dmccombe7

WOW i had no idea. Cheers for that. Still a brilliant album IMHO Dave

Now that's really quite interesting. The bass parts stood out from everything else Sabbath had ever done that i know off yet some of the bass runs are similar to what Geezer would play. Think in earlier Sabbath the bass was hidden back in the mix rather than forward like H&H album so now its really got me wondering. Does anyone else have any insight into this ? I'm not generally a Sabbath fan and only occasionally listened to them until i heard the H&H album which is the only one i've ever thought was a classic album for me. Not everyone will agree on that but its just my own personal opinion of course Dave

Bass is detuned to Eb on that album just in case you were trying to learn it straight from the album. Think this was Geezer at his very best. Pretty sure it was a custom Jaydee bass he used on it. Dave

Something similar said to me when i left a band because of their in fighting and came back 6mths later and they all stated after first few songs at rehearsal "Can now see what you brought to the band. Its what was missing with other bassists we tried" I was chuffed but it didn't last to long after that when they started again so i left permanently. Full year wasted really. Great band when we gigged tho. Dave

Bruford - One of a Kind with Jeff Berlin (instrumental but bass is excellent) Alain Caron albums (again instrumental but still fantastic basslines) If you are more into Rock albums with lyrics try Black Sabbath Heaven and Hell. Some great clear bass lines on there. Early Whitesnake albums with Neil Murray on bass. Songs like Fool For Your Loving is a classic. Cozy Powell albums Over The Top (Instrumental) or Tilt with Jack Bruce and Neil Murray on bass and different singers. UK albums with John Wetton on bass. First album was Instrumental but follow up had vocals. Hope that helps a little Dave

Maybe you look more like Security than a band member Blue.

On the rare occasion i had meetings all day and could only answer emails or txt messages during lunch breaks i found that i had too many from the morning to get thru them all. Same with txt messages and when i am at work i had a strict work ethic that work issues took priority over personal issues unless an urgent family issue. A lot of times we had working lunch breaks which ruled out using your phone. Not every place of employment allows people the time to check all their messages and as someone said some places like schools don't allow them because of the camera. However i would always answer calls at night when i got home or if important just before i left the office or as i got in my car. (obviously the engine would be off and key out the ignition ) I have sympathy for people that can't access their phones during the day and i allow for that but 4 days is a bit much. Dave

Can appreciate people not being able to answer messages while at work but after work shouldn't be a problem for a quick check of your calendar and txt yes or no to the singer. I would expect a reply within 2 days max if urgent.

Our band make song suggestions and it is then dependant on whether or not the singer is happy with doing it. At the end of the day the singer has final say on it from that perspective. Our singer is the guy behind the band. He started the band off and he is the one getting the gigs so its easier for me to go along with his decisions. As long as a song isn't utter crap i'll give it a go and if it works all god. If it doesn't i'll suggest we drop it for something else.

100% agree someone has to take the lead in a band and have a final say. The songs can be selected democratically and gigs agreed with a level of shared acceptance but someone needs to be pushing a band and getting the gigs or the band would end up rehearsing forever with no gigs in sight.

Remind him its a BAND.

The direct approach

Have the meeting and all cards on the table. Everyone needs to speak their mind and what they expect from the band. Clear the air and see how it goes. Could be that some clarification is all that's required for everyone. If that still doesn't work perhaps its time to have a rethink about who should be in the band. It usualy only works if everyone is reading from the same hymn sheet. Sounds like some people in the band have different expectations of what the band is or should be. At the end of the day it should be fun and enjoyable otherwise what's the point unless you are in it for the money and in that case sort it out and get on with it i'm afraid. Dave

When you put it like that i guess you are probably right for most people. Sometimes a holiday is just whats needed when things are a bit hectic and stressful. Dave

I took a break from bands from my mid to late 30's until i turned 50 and it all started to make sense and i'm enjoying it far more now than i ever did. It was mainly down to my job that i just couldn't get the time for a band. Can't really advise on what bass to keep as that's a personal decision you need to make. For me some of my basses have a personal or sentimental value whereas others are just basses i kinda had a notion for. The one big catch 22 is my Jazz which wasn't expensive as i bought it in a sale. It has no sentimental value ie wasn't a Xmas or birthday present and its not really gone up in value since buying about 8-10yrs ago. Altho its cheaper than my other basses its my goto bass for everything unless i'm asked specifically for a 5 or 6 stringer. So i'd say keep the bass you enjoy playing the most. Amps and stuff can easily be replaced at a later stage and probably a lot cheaper at 2nd hand prices if need be. Take that break. It might only be for a few months, maybe a year or two or maybe like so many of us with various commitments in life it could be 10-15yrs but no matter what how long it takes it could be just what you need at the moment. With regards holidays, i'm not a big fan of expensive holidays abroad unless the cash is spare. I'd rather spend on something that is longer lasting. I just don't get the £3k holiday just for the sake of 2 weeks in the sun. ??? Dave

Don't recall ever being sacked from a band. I've left a few and failed one audition but other than that i'm just a likeable chappie. Reasons i would expect to be fired and i won't accept from anyone in a band :- Regularly not making rehearsals unless plenty of notice. Regularly not learming the songs properly for a rehearsal. Cancelling a gig unless a justifiable reason. Getting drunk at / before / during gig. (don't mind afterwards as long as it doesn't hold me up getting home) Think that's the main reasons i would fire someone or expect to be fired. Ego's i can put up with rovided they are good musicians and do their bit. Dave

They're only watching to see if you make an a**e of the bassline i bet. But then again is that not why the audience watch the guitar solo ? Dave

The right band with the right audience will always be a success and a resulting great night. If the band are competent and showing enthusiasm to enjoy the party i've always found the audience will come alive to be part of that fun. At the end of the day people just want to go out and have fun. Dave

I've got an album with that song on it somewhere. Mandalaband III BC-Ancestors

So what was this thread about ?

I'm in a Glam covers band but even before that i always played the bass part as close as possible to original and then throw in the occasional little run where and when appropriate. I'm not a big fan of bass players over-playing where its not required. I like Fat Basslines tho