Roland Rock

You'd need to stack them vertically to be in compliance with the BF ethos

I've been using a 2x10 for years (and before that, two 1x10s) and like everyone says, it has its limits. A good one will sound great and be loud, but when it gets to the bigger venues without PA, it can struggle. There is only so much air they can move. This is why I have an incoming 6x10!

Playing with a reggae band, most of my lines are deep, simple and repetitive. This is essential in getting that 'trance' like feel. So yeah, I get that feeling a lot, and I love it!

plainsman gig cancelled :-(

I'll tend to have three tones that I can easily get, either by knob twiddling or changing technique, depending on the bass. One has virtually no treble/big bass for the slow dubby songs, more honky mids for the faster lines which need a bit more articulation, and a general in between tone for everything else.

Welcome to Basschat :-)

When it comes to tributes, I reckon that audience seem to look for the following when watching - - does the singer look like the original? - does the singer/band sound like the original? - is it a good show? As the gig goes on, each one is superseded by the next. I used to play in a Bowie tribute. Did the singer look like Bowie? Not exactly. He's quite a bit more heavily built than David Bowie, but certainly does not shy away from the outrageous (and skimpy) outfits! This could be slightly cringeworthy at times. Did he sound like Bowie? Not bad at all, a great singer overall, and he really put effort into copying the phrasing and singing style. Was it a good show? Yes. Obviously I can't speak for the entire crowd, but my observations were that the initial bemusement/cynicism soon gave way to enjoyment. Where the singer lacks some of the aesthetic points, he more than makes up for in showmanship, charisma and singing. My favourite comment was the man who had seen Bowie a few years previously, but said we were much better! I suppose that this another point to bear in mind; the great acts were at their best when full of youthful energy, and the shows can be a bit less exciting when they're 65 years old and rooted to the spot. A tribute offers some of that 'golden era' magic. To answer the OP, is it degrading? Sure there can be some embarrassing bits on the aesthetic side of things, but if the band show that they respect the original greats, play well and the crowd have a good time, it's definitely not degrading.

[quote name='ezbass' timestamp='1346409756' post='1788855'] I've got to watch this. I'm sure there must be a hefty reserve, but that does seem a ridiculously low start price. [/quote] Wouldn't it say "reserve not met" if there was one?

Last time I was in a covers band, the going pub rate was around £250-£300

Gig: The Stone Roses Player: Mani Venue: Mayfield Leisure Centre, Belfast Year: 1990 I feel pretty lucky to have seen them at this early stage (touring the first album). Fantastic gig

With regards to getting it nicked, outdoor gigs/festivals are a bit more risky as your gear is more exposed, but minimise the risk by keeping your kit within eyeshot wherever possible. Saying that, I've done a fair few and never had any problems. Unless you're playing in church/theatre, you'll probably be playing in front of many drunken punters (hopefully dancing) wherever you play. Beer wipes off. You will inevitably ding your bass at some point, and it's a lot cooler to say that it happened during a beer festival gig, than "it fell over in my lounge and hit the coffee table" In other words, minimise the risks by following the advice of those above, then try not to worry about it and have fun ¦:¬)

Thanks Loz

An optimist would call them 'Semi-Solid'

One of my basses is a bit big for both the Protec Contego or the Mono M80 cases I own. The top horn is the problem, it sticks out about an inch too far. It will just about fit in the Mono, but is a bit too much of a squeeze for my liking, and I don't want to damage the case. I'd prefer a very well protected case on a par with the ones I already own mentioned above. Cheers

I was "Butch Brownstone" in previous not-too-serious band Father McKenzie and the Brown Pants. Not muh commercial success, but lots of fun.

Very nice. That Lagrene solo video is f***ing nuts!

Something tells me he's after a combo - can you clarify please Mark? Ta

The Basschat marketplace would be a good place to start looking. Do you need one loud enough to compete with noisy guitarists and a drummer?

[quote name='51m0n' timestamp='1346162886' post='1785934'] Oh the irony, and you with Hendrix as an avatar...... [/quote] :-D

I have one too Kev. Sod's law we'll end up at the same gig in Nottingham wearing the same novelty T Shirt :-) As soon as I bought it, Tesco accounced ditching the that brand name and logo :-(

Love the body/hole design on the first one

Not many people learn to play on a Status! Welcome to BC :-)

iPad won't let me initiate a PM. Why not PM me? The wenge faced body is left. Strictly pickup only

[quote name='NJE' timestamp='1346006080' post='1784048'] Well I can give the EBS Reidmar a huge endorsement and the Classicline 110 cab. I have used the Reidmar for a while now and it is nothing short of astounding (in my opinion) It is the best sound I have ever had after years or Trace Elliot, Ashdown, MarkBass, and even my Epifani. The Classicline is also superb, powerful big sound and just the sweetest little cab I have ever seen. I dont use the Classicline for a full band situation and havent tried it to be honest, but I think I would want two of the 1x12 cabs for gigging. I know its always good to try before you buy but its not always possible. I would say that you wouldn't be dissapointed with the EBS stuff if you just bought it unseen, worth looking at Thomann as well as when I bought my EBS cab they were a good few quid cheaper than Mark at Bass Direct and they were fantastic, really quick delivery. Saying that Mark is a top chap and no doubt he would price match or at least try to. [/quote] Sorry if it's stating the obvious, but the biography is very informative: http://www.amazon.co.uk/Jaco-Extraordinary-Tragic-Life-Pastorius/dp/0879308591 As far as recordings are concerned, he plays on some of the Herbie Hancock album 'Sunlight', also check out Little Beaver's "I can dig it baby" Edit, beaten to it by Clarky :-)

Welcome :-)