cheddatom

gorgeous!

Depending on the effects, you might be able to attach them together. I'm thinking of those little strips of plastic with two screw holes in which are designed to put under the corder screws on boss pedals - you then screw the other hole to a pedal board, except you could put the other hole under the screw on the other pedal. That was hard to word!

Perhaps a new rule could be to link to the thread you bought your bass off, if you got it from BC. It would also help to track where the basses go! Is that an infringement of a basses right to privacy?

I bought a boss pedal from Matt - it arrived the next day!! I've never done a quicker deal. Cheers!

indeed, but this is Ida Funk[b]house[/b]r!

I'd use it like that then. The fuzz is obviously adding a lot of top end that the delay is taking away. By putting it after the delay, the top end still gets added to your sound.

Nice one! I also had this problem, I might give that mod a go.

You could have your Grolsh rings chromed!

Have you tried the fuzz after the delay?

I'm surprised people love strap locks so much. I use Grolsch rings and they've never failed.

[quote name='Doctor J' post='1032876' date='Nov 22 2010, 04:55 PM']I'd understand if one us had said "Top o' the mornin" or "To be sure, to be sure, to be sure"...[/quote] Sorry guys, no offence intended. I have a mate from dublin, and he does an impression of a tipperary accent that amuses me greatly.

heh, i think we should abandon this and declare OC-2 the winner.

[quote name='Mog' post='1032801' date='Nov 22 2010, 04:12 PM'] Never had that in the Phoenix myself!? Were ye on the bill with Spitting Bones? Ragin I missed that session, heard it was savage.[/quote] Is everyone else enjoying imagining this conversation complete with accents?

WTF? Are people quoting old lists?

excellent, most appreciated

Hah, cheers! Everyone's so generous! I tend to (try to) avoid trying out gear I can't afford, for obvious reasons

same here, I never even got round to programming it properly, I just traded it two weeks after I got it. Rahter dissappointing as I know you can get some amazing sounds out of them.

Interesting! Cheers

OC-2 and TU-2 are neck and neck at 16, Sansamp BDDI is catching up with 10!!

HAH! Nice!! I thought i'd read loads of good customer service posts RE Ashdown. You can get the phone number of a fairly high up bloke I think..?

ODB-3 has a built in blend control too. If you put it before your amp, you should be able to get a decent low gain crunch from it, but perhaps not enough of a crunch for what you need. As above, when you turn the gain up, it gets sh*t.

[quote name='ShergoldSnickers' post='1031517' date='Nov 21 2010, 04:19 PM']Compared with some of the fantastic and highly creative boards on here this is nothing but an absolute cheat. Here it is anyway. Got this in a sale about a year ago. [/quote] Does this switch patches instantly? (unlike the GT-6B)

Fair enough, I wouldn't know about transcribing!! I thought the main point of the OP was the suggestion that deadening one sense might heighten another, and obviously if you're making sounds, it's the listening sense we're bothered about - you might be able to listen better in the dark. I know when i'm mixing I often close my eyes to help concentrate.

[quote name='Doddy' post='1029187' date='Nov 19 2010, 12:39 PM']I don't need to give it a go. I have played many gigs where I can't look at the neck-due to either darkness or reading charts or whatever-and it's not a problem to me. I've spent long enough with the instrument that it becomes almost second nature anyway.[/quote] What if there's a deep and mystical bond you can develop with your bass that only happens if you play in the dark? It's not about being able to play without looking at the fret-board.