 2010, 09:35 AM']Hi Everyone, Later this year I'm due to have surgery on my left hand & I won't be able to play bass for at least 3-4 months. I don't want to let the rest of my band down, so I said I'd look into getting a keyboard to play bass on instead (one-handed obviously!). As it happens, I had been thinking for some time about getting a keyboard to experiment with & try a few bass lines. I'd really appreciate any advice on what kit would be suitable & how to approach this. We play mainly rock covers, both classic & recent. Cheers, Mike[/quote] Hey Mike, Same thing happened to me when I broke my arm! I ended up using a Roland D5 synth through my bass amp - the band were ok with it so it must have been ok! We play everything from 40's swing through to Kings of Leon, and the basic bass sounds were all fine for this. The D5 cost me £80, and I still have it. Would reckon on trying any synths you can - the D5 is a bit antiquated so you'll probably find better. Novation bass station / Roland Juno / Korg X50 were all mentioned to me as possibles too. I had no problems running the synth through my GK rig, in fact using it that way made the difference less noticeable to the band sound - still ran the amp DI into the PA as usual. I ended up enjoying the change/challenge of playing bass keys, especially not having a Stingray round my neck on marathon wedding gigs too! Good luck, you'll be fine!

[quote name='hillbilly deluxe' post='860028' date='Jun 7 2010, 04:06 PM']Im not sure what you mean by lower end one.The Hohner is a licenced copy of the Steinberger.The Quality of the Hohners imo,are really good.I know that they came with different pickup configurations,and came in active or passive types.The only ones that i have tried are ones with the EMG active pickups (same size as a guitar humbucker) Mine was my main gigging bass at the time,good sound and tone. I believe that there is a Steinberger Spirit model available now that is a licenced copy,i've seen a few,and the quality did'nt look as good as the Hohner to me.I will get another one someday.[/quote] +1 to the above. The Hohner is a cracking little bass, a lot better than the Spirit models IMO,which I think are only available as a passive design.

All the time - empty room soundchecks are nearly a waste of time for us, often we just line check everything (to make sure of no nasty surprises) and then sort it out 'on the fly'. A pain, but so much time saved on soundchecks that have no relevance to later in the evening etc.

[quote name='Beedster' post='854439' date='Jun 2 2010, 08:28 AM']So that post might have been a bit flippant but I always assumed it was true, that is, if you have two boxes with four speakers that have the same build and characteristics (ports, materials) as one box with eight speakers, there will be little difference, is that not the case? Is it the case that 410s tend to be designed/built with different characteristics to 810s? Interesting points about an 810 being easier to move, but that's most certainly not my experience having used a couple. OK, it might be easier if you can slide or roll it, but not if you have to get it around tight corners down the stairs into a basement bar. I'd love to have an 810 by the way [/quote] My old SVT 8x10 (and presumably others) was built with 2 speakers in each one of four sealed 'compartments' in the cab. Apparently this configuration helps with the unique sound of these beauties. Not sure if any 4x10's are built the same way, mine certainly are n't! Have used two 4x10's and they dont sound as good as the SVT 8x10 to my ears anyway. Just wish I still could manage one, but would rather take a couple of lightish 4x10's on a gig these days-handy to be able to use just one cab on smaller venues etc, and with a wheeled case/trolley a lot easier to cart around IMO.

In the late 70's HH did a great 2x15 with a clip on detachable front panel. Weighed a ton but great design.