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Everything posted by fretmeister
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Genz-Benz Shuttle amp RACK-MOUNT KIT rare, £35 posted
fretmeister replied to Rich's topic in Amps and Cabs For Sale
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New Darkglass drive and octave pedal Amos Heller sig
fretmeister replied to krispn's topic in Effects
Nate always does the most interesting demos. It's too expensive for me, but I like the sounds - probably because they don't sound like the now very common DG sound. -
I had no idea an empty IR block could be used. Never even thought of it, and also I'm surprised that there is such a difference between the IR Slot version and the separate high cut block. That's great info! Thank you.
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That's an interesting idea. I don't think I've ever heard of an adapter. I'd be worried that it would just get knocked out and disappear under a dark stage.
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Genz-Benz Shuttle amp RACK-MOUNT KIT rare, £35 posted
fretmeister replied to Rich's topic in Amps and Cabs For Sale
I used to have both of the mounts. The Streamliner one definitely won't go with a Shuttle and v-v. Took me ages to get them too - and that was when Genz was still in business! I had to get a US based friend to buy them and then ship them onwards. Need someone to properly measure them both so at least there's the option of going to a good fabricator. -
Mark Bass Advanced Stainless Steel rounds
fretmeister replied to fretmeister's topic in Accessories and Misc
Andertons have them for £20.99 with £2.99 delivery. So I've ordered a set to try. Thought I'd do that before trying the North Korean strings. -
Don't use a cab at all. Then EQ out / hi cut 4K and over.
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jazz pickups - noiseless recommendations wanted!
fretmeister replied to carlsim's topic in Repairs and Technical
I like the original EMG J pickups. They were designed to be like 60s J pickups but without any hum. There's some good Bobby Vega and Guy Pratt vids of them - they both use them. The only thing I would say is that the stock Tone control doesn't go as dark as a regular tone control can, if that is an issue. -
One of my favourites!
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Anyone tried them? Any comment on flexibility and tension? I often use Dunlop superbrights 45-105 which have a very thin hex core so they are very flexible and tension wise feel more like 40-100 for other brands. I’m trying to avoid new US products until the insanity ends so I’m looking at alternatives for when I need some. Has to be stainless steel as I have a nasty reaction with nickel. ta.
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I am currently working my way through the complete Blues Brothers sound track. I love DD's playing so it's about time I did that. I'm also doing going back to a tune I used to find easy - Metallica's Master of Puppets. I played it for years in covers bands but then I ruptured a tendon in my right hand middle finger and the reduction in mobility has made that song really difficult ever since. To be fair, the recovery was such a drawn out affair that I thought I'd have to swap to playing only with a plectrum (urgh) so being able to play with my fingers at all is a relief. But it's time to unlearn old hand positions and see if I can work out how to do it all over again.
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I have sub'd to the channel. I use Moises all the time but having some tab is very useful. Thank you.
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This has been updated. If the tunes are on your PC already then you can now highlight 20 and drag them over.
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I had a Superlight TT5 for a little while as well - amazingly for a 5 it was only 7lb but the neck shape was just wrong for me. Too chunky, big shoulders etc. I also find that I prefer the very very slightly narrower nut on a Stingray 5 at 44.5mm along with the 17.5mm string spacing at the bridge. Unfortunately ray5s do not get that light so I'm sticking with 4 strings for the future. Unless EBMM decide to do a paulownia body version anyway. Mind you that would probably be £4000 so I wouldn't buy it.
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Doh! On my long scales I have 45-105. I've just remembered that on my Lionel I have Dunlop Standard Stainless Rounds at 50-110. They don't do a Superbright 50-100. The core is a little thicker and I think that works better on the short scale and they sound very similar to the Superbrights. I did compare it to Hi Beams 50-110. I tend to like a slightly heavier or stiffer gauge as I have a really really low action so I need some stiffness to stop it clanking too much when I dig in. I've got a different shorty for plectrum playing with a higher action.
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Yes - 45-105 for me.
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I love my Lionel Superlight. Took me a while to decide on strings for it and I tried lots but I have settled (I think!) on Dunlop Steel Superbrights - because they are not remotely 'Superbright' despite the claims. They are like Hi Beams that have been on for 6 months but not quite as flexible. I love Ti Flats on it as well but as I have a nickel allergy I can't do that anymore, alas. I did swap the pickups - it was a passive P with the Sandberg pickup. I thought that pickup was a bit too modern. Too much in the lows and didn't have that mid poke that a vintage p pickup has. So it's got an aguilar in it now, and while I was at it I had a J put in as well. I went with a 3 way switch so I can remove the J completely. I never use the J alone on it - most of the time it's just the P, but if I want a little more bite or a slap then I turn the J on as well. And it weighs 5.7lb.
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ah dammit - I have 3 shorties already.... all of them P or PJ. Maybe I should learn the words for "Abide with me"....?
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I've owned 5 over the years and they've been consistently great. I do think they do themselves a disservice with the stock strings though, I like steel rounds but the ones they fit are horrible! I don't know who makes them for Sandberg but they come straight off. I like quite an extreme set up too so I always have to tweak. When I've got the truss rod set where I want it I can't even get a business card between the string and the frets when the string is held at the first and last frets. With the 2 I have currently (Superlight TT4 and Superlight Lionel) I don't have to tweak it in the summer or winter, it's rock solid. I only change it if I change string type.
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My favourite bass brand. I love my two.
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It's been about a month... I love this thing. I've got rounds on it at the moment for a bit more clank but the over powered tone control really knocks it down when needed. When the year of abstinence is over I might have to think about making another one so I always have one for rounds and one for flats! I can only assume that my new love for a P bass is just a sign of getting old and nearing death.
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Markbass Little Mark Tube head 600w now £275.
fretmeister replied to BaggyMan's topic in Amps and Cabs For Sale