cheddatom

[quote name='AttitudeCastle' post='1328923' date='Aug 5 2011, 04:28 PM']Yep thats what i mean, like the opening bassline, is 2 Deep Impacts run one after the other I know faaar too much about Muse gear as my brother is a [i]huge[/i] muse fan boy and a contributer to the muse wiki haha, There is no keyboard on Time is running out, i'm almost certain[/quote] Honestly dude, it's a keyboard. If you'd spent any time on the Muse messageboard you'd have heard this a million times.

Actualy Ernie Ball do a stereo volume pedal which has a pan mode - this might work? You'd need a blender on top of this though.

heh, the amount of times i've got a great sound on a solo'd track only to have to re-do all the EQ when it's in the mix...

It's weird, i've heard of a few people happily using Fuzz to replicate that sound. To me it's very "buzzy" - synth like in a way almost no fuzz pedals are.

yeh. I don't know if the deep impact would come close? I've never tried one

[quote name='AttitudeCastle' post='1326335' date='Aug 4 2011, 12:15 AM']The pedal board on uprising was prettu simple, pretty much replicateable with a muff and Deep Impact (which you do have!) Thats as far as i know as it was a similar set up to Time is running out which was two deep impacts[/quote] The bass sound for the verse of Time is running out by Muse (is that what you mean?) is just a keyboard with some clean bass.

A lot of the advice seems to relate to headroom, peaks, getting more out of your gear etc. If that's all you want i'd highly recommend the BOSS Limiter. (just don't use the enhance circuit)

Heh, when I was gigging a few people actually offered to do it for me. I thought i'd better decline as then i'd have no excuse not to run around and jump up and down etc.

But then i'd have to touch my actual pedals with my feet, like some sort of rotten plebeian

I'd bloody love one but i'd need more like 20 loops than 10

[quote name='phil.i.stein' post='1324915' date='Aug 2 2011, 09:37 PM']cool, i've always been curious because of the negative comments, but never tried it myself. i may have to try one out and ignore the bad press.[/quote] As i've said before, if it's good enough for the bassist from Karnivool, it's good enough for anyone. Incidentally I think Karnivool use those gig rig switching systems - very cool and much more tidy than my tap dancing effort.

I thought that "gig fx" did exactly what you need but I can't find it on their site now. I wanted to do a similar thing myself a while ago and this was the only pedal I could find to do it. It was too pricey for me so I just danced on two volume pedals instead. I used my LS-2 to mix the two signals together.

nice! I'd happily gig with that board, it seems to have most bases covered

I always used a schecter with soab bars, both pickups about even with tone flat. I recently aquired a new bass with jazz pups and i'm using this with no neck, all bridge and EQ flat. It sounds amazing!! I use a lot of pedals etc so i've always "cut through" but this jazz has taken it to new levels. You might find that the lack of low end from the bridge pup gives you more headroom to turn up your amp, which obviously will help too.

I notice you're in stoke... If you need to try out any pedals you're welcome to PM me!

when I say "nuances" I mean subtle differences in harmonic overtones and distortion etc, not a big mid scoop.

any tube screamer type pedal with the tone turned down would do this sort of sound wouldn't it?

Just on the ODB-3 - on low gain settings with the hi EQ down it's allright. I don't think it'd be a tubey sound though.

I slap my 6. I never learned to hit the right strings, I just mute all the wrong ones instead.

I've always used pedals to get the sound(s) I want out of mediocre amps. You might tell the difference between your valve rig and a pedal when you're playing alone, but int he context of a band with distorted guitars - who's going to hear those nuances?

i'd never do an originals gig without being totally happy at at least one rehearsal.

[quote name='pantherairsoft' post='1300677' date='Jul 12 2011, 09:46 AM']The slicer syncs easy - Just plug in the midi plug with a clock going and it instantly snaps to tempo. Remove the plug and it instantly reverts to whatever tempo you had it running at before. DD-20 has no midi capability unfortunately... If it did it would be a better unit that the Eventide Timefactor IMHO. I use and old Red Sound Voyager for my midi clock (middle of board 2). You can either set it to any tempo between 90 and 180 bpm and off it goes, or its reads any other audio source you feed it, calculates the tempo and generates a clock in time. I feed it with the metronome that we both listen to so the midi clock is perfectly synced to the click we use.[/quote] I guess I saw the midi port on the back of the slicer and just assumed the DD-20 had one too. Does the red sound voyager output tap tempo which could be fed to the DD-20? I've never heard of that device but it looks great! (and discontinued )

very tidy shep I was playing with my dd-20 and slicer the other day along to a click. I usually just use tap tempo but I wanted it really tight. I've never tried to sync them with MIDI, is it easy? And can you get a standalone midi-clock to go on your board?

ahhh, i've not seen promo videos, I just thought it'd be dead useful for someone with a WH-4 (I can change modes on my XP-100 )