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eubassix

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Everything posted by eubassix

  1. This is a bass which I've had for some time and, whilst I found/find it a bit less of a handful than the Celinder 6 (!), I don't really have the time (nor patience) to spend developing. It was originally a proto-type six (6) string Bass Guitar from Marshall (John Marshall / USA) Custom - used only in the shop for customers to try out. From the links below you can see the new basses recently built from this model. It has an Alder two-piece body and a Five-piece neck made from Walnut/Mahogany/Maple/Mahogany/Walnut. It has a 20" radiused Wenge Fretboard with a very slim, nice profile. The pickups are G&B Passive six string Jazz Style. It originally had Two Volumes and One Tone Control - I found this a bit limited and have upgraded with a full 3EQ system which has added greatly to the overall tone(s). I need to add some more photos of the bass as it is now (i.e. 5 controls). It is strung through the body. The Tuners are open back high quality and are quite close on the headstock, allowing for a narrow headstock shape (guitar-style - I think John makes more guitars than basses, form the website) with the "M" Script logo. It has Two Dual Action Truss Rods. Weight is 9.5lb The Bass plays nicely - with the design and 34" scale it works well as a 6 string bass, which isn't something of a monster, but could also be strung as a tenor or tuned differently for chord work. There are a few small scratches from the shop. Also a couple of scratches on the neck heel but for all practical purposes it is new/excellent overall. Some specs.: 34" scale. 2.125 (2&1/8th)" nut width. 2&7/8th" at f.24. String spacings: 8.5mm (nut) , 13.5mm (f.24) and 16mm spacing on the saddles. As you can see from the links, the new basses (6, 5 and 4-string) are based on this model but are far more exotic (and expensive) and c. $2k. Should also be some links (within the site) to other basses and basists using them. [url="http://www.jmarshallcustomguitars.com/id75.html"]http://www.jmarshallcustomguitars.com/id75.html[/url] [url="http://www.jmarshallcustomguitars.com/id30.html"]http://www.jmarshallcustomguitars.com/id30.html[/url] [url="http://www.jmarshallcustomguitars.com/id73.html"]http://www.jmarshallcustomguitars.com/id73.html[/url] [b]SOLD[/b]
  2. ... any connection to this....:- [url="http://cgi.ebay.co.uk/ws/eBayISAPI.dll?ViewItem&item=300466323902&ssPageName=STRK:MEWAX:IT"]http://cgi.ebay.co.uk/ws/eBayISAPI.dll?Vie...e=STRK:MEWAX:IT[/url] ?? ... seems unusual to see (almost) the same collection of basses. Where are you based?
  3. [quote name='Chris2112' post='970307' date='Sep 28 2010, 07:51 AM']I'm sure Modulus will be able to provide the parts, they're only spares! They must have a few sitting around![/quote] I have known some Co.(s) - generally the smaller ones - who have been helpful and very generous in sourcing and replacing parts / small components. No experience with Modulus (... anybody else?...) but doubt if they'll want to provide the tuners (and bridge - if it's theirs) FOC.
  4. [quote name='Chris2112' post='968594' date='Sep 26 2010, 05:39 PM']It would look so smart with black hardware![/quote] yes, I'd agree with that: not sure if the original bridge/tuners (in black) are available and what they might cost (?!) - bridge might be easy, but the tuners are stamped ' Modulus Guitars'.
  5. Looks more like birdseye maple to me (front & back). If the neck, body and backplate don't match, sounds like a combination of at least 3 previous Wal's. Sounds like a strange thing to do to a Wal or three, but I guess in 25 years a lot can happen. I know the price of 'original' Wal(s) have skyrocketed in recent times, but if you're patient and Watchful, some reasonable ones do seem to come along (not that I bought this myself!):- [url="http://cgi.ebay.co.uk/ws/eBayISAPI.dll?ViewItem&item=300466323902&ssPageName=STRK:MEWAX:IT"]http://cgi.ebay.co.uk/ws/eBayISAPI.dll?Vie...e=STRK:MEWAX:IT[/url] .. although I think this might well have gone higher, had the seller bothered to post some decent photos and a less bizarre 'description'......
  6. Not sure if this has been listed before (or if this is the right place) .. but get this recently from a friend/bassist in the USA and found it amusing:- [font="Century Gothic"][size=2][b]Beyond the Bass Clef: The Life and Art of Bass Playing by Tony Levin[/b][/size] In the beginning there was a bass. It was a Fender, probably a Precision, but it could have been a Jazz - nobody knows. Anyway, it was very old... definitely pre-C.B.S. And God looked down upon it and saw that it was good. He saw that it was very good in fact, and couldn't be improved on at all (though men would later try.) And so He let it be and He created a man to play the bass. And lo the man looked upon the bass, which was a beautiful 'sunburst' red, and he loved it. He played upon the open E string and the note rang through the earth and reverberated throughout the firmaments (thus reverb came to be.) And it was good. And God heard that it was good and He smiled at his handiwork. Then in the course of time, the man came to slap upon the bass. And lo it was funky. And God heard this funkiness and He said, "Go man, go." And it was good. And more time passed, and, having little else to do, the man came to practice upon the bass. And lo, the man came to have upon him a great set of chops. And he did play faster and faster until the notes rippled like a breeze through the heavens. And God heard this sound which sounded something like the wind, which He had created earlier. It also sounded something like the movement of furniture, which He hadn't even created yet, and He was not so pleased. And He spoke to the man, saying "Don't do that!" Now the man heard the voice of God, but he was so excited about his new ability that he slapped upon the bass a blizzard of funky notes. And the heavens shook with the sound, and the Angels ran about in confusion. (Some of the Angels started to dance, but that's another story.) And God heard this - how could He miss it - and lo He became Bugged. And He spoke to the man, and He said, "Listen man, if I wanted Jimi Hendrix I would have created the guitar. Stick to the bass parts." And the man heard the voice of God, and he knew not to mess with it. But now he had upon him a passion for playing fast and high. The man took the frets off of the bass which God had created. And the man did slide his fingers upon the fretless fingerboard and play melodies high upon the neck. And, in his excitement, the man did forget the commandment of the Lord, and he played a frenzy of high melodies and blindingly fast licks. And the heavens rocked with the assault and the earth shook, rattled, and rolled. Now God's wrath was great. And His voice was thunder as He spoke to the man. And He said, "O.K. for you, pal. You have not heeded My word. Lo, I shall create a soprano saxophone and it shall play higher than you can even think of." "And from out of the chaos I shall bring forth the drums. And they shall play so many notes thine head shall ache, and I shall make you to always stand next to the drummer." "You think you're loud? I shall create a stack of Marshall guitar amps to make thine ears bleed. And I shall send down upon the earth other instruments, and lo, they shall all be able to play higher and faster than the bass." "And for all the days of man, your curse shall be this; that all the other musicians shall look to you, the bass player, for the low notes. And if you play too high or fast all the other musicians shall say "Wow" but really they shall hate it. And they shall tell you you're ready for your solo career, and find other bass players for their bands. And for all your days if you want to play your fancy licks you shall have to sneak them in like a thief in the night." "And if you finally do get to play a solo, everyone shall leave the bandstand and go to the bar for a drink."[/font]
  7. [quote name='RaNoFuNkY' post='961232' date='Sep 19 2010, 03:11 PM']WOW! Forgive my ignorance, but is this a piccolo purely because it is strung with octave strings? Or can it be tuned normally? Also, could you measure the neck width at the nut at 12th fret when you get the chance? I am seriously considering downsizing my entire existence to come up with the funds for this![/quote] Sorry, I should have further explained in the OP/description (and included more precise specs.): OK ... the nut is just shy of 1.5" and at the 12th fret it's 2" .. at the 24th fret it's 2 and 3/8". String spacing at the bridge is 19mm. (nut @ 10mm, 24th fret @ 17mm) The neck profile is a flattened c/d (it's hard to say or show ) I could try to photograph and send to you if you could PM an email address. I did some measurements: at fret 24 the neck depth is c. 3/4-7/8" including the fingerboard. The neck/body depth (at the join, where you will see a rear strap-pin) is 1 and 5/8". In the photos this looks deceptively deep/rounded; it's not. It is (with the flattened back) a very slim, fast neck. Bass balances great when seated. it's not neck heavy at all; if I hold it right into the 'pocket' (at F24) then there is a very slight lean towards the body side (so the neck tilts up very slightly). ... RaNoFuNky, I realise you didn't ask for all these details but somebody from the USA did so thought it best to include as much as might be useful.
  8. J.D. V. PARIS BASS - Piccolo 4 Short Scale Stunning short scale bass is a masterpiece from German luthier Johannes-Dieter von Paris (based in Göttingen) - when with 'Schack' - for the Frankfurt MusikMesse (2002). It demonstrates JD's masterful combination of top quality tone woods and the sound/playability is exceptional. The electronics feature 2 toggle switches that allow a choice between single coil and humbucking mode (zero noise issues - both modes). The 3-band electronics can be modified by flicking the internal controls (see pic.) to pre select the frequency of each of the 3 tone controls. The bass knob may be preselected within 100-300Hz. The mid tone knob can be preset between 400 and 1500 Hz, and the high frequencies range from 2 to 8 KHz. This extends the tone controls to a semi-parametric 3-way on board preamplifier. Deep growling mids, extreme punch, crystal clear top and crisp slap sound are just a few of the capabilities. There is a veneer of rosewood between the beautiful flamed maple neck + GonzaloAlves fingerboard and it's thru-body construction. The wooden truss-rod cover plate is engraved with the JDvP logo. The ETS tuning fork Bridge is a 3-dimensional string-through (option) version. The playability of this bass is incredible. It is joy and effortless to play - fast neck, shorter scale and amazing fretboard Specs: • High gloss nitro' lacquer finish • Thru-neck, flamed maple w/ inner rosewood veneer, 30.75" scale. • GoncaloAlves fingerboard, 24 frets, with rosewood veneer • Body wings 2-piece sandwich maple with flamed ash • Center block 3 piece ash/rosewood • 2 x Bass Tech Soapbar Humbuckers • 18V Andy Schack Electronics with Bass, Mid, High Tone controls (pre-selectable centre frequencies) • 2 PU single coil/humbucking mode toggle switches • Black Gotoh tuners, ETS 3D Tuning Fork Bridge • Weight: 6.4 lbs / 2.78 kg (!) Comes with a short-scale gig-bag (with good protection/cushioning) The condition is near mint. Only minor flaws are on the back on the electronics cover and near thru-body string holes, plus a slightly stiff pan-knob. Link to same instrument in Bass-Porn:- [url="http://basschat.co.uk/index.php?showtopic=79737&hl=JDvP"]http://basschat.co.uk/index.php?showtopic=79737&hl=JDvP[/url] The links (there) are no longer working: apparently Johannes (DvP) might be returning to work with Andy Schacks’s new bass venture. Original price was €3400 (with similar/later basses going for €4000) – realise this is something of a special(ist) instrument (will probably give this a go on TalkBass) / SOLD
  9. Yamaha RBX 170 DBM 4 string bass In a dark blue metallic finish Features: Body: Agathis Neck: Bolt-on maple Fingerboard: Rosewood, 250mm (10”) radius Frets: 24 Scale length: (864mm) 34” Pickups: Two single coils Controls: P volume, J Volume, master tone Bridge: Chrome vintage style with four individual saddles [i]"...The RBX170 represents a price breakthrough for the RBX range, yet the quality is everything you’d expect from a Yamaha bass. The solid agathis body - in an attractive choice of colours - shares the range’s sleek, wide-cutaway contours, allowing the player easy access right to the top of the 24-fret, full-scale neck which carries a genuine rosewood fingerboard. Powering is by two punchy, clear-voiced single-coil pickups, with the volume and tone controls augmented by a pickup balance control for added sonic versatility and expression...."[/i] Available Colours: black red metallic dark blue metallic Comes with a simple gig-bag, is in good overall condition (quite a surface few dings here and there, mainly to the back, but nothing through the colour/finish). A good backup or beginner bass.
  10. Tanglewood Tennessee TJ-1/43 from the early 90's (hoping I can attach a brochure page from the era, below). Flame maple top on a basswood body, mahogany neck, Vintage Pearl machine-heads, 2x Humbucker pickups, some pretty nice (and not too tarnished Gold hardware). Translucent Red finish. This was a flagship instrument in the early 90's, when it cost about £400. In excellent condition .. and great for doing the George Benson thing/stuff. Comes with an OK semi-ac. gig-bag. £SOLD (incl./Courier)
  11. Looking to trim the Collection and complete/clear some projects ... it's getting out-of-hand (again) and need to make room for something(s) new (details to follow in the Porn section, if things work-out).... Modulus VJ4 bass (USA) with upgrade (and very high quality) Quilt maple top and Bartolini pickups/2EQ. Fiished in a very tasty caramel-translucent. Neck (composite - it's a Modulus) has a truss rod but has never needed adjustment. Looks and feels like a Jazz (c. 9.5 lbs) but with a much greater spectrum of sound(s). Excellent for slap / M.King stuff but can also be(come) much more mellow. Bass itself is in excellent condition (few, minor/superficial marks - nothing obvious or serious) and plays just as good as it looks. There is one small finish chip on the neck between frets 4-5. Original case - one corner has been damaged/repaired, but is pretty strong/sound. SOLD(traded)
  12. [quote name='Gust0o' post='954676' date='Sep 13 2010, 01:08 PM']What are the Peavey's like?[/quote] Excellent - these are the 'Thermalfused' Xtra Longs that they fit to new/high-end PV instruments. USA made, 45/65/80/105, nickel wound. Bright, long-lasting. Nice tension/feel. Punchy, tight, articulate. Excellent value really.
  13. Update - have now used x1 of this pair in my Aria SB600 - so remaining (excellent) unit is offered. Takes a bit of work to get the Aria rout slightly extended to fit .. but the sound is excellent !! So could recommend it for any Aria owner (single pickup) who has pickup problem(s) or who is wishing to 'upgrade'. Now SOLD
  14. B u M p ... only offered/available (as a PAIR) until Sunday/Monday (6th)
  15. Is this an error (x2) or a new method for using ebay to sell within but ultimately outside of ebay? List with an outrageous start price and then wait for direct contacts :- [url="http://cgi.ebay.co.uk/ws/eBayISAPI.dll?ViewItem&item=170532093510&ssPageName=STRK:MEWAX:IT"]http://cgi.ebay.co.uk/ws/eBayISAPI.dll?Vie...e=STRK:MEWAX:IT[/url]
  16. Bartolini SoapBar pickups - sourced a pair of these from the USA for a project, but have now used one. Model No. is W4CBC Classic series. B (Neck). Can be viewed on Bartolini website - available in USA (direct + dealers) but not apparently so in UK/EU. Bart' rrp is $125; dealers generally offering at $100 Described as: ..."dual coils, poweful low, low- mids and bright treble"... Dimensions: 1 and 3/4" (44mm) x 4 & 1/16" (103.5mm) x 17mm (side/body) / 20mm (overall depth incl. wires). SOLD
  17. Hmmm .. thought (hoped) these would be snapped-up, based on online prices, but only 2-sets sold thus far ! SO .. am reducing all remaining sets slightly and, if they don't sell, will ebay or keep them:- 1. Dean Markley Blue Steel. 5's: LT 45-125. [b]£sold[/b] 2. Dean Markley NPS R/Core LT-5: 40-125 [b]sold[/b] 3. RotoSound RS66LC 4/SwingBass: 40-95 [b]£sold[/b] 4. RotoSound RS77S 4/JazzBass ShortScale: 40-90 [b]£sold[/b] 5. LaBella SuperSteps SS42 (stepwound) 4's: 40-100 [b]£sold[/b] 6. Fender 7150M (4's) Pure Nickel RW's : 45-105 [b]£sold[/b] 7. Fender 72505M (5's) Nickel/Steel RW's : 45-125 [b]sold[/b] 8. Peavey Cirrus NickelWound 4's: 45-105 [*2-sets] [b]£16 [/b](each) 9. D'Addario Prism Ultras PSS-60 (6's:32-130) [b]£sold[/b] 10. Single B's:- DMarkley SR2k .125 (exp-core) MTD (USA) .125 (exposed-core) .... [b]£sold[/b] (each) D'Addario PSB .135T (tapercore) [b]£3[/b] original/revised prices in OP / prices INCLUDE P&P.
  18. Yamaha EZ150. ... (more home, instrument clearout...). The Yamaha EZ150 portable keyboard breaks new ground in interactive teaching keyboard products, making learning and playing interactive and fun, with a host of user- and computer-friendly features. The Yamaha EZ150 features 61 piano-sized keys and a selection of voices available -including 100 realistic instrument voices, 100 accompaniment styles and four multipads for sound effects and fills. Embedded under the keys are lights that operate as a guide to prompt the user to play the correct note. The built-in Yamaha Education Suite teaching system counts down the beat and offers feedback, contains a chord directory, over 100 songs to learn (organized by level of difficulty) and seven lesson modes: Any Key Play; Waiting; Melody Off; Learn Right Hand Parts; Learn Left Hand Parts; and Both Hands Together. The Multi-Fingering Auto Accompaniment function will recognize either a single finger or full chords. Using the MIDI IN/OUT connections, users can take lessons on a computer or the Internet. Portable Grand button and the Yamaha EZ 150 keyboard will play as a piano in full keyboard mode. This button will bring up a great sounding stereo-sampled piano. There are 100 voices for you to choose from. These include pianos, electric pianos, drums, bass, harpsichord, guitars, violins and brass. The keyboard can even help you choose the right voice for a particular style ... OR .. you can just use it as a Keyboard !!! The Yamaha EZ-150 may be enjoyed through headphones or through the stereo speaker system with bass ports. Dimensions:- Width: 93.1cm. Depth: 34.9cm Height: 12.8cm. Weight: 4.7kg New version is EZ200 @ £165. In very good condition, comes complete with music stand* and power adaptor. * also have proper QuikLok (Italy) stand available for £25 £sold !!!!!!!!!!!!!!!!!!!!!!!!!
  19. Clearing more (unused now) stuff ... Maestro (brand) electro-acoustic Mandolin: 8-string (4 pairs). Arch (bowl?) top and back with burst finish. Plays OK (I'm told) - action and electronics both fine. There's a few small dings or chips in various places (nothing major) .. but also a 'crease' between the lower part of the F-holes (about 1" below the bridge and 1/2" above the Vol. control) as somebody (not me!) tried to fit the bridge without first checking the correct location i.e. above the support brace (between the centre of the F-holes). I've used the original bridge with some maple veneer strips to get the correct height, which seems to work fine (and with no reduction in volume). The 'crease' has remained stable for months/years I did also buy a (correct) adjustable, arched bridge (ebony) but found that this requires work (reduction of the feet/arch) to be workable. I'll add a photo here and is available @ £10
  20. Clearing some 'family' stuff which is no longer used... Tanglewood TW 28 ST USA • Solid American spruce top in gloss finish • Multiple bound top, tapered body • Mahogany back and sides, matt • Mahogany neck, matt • Oval shaped fingerboard • Nickel silver frets • Compensating saddle • Grover style die-cast machine heads with stepped tuning buttons iirc was £149 but without the gig-bag (which is included) Good tone, action. For some, might require slight lowering of nut. Excellent condition. £sold
  21. [quote name='warwickhunt' post='933862' date='Aug 23 2010, 04:43 PM']Shame the spalted isn't the same as the USA... I can always bide my time till the USA comes around! [/quote] .. would be nice; but there's about a 4x price differential (!) / ... don't hold your breath ! ...
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