fretmeister

I've got the 3 button one and it has some very good sounds for guitar and bass use. On the other hand the software is a stone cold atrocity. There is literally nothing instinctive about any of it. In these days of fantastic UI on the Helix and QC etc IK should be ashamed. Still, I'm persevering. At the moment I'm using it with a couple of pedals to be a mini lounge rig with a Yamaha HS7 monitor. I can use it for both guitar and bass. I'm old enough to remember when 2 channel amps started to get popular, so having 3 sounds on a bank for guitar use is more than enough for me.

Does the 121P hiss less than the 102P? If so, it must be a different tweeter, as Bill always says, Tweeters don't hiss, amps hiss! I do wish MB would put tweeter controls on their combos as well as on the cabs.

I had one and it had a tiny but annoying high pitched whine whenever it was on so I sent it back. I was very annoyed as I loved the overall effect. Do they all have that? I had read a few comments on websites about it.

I love those EB flats. Such a great string.

Ed Friedland has some 20 year plus La Bella flats on his basses.

I love that there is so much crossover available in the mids.

Apology accepted. I also apologise for taking the piss a bit heavy handedly.

Or you’ll threaten me with violence again? I would have happily apologised for piss taking before your threat.

A threat a violence? Really? Ok, perhaps I was a little piss taking, but violence?

Try not to regurgitate Beato without thinking. Music is easier to record and release. There is loads more of it. That’s as right as he was. The rest of his rant was embarrassing. The good stuff is still there, you just have to sift through it a bit more. The quality of the good stuff is as high as ever. Yes there is more dross, but there’s also a lot more niche / experimental excellent stuff that “in the old days” wouldn’t have been released because of a record company gatekeeper not seeing massive profits from it. No. I won’t suggest anyone because music is subjective. You’d just use whatever I suggested to argue over even though it is just a matter of taste. As for “greats”: there’s a couple of million of people who genuinely think Taylor Swift is a great. They are right. She is a great to them and that is all that matters. I’m astonished you are only 45. You sound at least 30 years older, like a muttering octogenarian in the corner of the pub, demanding his beer is served in a proper dimpled mug with a handle because everything newer is wrong. . I’m older than you and I hope I never get so bothered about a young musician managing to earn a living from playing. I don’t like Jaco. I don’t like The Beatles, or more accurately I like the songs but cannot stand their vocals. Amazingly I am allowed to not listen to them or watch them. You could try that.

EMG J set in the TT4 with an EMG 3 band preamp. Aguilar 1960s wind P in the Lionel.

pickup changes. Nowt else.

I’ve got 2 Sandberg SL. A TT4 jazz (about 6.4lb) and a Lionel shortie (5.7lb). Great basses. Really happy with them.

Basically he bought cheap copy pedals from the far east, the glooped them to hide the circuit. He claimed he designed and built them and sold them at boutique prices. He got endorsements from some big name players including Robben Ford, Michael Landau etc which in turn increased his sales of things he claimed he designed and built. When the game was finally up he did that most American of things… a rambling Mea Culpa story about his growth as a person and learning about himself etc etc. He’s even posted Ford’s letter on his own website. Basically after years of ripping off and denying it and threats of legal actions he’s managed to turn it into a story of redemption that he hasn’t earned. There’s about 500 different threads on TGP, Reddit etc and loads of videos about the Mason / Vertex “controversy”. There8s no controversy at all. He ripped people off, denied it when he was caught and threatened litigation, and then only started to claim he was sorry when it was clear he was going to lose. He’s since moved into interviews and so on to further launder his reputation. He’s still got his company and his other products are still stocked in shops all over the world. Other than a few uncomfortable months, he got away with it. I Doubt Freddie knew anything about this.

Take it back. Every brand on earth has an early failure stat. It happens. I had an F1 head that was dead brand new in the box. Swapped it, and ran the replacement for years with no trouble at all.

And he’s encouraging loads of new players to pick up the instrument. Far more than old Grandpa Simpson up there ^ is doing.

Yes. But unfortunately it’s also advertising a person who admits fraudulent behaviour and by all accounts got away with it.

So he’s better than you and he’s earning for playing. Try not to be so jealous. It’s unbecoming. I think he’s great and musical. WOW! Music taste is subjective! Whodathunkit???

The DSR were updated and bought into the newish Consumer Rights act and regulations, both bought in in 2015. So they dont exist anymore on their own, but the same or better protections exist under the new regs.

Mason from Vertex is scum. He ripped off loads and threatened lawyers before a half arsed apology. Full thread, including his own written apology/ excuse is on TGP.

Lovely! One of my favourite amps but I've never owned one

There's no proper way. Whatever sounds good to the player is good.