Ben Jamin

[quote name='uncle psychosis' timestamp='1340146076' post='1700117'] As for the dvds---file that one under "if they wouldn't have bought it anyway then they're not your customer". [/quote] AKA if the convenient option to illegally download it wasn't there then they probably would've bought it.

[quote name='uncle psychosis' timestamp='1340146076' post='1700117'] I also don't think it makes sense that record companies make more profits than musicans do. Lots of things in society don't make sense when you look at them in an ideal manner. But you can sit about going "oh this is so unfair" or you can do something about it. [/quote] Why shouldn't record companies make more than the artist? It's just business. The artist signed the contract - the record company puts their music out there and pays them an advance based on how much money they think their music will bring in. The company pays for all their expenses and advertising and takes all the financial risk - the artist gets to do music for a living and if successful makes a fair amount of money whilst they're at it. Fair deal to me? Should the factory workers get paid more than the factory manager? Me doing something about it is stopping using these sites and then posting an article on here and hoping some people will tag along. Until a decent enforceable law gets passed/these sites come down that's the only way it's going to happen.

[quote name='uncle psychosis' timestamp='1340144338' post='1700079'] To be blunt, I don't believe that. For instance I've seen reports that suggest the same people who download the most films are also the same people who buy the most DVDs. Businesses need to change and evolve, or they die. The music business is no different. [/quote] Just because they buy more DVDs doesn't lesser the impact they have on the films they download? I agree with you in that if nothing changes the music business will be forced to change, and not to the benefit of the artist as far as I can see. Morally it's not the business that should change, but the ones committing the crime. Business: "Dear Society, please stop stealing from me, it's ruining my business and the manufacturer's business." Society: "So? Deal with it - adapt." See how that doesn't make sense?

[quote name='Cygnus x-1' timestamp='1340143493' post='1700062'] when I saw the title, I wondered if the thread was about the Uriah Heep classic, lol [/quote] It is, you didn't read to the end of the article did you?

[quote name='phil.i.stein' timestamp='1340143786' post='1700069'] i have, from several BC'ers, here's one BC'er in motion : [b][url="http://alphamaleteaparty.bandcamp.com/"]http://alphamaleteaparty.bandcamp.com/[/url][/b] the 'What are you listening to thread' also yields a few beauties, you just have to find the time. [/quote] Oh I've come across a couple of new artists on Basschat, but there's nowt wrong with talking about someone's music and linking to their Bandcamp. I meant the streaming/download sites such as Deezer, Grooveshark, Spotify etc don't do anything at all to get new artists out there.

[quote name='phil.i.stein' timestamp='1340142955' post='1700037'] the field is more 'even' now. [/quote] Not really, I don't think. IMO people still get the same music, as advertised on the radio, in clubs, on MTV, Vevo. Just for free. As an 18 year old who listens to a lot of music via streaming etc. I have never come across a new unsigned artist on these sites - music available on the frequented sites for streaming/downloading is always popular to an extent.

[quote name='Clarky' timestamp='1340142898' post='1700035'] I think there is a generational thing here with a sense of entitlement having become the norm. I simply don't understand why making music should be treated differently to other professions in terms of protection. Sure if you choose to make your music freely available then fine, thats your choice (and as pointed out above there are some logical, marketing-type reasons for doing so). But to have it done against your will is a different kettle of fish. There should be a choice on the part of the artist in my view. And the argument that 'the horse has already bolted' does not make it right [/quote] This!

[quote name='phil.i.stein' timestamp='1340142494' post='1700018'] long live free choice. [/quote] By free choice d'you mean, a right to choose if you pay for something or not, therefore [i]a right to have something of value for free[/i]?

Wow I only went out for a rehearsal! I agree that illegal downloading may help artists get out there. But honestly, I have never streamed/downloaded a song, liked it, then bought the album. I have however streamed/downloaded a song and then streamed/downloaded the rest of the tracks from the same site. Convenience. And this is what I imagine most people do (as is supported by the statistics of sales etc etc). 'Spreading the word' seems a bit of a cop-out really to me really. If I steal a bass from a guitar factory, I'll just tell the Police that I was planning to play it at my gigs and at some point a couple of people might think 'Hey, cool bass' and buy one. The bottom line is the vast majority of illegal downloads hinder, not help, artists. The internet and all it's wonders seems to have given us a sense of entitlement/a right to free stuff, when in-fact we should never be entitled to anything for free. Why should we? I also don't see why musicians 'need to change' if they're not the offending party. Google etc needs a smack, downloaders (like myself) need to get a wider sense of responsibility as individuals and en masse, and these sites need to come down and people need to save a little longer and thus appreciate their music and the hard work that went into it more. It's just getting to that point! I guarantee I'll probably go on Spotify at some point by the end of the week... Yeah and sorry that article was looooong!

This article popped on my Facebook newsfeed from both Reverend Guitars and Dawsons Music and I thought I'd post it here for discussion and such because it hit me quite hard. I'm not an obsessive downloader/music streamer but I've used both services before (especially Spotify/Grooveshark for learning new songs/jamming along). [url="http://thetrichordist.wordpress.com/2012/06/18/letter-to-emily-white-at-npr-all-songs-considered/"]HERE[/url] (It's quite long)

[quote name='KingBollock' timestamp='1340052371' post='1698429'] I'm not going to look to find out, but that's probably already on Youtube. [/quote] Yep, my video hasn't got many views though so I don't know if it would come up

[quote name='billyapple' timestamp='1340053066' post='1698448'] I joined wittyretortchat, but they were all a bunch of f***ing ***** [/quote]

[quote name='charic' timestamp='1340051194' post='1698398'] PhotoShop geniuses where are you! [/quote] Nooo! That's like saying "wouldn't it be gross if someone excreted, urinated and vomited into a pot, boiled it, stirred it and served it as stew? Say, could the culinary geniuses conjure me up a sample just to try?"

[quote name='cloudburst' timestamp='1340046917' post='1698303'] PS: How about a roadworn 51 RI in mustard with an antigua scratchplate, complicated active electronics, a half fretted maple neck with black block inlays and LEDs and a reverse headstock. Sorry if you're eating your dinner. [/quote] Awww man! Now I've got to clean the sick out of my keyboard!

Guitarist's Reverend Double Agent II FM

I like Warwicks too.

Roy Mitchell-Cardenas of Mutemath attached P pick-ups to the end of his fingerboard and it sounds pretty cool! There might be an interview about it somewhere... Sorry that's not much help Anyway, here's what his sounds like: http://www.youtube.com/watch?v=Ee85ItE5C_0&feature=youtube_gdata_player

Stingray - no good reason really, they just don't do anything for me. Warwick Dolphin - for obvious reasons. Basses with spikes - I'm clumsy enough knocking into band-mates with just my Corvette - nevermind impaling them on a BC Rich

I agree, I guess if punters haven't experienced any real kind of musical adventuring themselves then it's only reasonable that they'll be somewhat blissfully ignorant/maybe won't fully appreciate the all the effort and expense that goes into it. However, I have loads of fun playing and rehearsing with my band and seeing people enjoy our music, I find it really fulfilling, so I don't think they get the enjoyment part wrong

I'd buy custom without a doubt. My brother just took delivery of his custom guitar - it's beautifully made to his exact spec with some amazing woods, intricate details and hand-wound pick-ups etc etc - quite simply amazing. Cost him a few hundred less than your budget I don't see why you would go for a factory made instrument, like a Gibson Les Paul for example, when you could at the very least get a professional luthier-made guitar to the same spec for a bit less cash!

I wish I couldn't hear the difference either - these darn ears cost me so much money! Seriously though, the GT200 is probably the best sounding amp I've ever played through - vest start saving eh? Your red/black one looks awesome, bet it sounds better!