cheddatom

I just had a look as this is something i'd like. I found your posts on a couple of forums!! I also found [url="http://www.izotope.com/products/audio/vinyl/"]this[/url].

I don't know the answers to your questions sorry but.. Have you tried overdriving it by boosting the input, with an EQ pedal or a boost pedal? Would putting a higher gain input valve in risk overdriving the poweramp?

I used to keep pedals loose on top for storage, but still wired up. Then when I got to a stage, I would just put the board down, and put the resting pedal onto the floor. Can people please remember the lights off LEDs on shots!

If you want feedback... I looked at the site, and it looks great, as does the gear. However, I have no idea what the m:system is. Is this me being stupid? I've read about the features of the m:system, but have no idea what it is or what it does!

[quote name='molan' post='519019' date='Jun 20 2009, 01:05 AM']Completely forgot - sold my first ever bass which was a really nice little brand new '78 Fender Musicmaster in white[/quote] I have the exact same regret!

[quote name='mildmanofrock' post='520291' date='Jun 21 2009, 09:37 PM']Hi folks - as a bit of a tech numpty, is there any chance someone could recommend a good signal chain for these pedals? Much appreciated! Sansamp Bass Driver EBS Multicomp (compressor) EBS IQ (envelope filter) Boss Heavy Metail disortion Boss Bass Flanger BF 2B ISP Decimator (noise suppressor) Thank you, Steve[/quote] Sansamp Bass Driver EBS IQ (envelope filter) Boss Bass Flanger BF 2B EBS Multicomp (compressor) Boss Heavy Metail disortion ISP Decimator (noise suppressor) But obviously there are no set rules and you don't have many so just try every possible combo.

I was in a 3 peice originals, and I understand your point, but I maintain, I would be bored gigging without at least 5 pedals. I would have no problem using them tastefully and to great effect. The audience wouldn't necessarily notice, but that's not the point, the point is to enjoy the gig, surely?

I would get bored gigging without effects. I need to be able to boost the bottom to make choruses massive, and add dirt for riffs etc. I suppose that's about all i'd use on a covers gig (never done one). Lots of people use multi-fx setups live and they are fine. The problem is you want to be able to "set and forget" about all your patches, but you do have to change them occasionally depending on the gig, which is annoying. Then again, it's a lot easier to carry and set up than a big pedal board. Both line 6 and boss do a multi-distortion box, so you can switch between different stored distortion patches. It might be worth trying one of these as they're only the size of 2 singles and obviously simpler to use than a big multi.

I can't find the exact spec but I thought it had a good 3-4 amps which is more than enough.

[quote name='jasperok' post='516436' date='Jun 17 2009, 02:34 PM']apart from being overkill - too big - and maybe even ugly what do you think? [/quote] Those were my only thoughts sorry! Would a [url="http://www.burkey.nl/"]burkey[/url] one do the trick?

Will that blend A+B as well as switch between?

LS-2 Do you need it to have EQ on aswell or something?

I used to use a capo all the time, on a 6 string bass. It was one for a classical guitar (wider neck) and it didn't cover the C string properly.

Ahhh, I was wondering if you had them set up for massive mental harmonies or something. I love the wahs on the XP-100. I found the octave down to be just as good as my OC-2 so I gave it to my guitarist! Heh. BTW of course the ladies love the whammies, are you on the muse board by any chance?

I bought some studio spares NS-10s and they're a bit sh*t IMHO. Anyone else used these? Am I doing something wrong?

I don't really think distortion affects the pitch at all, but I suppose it could effect how responsive the tuner is. You should be tuning on mute anyway so it'd be fine.

Why do you need 2 whammies and an octaver?