Roland Rock

[quote name='skankdelvar' post='1191037' date='Apr 6 2011, 09:02 PM']+1 for this guy. He's lovably bonkers, but he knows his stuff.[/quote] +another for John - he's the man. He knows his stuff

Not sure I'd pay to see Toyah strip! There's a while yet, so will bump occasionally and hopefully get a few more together Cheers

That is fantastic. A true one of a kind. Well done!

Worth a try

I'm pretty handy with wood (see my website in sig) but steampunk is new to me. I always like a new challenge. Any details about what you'd like?

Yes - that's [url="http://www.algonet.se/~bassman/photos/mp.html"]Mark Plati[/url] Thanks for the vid - we're working out that song next, so good to get some ideas.

[url="http://www.morphsuits.co.uk/ProductDetails.asp?ProductCode=MORPH_Premium"]Morph suits[/url]

[url="http://basschat.co.uk/index.php?showtopic=127451"]A Peavey 4x10[/url] [url="http://basschat.co.uk/index.php?showtopic=113941"]Musicman Head[/url] A tad over your budget but a hell of a rig for the money!

The e-bay one has red silks on the strings, whereas the other has no silks. Can't be the same one.

Nice one Scott - I loved the video diary, and the latin bit in Let's Dance is great. Not been to The Wardrobe for years - great place.

We're playing the [url="http://www.rockandbikefest.co.uk/"]Rock n Bike Fest[/url] in Leicestershire this summer, and I thought there must be some other BCers playing or attending. Possibly meet up for a pint?

Well, it's done and dusted now - and what a cracking night! We were impressed with the setup, with monitors more powerful than many places' entire PAs! Liam the engineer got a great sound, the Warlocks were very accommodating and the atmosphere was great with lots up dancing. Many thanks to all for your advice/info on the place. We'll definitely be playing there again.

[quote name='Duarte' post='1183266' date='Mar 31 2011, 01:12 PM']Hahaha, I might like Jazz! Actually, his own words are "2% Jazz, 98% Funky stuff" ...ideal.[/quote] [url="http://www.youtube.com/watch?v=5S8ox_aajYc"]http://www.youtube.com/watch?v=5S8ox_aajYc[/url] 12 seconds in - I always wondered where that quote came from. (btw, great bassline kicks in at 1:45) Sorry - back to jazz, one of my favourites - especially the live version I have on CD: [url="http://www.youtube.com/watch?v=LHFn0vHF6-c"]Jive Samba - Cannonball Adderly[/url]

1st April (Friday Night), [url="http://www.myspace.com/yardbirdsrockclub"]Yardbirds Rock Club, Grimsby[/url]. Would be great to see any you there if you can make it. Is there a secret handshake for identifying Basschatters

I think that an enormous factor is the engineer that you use, and the amount of effort they put into it (I suppose I'm talking more about mastering rather than recording, but often it's the same person) If you go to a very expensive studio, you are paying a lot for both the facilities and the engineer. In my experience, the pro engineer will spend as much time as he/she is being paid for. A cheaper setup tends to have an enthusiastic engineer who has a bit more time on their hands, and will spend more time getting it right, even if they're not getting paid for that time. With one band, our first demo was done at a hobbyist's home studio - he was really creative and went over and above the call of duty to get what turned out to be a pretty well produced ep. for the next recording, we had the opportunity to record at Sony studios in London with an engineer who had worked with some pretty big names. The result was clean and well balanced, but seemed a bit 'unfinished', and overall we preferred the first one. This is purely based on my experience.

[quote name='muttley' post='1183075' date='Mar 31 2011, 10:37 AM']That's interesting. Any particular reason for this? Market flooded or general economic gloom?[/quote] That's a whole other discussion [url="http://basschat.co.uk/index.php?showtopic=120241&hl=warwick+prices"]http://basschat.co.uk/index.php?showtopic=...=warwick+prices[/url]

[quote name='lemmywinks' post='1182473' date='Mar 30 2011, 05:13 PM']That's ace! Are those tens or twelves? There's something about the little EA cabs that really appeals to me, can't quite put my finger on it. I'm very tempted to buy the damaged CXL112 on here and stick a Deltalite in it, but then my mini rig would be bigger than my main rig![/quote] They're CXL110s. I know what you mean - their 'density' and solidity makes them right meaty little buggers. (I should write for BGM!)

My old "mini stack" I went off SS after that so had to go for something a bit chunkier.

Even though it's been over 48 hours, I'd rather not re-raise the 4v5 debate. This Sandberg provides another option [url="http://www.youtube.com/watch?v="]http://www.youtube.com/watch?v=[/url][/url]

I've checked the Milliput website and can't see any mention of being able to mix paint with it. I was thinking of you using the neon green stuff you said you could source. Alternatively you could pick up some [url="http://www.amazon.co.uk/Milliput-Superfine-White-113-4g-Pack/dp/B001OBBTO0"]white Milliput[/url] and experiment

I've done some inlays with putty-like substances (usually Milliput). I'd probably drill a hole in a piece of wood and do a trial run. That way you can ensure that the putty doesn't shrink when it dries (if it does, just make sure you put enough on to account for the shrinkage) and that the final finished colour is what you're after. Keep a lump of spare putty handy, and when it is rock hard, your inlay putty will be too. Scrape off the majority of the excess putty with a cabinet scraper or sharp chisel. Are you happy to sand the area around the holes? You'll need to do that to make it perfectly flush, preferably to something like 400 grit. You're obviously quite handy, so sorry if any of this is stating the obvious.

Apologies for my rudeness, Bilbo. It's 'Manwomanboogie' by Q Tip

Great bassline - I love the timing. Thanks

I've been happy with one for ten years, then I go and join Basschat and suddenly I "need" an additional one (Pedulla Buzz 4)

Hi, Great stuff. I'm neither a fan of chordal/tapping stuff, but can appreciate your skill and acute sense of melody. I listened to it before reading the full OP, and my immediate thought was "what a great slap sound, meaty and punchy, none of that modern clickety stuff", then read your comment about dead strings! Great technique and with good timing too - nice one.