jazz bass 2010

New jazz and blues bass lesson videos uploaded check the video links on the websites. Enjoy. [url="http://Http://constructingwalkingjazzbasslines.com"]Http://constructingwalkingjazzbasslines.com[/url] bass tab examples at [url="http://basstab.net"]http://basstab.net[/url]

More video updates Blues and rhythm changes video lessons [url="http://constructingwalkingjazzbasslines.com"]http://constructingwalkingjazzbasslines.com[/url] [url="http://basstab.net"]http://basstab.net[/url]

More video updates. Blues and rhythm changes lesson videos uploaded [url="http://basstab.net"]http://basstab.net[/url] [url="http://constructingwalkingjazzbasslines.com"]http://constructingwalkingjazzbasslines.com[/url]

Video I Bass tab [url="http://constructingwalkingjazzbasslines.com/jazz-bass-tab-play-along-vi.html"]http://constructingwalkingjazzbasslines.co...y-along-vi.html[/url] The following video is provided to assist the bassist to familiarize themselves with some of the rhythmic phrases used in the jazz walking bass vocabulary. The Example is a walking blues medium tempo in the Key of C and is taken from Part 2 of Constructing Walking Jazz Bass Lines Book I - The Blues in 12 keys Bass Tab edition. The examples provide the bass tab and the bass clef directly above. Listen to the track and follow the sheet music, this will enable the bassist to accelerate the learning curve and incorporate the jazz rhythmic language into their playing. It is also an excellent way to transfer the knowledge of bass tab to the task of learning to read music which can open many doors for the professional musician. Enjoy the video. More updates to follow. Video II Bass Clef [url="http://constructingwalkingjazzbasslines.com/jazz-bass-lines-video-play-.html"]http://constructingwalkingjazzbasslines.co...ideo-play-.html[/url] The following video is provided to assist the bassist to familiarize themselves with some of the rhythmic phrases used in the jazz walking bass vocabulary. The Example is a walking blues medium tempo in the Key of G and is taken from Part 2 of Constructing Walking Jazz Bass Lines Book I - The Blues in 12 keys Bass Clef edition. Listen to the track and follow the sheet music, this will enable the bassist to accelerate the learning curve and incorporate the jazz rhythmic language into their playing. It is also an excellent way to transfer the knowledge of playing by ear to the task of learning to read music which can open many doors for the professional musician. Enjoy the video. More updates to follow. [url="http://Http://basstab.net"]Http://basstab.net[/url] [url="http://Http://constructingwalkingjazzbasslines.com"]Http://constructingwalkingjazzbasslines.com[/url]

Video I [url="http://constructingwalkingjazzbasslines.com/jazz-bass-tab-play-along-vi.html"]http://constructingwalkingjazzbasslines.co...y-along-vi.html[/url] The following video is provided to assist the bassist to familiarize themselves with some of the rhythmic phrases used in the jazz walking bass vocabulary. The Example is a walking blues medium tempo in the Key of C and is taken from Part 2 of Constructing Walking Jazz Bass Lines Book I - The Blues in 12 keys Bass Tab edition. The examples provide the bass tab and the bass clef directly above. Listen to the track and follow the sheet music, this will enable the bassist to accelerate the learning curve and incorporate the jazz rhythmic language into their playing. It is also an excellent way to transfer the knowledge of bass tab to the task of learning to read music which can open many doors for the professional musician. Enjoy the video. More updates to follow. [url="http://Http://basstab.net"]Http://basstab.net[/url] [url="http://Http://constructingwalkingjazzbasslines.com"]Http://constructingwalkingjazzbasslines.com[/url]

Thanks . The link has been restored. Enjoy the article update and bass line examples Constructing Walking Jazz Bass Lines

[quote name='jazz bass 2010' post='1108845' date='Jan 30 2011, 05:48 PM']PART 4 Building a 12 Key Facility for the Jazz Bassist courtesy of Constructingwalkingjazzbasslines.com Part 4 of the 12 part series includes The Modes and arpeggios in the Key of Db over 2 octaves. The Blues in Eb Featuring The Walk Up Tri tone substitutions Thank you to those of you who have read the articles and taken the time to leave you're comments, if you're viewing the article for the first time, take the time to read Parts 1, 2 & 3 of the article and view the written out bass examples. It is advised to apply the principles of the Blues progressions in each article to the previous keys Compose and write out your bass lines, develop your own bass line melodies using the triad. This will enable you to develop your own voice as a bassist . Being able to walk the Blues or any tune for that matter, in the lower register of the instrument using the triad is a great skill to have and not as easy as some may think. Those of you who have already done it or continue to practice it are aware of the obvious benefits. Pt 4 Continues on from the previous examples of the triads exercises using new walking bass line devices. Apply the previous triadic devices from Pt 3. to the Blues in Eb, writing out your own bass line melodies. The written out exercises of the Blues and modes and arpeggios for Pt.4 can be viewed at [url="http://constructingwalkingjazzbasslines.com/building-a-12-key-facility-.html"]http://constructingwalkingjazzbasslines.co...-facility-.html[/url] all examples from Pt 1, 2 & 3 can be seen using the same link. Enjoy the article Constructing Walking Jazz Bass Lines[/quote]

PART 4 Building a 12 Key Facility for the Jazz Bassist courtesy of Constructingwalkingjazzbasslines.com Part 4 of the 12 part series includes The Modes and arpeggios in the Key of Db over 2 octaves. The Blues in Eb Featuring The Walk Up Tri tone substitutions Thank you to those of you who have read the articles and taken the time to leave you're comments, if you're viewing the article for the first time, take the time to read Parts 1, 2 & 3 of the article and view the written out bass examples. It is advised to apply the principles of the Blues progressions in each article to the previous keys Compose and write out your bass lines, develop your own bass line melodies using the triad. This will enable you to develop your own voice as a bassist . Being able to walk the Blues or any tune for that matter, in the lower register of the instrument using the triad is a great skill to have and not as easy as some may think. Those of you who have already done it or continue to practice it are aware of the obvious benefits. Pt 4 Continues on from the previous examples of the triads exercises using new walking bass line devices. Apply the previous triadic devices from Pt 3. to the Blues in Eb, writing out your own bass line melodies. The written out exercises of the Blues and modes and arpeggios for Pt.4 can be viewed at [url="http://constructingwalkingjazzbasslines.com/building-a-12-key-facility-.html"]http://constructingwalkingjazzbasslines.co...-facility-.html[/url] all examples from Pt 1, 2 & 3 can be seen using the same link. Enjoy the article Constructing Walking Jazz Bass Lines

This is a free series of bass tab lessons which can bee seen at [url="http://basstab.net/lessons-jazz-bass-studies.html"]http://basstab.net/lessons-jazz-bass-studies.html[/url] courtesy of Constructing Walking Jazz Bass Lines. Part I has the modes and related arpeggios written out in bass tab and bass clef in the key of C. This will be updated monthly to cover the exercises in all 12 keys. Enjoy Basstab.net

the following excerpt has been taken from pt 3 of a 12 part series for the jazz bassist covering playing in 12 keys. there is a link to see the modes and arpeggios written out over 2 octaves as well as blues progressions in 12 keys PART 3 Building a 12 Key Facility for the Jazz Bassist courtesy of Constructingwalkingjazzbasslines.com Part 3 of the 12 part series includes The Modes and arpeggios in the Key of C over 2 octaves. The Blues in Bb using Triads Featuring Harmonic Rhythm Diatonic chord structures Thank you to those of you who have read the articles and taken the time to leave you're comments, if you're viewing the article for the first time, take the time to read Parts 1 & 2 of the article and view the written out bass examples. It is advised to apply the principles of the Blues in Bb in Pt.3 to the previous example of the Blues in F. Compose and write out your bass lines, develop your own bass line melodies using the triad. This will enable you to develop your own voice as a bassist . Being able to walk the Blues or any tune for that matter, in the lower register of the instrument using the triad is a great skill to have and not as easy as some may think. Those of you who have already done it or continue to practice it are aware of the obvious benefits. The written out exercises of the Blues and modes and arpeggios for Pt.3 can be viewed at [url="http://constructingwalkingjazzbasslines.com/building-a-12-key-facility-.html"]http://constructingwalkingjazzbasslines.co...-facility-.html[/url] all examples from Pt 1 and Pt 2 can be seen using the same link.