cheddatom

in my opinion, yeh, but you have to use it very subtley because anything other than very low gain does tend to sound a bit "fizzy" which is the main complaint about this pedal.

cool, well I may have a play this weekend

when you play without compression do you perceive the D and G strings as being quieter? It sounds like maybe you have a very bassy sound, and at the moment you have the compressor set to tame that bassy boom but leave the rest un-touched. If you're after the opposite then yeh a multi band would be the way to go. It seems unusual to me that you'd see such a massive difference between notes on the compressor, but I do tend to have a very "even" sound right accross my bass.

I saw them last year. It's not my kind of thing but deffinitely a fun gig and it looks like they pull some big crowds! Nice one

do you have the low end boosted on your bass a lot?

I can't see any compressors on there?

Rather than just circuit diagrams I was hoping for an explaination of how it works as well, although my post doesn't make that clear at all. Maybe what I really need is a text book

I wasn't comenting on musicality or longevity, just that a lot of people liked the idea that this was something "grass roots" (do you know what I mean by that? like sprung out of no where by the sheer power of the internet and good-looking youthful music fans) and when they found out it wasn't as genuine, they didn't like it as much... They weren't judging the music, they were judging the story

Never heard the music but from google it looks like she had a botched lip-job? The Artic Monkeys seemed to suffer a bit of the same thing. They were trumpeted as a success of myspace or social networking in general - a "real grass roots" thing. It turned out someone had chucked some money at them, and (at least for the people I know) this seemed to destroy some of that charm. Personally, I like to listen to the music and forget about anything else. Some people won't listen to the music of someone if they don't like that image or personality, and I think that's sad. To take it to an extreme I would listen to Gary Glitter (if I liked his music) where as other people wouldn't.

I looked into doing this and the main prohibiting factor was I would have to be there to open up and lock up, so it was not worth the time. I suppose it's different when you live right by your studio?

[quote name='Dom in Somerset' timestamp='1327751979' post='1516181'] "the CD of the new recordings that you burnt for me doesn't work" Time passes. " "Oh , it does work, I'd put it in the player the wrong way up." [/quote] hah, I gave a CD to a band mate once and he managed to slide it over his CD deck in the car, so it dissapeared, but wasn't in the actual CD slot. I didn't see it happen so was well freaked out, and when he managed to put "another" CD in the slot and play it, it was as though something mystical had happened. 2 weeks later he'd fished it out and didn't seem to find it as hilarious as I did! (this was a bassist by the way )

[quote name='cheddatom' timestamp='1320323550' post='1425264'] I love my peavey TNT although I do pair it with a guitar amp. If anyone wants to hear the rig mic'd it's on myspace.com/nologorock [/quote] Just returning to this thread and I wonder if any of the peavey haters had a listen to the above? 'cos this is back when I used to mic my peavey rig for recording.

you're the bassist. Your rhythm will be the best to follow I'm sure you're totally right, I don't have a lot of experience in the genre

he doesn't mind shaking hands with pork either!

I've been recording a couple of folky people recently and they've asked me to put bass on. With the lack of bass drum, I was really trying to get the bass to replace that and take up the rhythm role. Unfortunately I was asked to put bass on after the tracks were almost done, so I had to play in time to speeding up and slowing down, but yeh, my main point is that if there's no kick drum - try and be the kick drum?

I always have the bottom slider on my EQ all the way down, which I think is 40Hz, and I play plenty of low B flats which sound nice and fat.

I have a long term goal of understanding how compressors work at the circuit board level. Are there some simple circuits I can try and play about with? I have a breadboard thingy for testing and swapping components so just need a simple circuit and a trip to maplins...

they probably do but it's probably insignificant and pointless at a live gig.

I miss that kind of gig

cool, maybe get him to take a feed from the desk at the next one? It looks like a sh*t load of fun though, a proper crowded "messy" gig

How do you find out tour dates? There's nothing on Myspace

Flea's a great bassist and I love his stuff with Mars Volta. He's just a bassist though isn't he? Les is something else IMO.

[quote name='pantherairsoft' timestamp='1327598415' post='1514037'] Cool. Lemme know what ya' think. [/quote] What did you use to record it? The compression is way over the top so I can hardly hear vocals or drums. Some great bass sounds though!! I have a Zoom Q2 camera and the audio on that is ace. It auto-levels itself - rather than just squashing everything above a certain level, it brings down the gain and maintains that level for the whole set, rather than jumping up during "breakdowns" or the like.

just get an EQ pedal or pre-amp to match the thunderbird to the active bass you like the sound of

Just bought an SFX Loop Logic from Al. Not only did he very kindly hold the item for 2 weeks while I waited for my monies, he then got it to me within 48 hours of payment! Excellent