cheddatom

I don't know any blenders with a phase control built in but I'm sure there are some specialist ones around. So, in that respect, the LS-2 will be on a par with all common blenders. The LS-2 allows you to mix two chains of effects together (among other functions), which is sometimes a lot more useful than just a clean blend. I have a barge concepts blender, and a SFX mixer thing, they all sound similar to me! edit to say - I'm not sure a phase inverter switch would be that much use, you might as well just make a jack lead that flips the phase

oh dear, I hope everyone else has submitted their mix, they're getting some great tips here! I'll have to play about with a hat mic once i'm in my new space, which should be nice and dry

I always got the impression you were more bothered about how cool the bass looked, rather than how good it sounded? I like a bit of both, but yeh, not bothered about minute details as long as it makes a big noise, who cares?

[quote name='mcgraham' timestamp='1363783808' post='2017498'] I'm all about simplicity. Just ask Shep! [/quote] Obviously you need another 2 levels of dirt at least, plus an envelope filter and a couple of delay pedals. That would be simple!

very sw***y mcgraham but you've not left much room for expansion!

it's ont of the Red Audio overhead thingies that come with the drum set... always sounded fine as an overhead. I wonder, would a dynamic mic work better on the hats? What do you use?

If you've got the money it's a good mantra!

I don't think I used the hat mic at all Si. In fact for the whole album I recorded a hat mic but didn't use it 'cos it didn't add anything. Is that my positioning do you think?

well I love the sound, but I record a lot and it took me about 6 months in that room to get happy with my mixes. Now i'm looking at moving to a smaller/drier space and that's scarey - I'll have to find reverb plug-ins that I like for drums!

yeh it's a massive room with huge reverb sorry!

When mixing drums, I generally get the overheads sounding nice, which might take a bit of EQ and compression, and then I solo each individual close mic and work out where a mid-cut should be. So, on the snare top, a cut around 600Hz might sound good. On the bottom, a cut around 1K or 5K. On the kick around 200Hz etc etc. Then I like parallel compression on the whole kit, and probably individual compressors on the kick and snare

[quote name='RockfordStone' timestamp='1363697602' post='2015962'] +1 for overlcockers, i got all the componants for my last pc build there, the processor and mother board bundles are always pretty decently priced imo, and saves hassle trying to find the ones that pair up [/quote] Yeh their support isn't bad either I have used Novatech in the past who were cheap - on a par with Ebuyer I guess. I've never had to deal with support/customer service from any of these

ebuyer tends to be very cheap. Overclockers do some good "bare bones" systems which always save time and hassle. Those are the two I use Your system sounds like a dream come true, I wish I could afford the same! EDIT: I should say, I regularly record 10-20 channels of audio at 48Khz, 24bit, all to external USB drives, so you should be fine without going SSD

Oh god, now I'm nervous... these "rush jobs" are going to be better than my months of agonising!

Some bands I love so much I happily play for nothing. Other bands i'd find it hard to keep turning up if there was no money. Some are like pure passion, others are like a job. So, it depends why you're playing the music!

that's a great board!

[quote name='Twigman' timestamp='1363562824' post='2014251'] ...but my ears have had enough! [/quote]

Maybe the real problem is not Rickenbacker, but the companies such as Ebay, Gumtree etc who capitulate at the first whiff of a lawyer

Not sure why you're using an LS-2 with the ODB-3 as the ODB-3 has it's own blend control If I'm right and your LS-2 is redundant, you could switch it out for an EQ pedal or the like to give you an extra switchable tone But yeh, the programmable sansamp does look ace

I just googled rockinbetter, there are loads of businesses selling them, and yet he goes after private sellers? No wonder people get pissed off!

I think it depends on how you set it, mine does cut the signal completely in between notes if I want it to, but I generally don't, I just want to avoid feedback.

I think you can sing! It's all just a bit too "wet". You should submit your stems for next months mix competition - see what can be done

I thought the NS2 was a gate? that's what I use, and mainly 'cos I use high gain distortion from pedals, which feedback a lot without a gate 'cos I like to play loud

[quote name='Dave Vader' timestamp='1363254519' post='2010394'] My EUB into an Eden amp and Di-ed straight out the back as far as I know. Joe has a load of valvey compressory real things and plugins that he sticks on everything. It makes stuff sound nice. Come to Devon Tom... record us..... [/quote] Hah, it's a little too far, although would make for an excellent holiday!

You need a MIDI floor controller like this: [url="http://www.studiospares.com/midi-controllers/behringer-midi-foot-controller-fcb1010/invt/370140/?source=215_74&gclid=CPOYwJf6-7UCFUbKtAodux4ASA"]http://www.studiospares.com/midi-controllers/behringer-midi-foot-controller-fcb1010/invt/370140/?source=215_74&gclid=CPOYwJf6-7UCFUbKtAodux4ASA[/url]