
robocorpse
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Everything posted by robocorpse
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And expensive ones, Parker Flys use balsa in the construction, thats totally acceptable as its a filler wood, and the main guts of the instrument are man made. They sound incredible too. I object to ply and MDF though, thats pure cheapskating in the quest to find ever CHEAPER ways to make money out of building instruments, not a conscious decision to aid the design and playability of the instrument. I would have no problems if someone came up with a guitar that used MDF as part of the design to exploit some characteristic of the build or the tone, although that is highly unlikely.
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Peli case - model 1650
robocorpse replied to bassbloke's topic in Accessories & Other Musically Related Items For Sale
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Making Rickenbacker More Playable - Gig In Two Hours!
robocorpse replied to faceman's topic in Bass Guitars
TAKE THE 3000! I'd strongly advise against a last minute major setup on the 4003, or you risk knacking it. They are very fenickety, and as soon as you take it out of the boot of the car and into the warm pub, it will change again, and might play worse than it currently does. Rickys need time to settle in after a setup, then a recheck 24 hours later. Thats how you get the best out of them. -
Trying to understand the lingo? Acronyms explained!
robocorpse replied to Johnebass's topic in Introductions
FTW has been around for years, and traditionally means "F.ck The World", but has recently been appropriated by internet kiddies to mean "For Teh Win" (sic). It was very common in France and Germany in years gone by, along with a tattoo of 3 little dots in a triangle on the bearers hand, which stands for "FTW" or "F.ck The Cops" (translated literally as "Mort Au Vaches / Death To Cows). This would get you beaten up by guards in French prisons, but would also get you respect from other inmates. The tattoo is common all over Spain and Mexico as well, but there it means "Mi Vida Loca", but I digress... -
[quote name='Annoying Twit' post='770656' date='Mar 10 2010, 05:23 PM']All these comments about going back to the era of MDF.[/quote] ...are true, and there was a new era of MDF starting on ultra budget stuff in the late 1990s. This even makes the crappy Korean plywood guitars look good. I still see it occasionally today on noname budget guitars, and its really hard to tell until you take the neck/plate off and look, or (if you are unlucky) it starts to swell or crack. I have seen it with my own eyes on a less than 5 year old MDF Telecaster.
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[quote name='hubrad' post='769496' date='Mar 9 2010, 05:53 PM']Why do we, as a country, insist on still importing the cheap cr*p just because the factories still make it? You can get decent inexpensive which won't put beginners off so WHY? [/quote] The people who are importing this rubbish are not musicians and dont give a hoot who buys it, as long as they can shift units. Anyone who is a musician and does actually have a conscience should not be involved with this crap, same as all the "Harley Benton/Jim Harley/Stagg" stuff that flooded the market a few years back. Now the standard has slipped again, and we are well into the realms of MDF bodies and neck woods so cheap that Bryant and May would reject them. Just like the early 70s all over again. MONEY MONEY MONEY MONEY MONEY ME ME ME ME ME ME ME ME ME ME ME ME ME ME ME ME ME ME ME. THats why when something truly great comes along (old Tokais, Grecos etc) it is quickly squashed, then becomes collectable as the Squiers and Tokais were head and shoulders above the tosh that F* and G* were turning out in the 70s. I noticed loads of really shoddy Gibsons round in the last few years, maybe the whole industry is taking a nosedive, and widening the gap between well built playable guitars, and the rest, even if it has a 4 figure pricetag. I returned the last new Les Paul I bought as the binding wasn't scraped properly, the fret ends were hanging out, and the fingerboard looked as dry as the Sahara.
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[quote name='throwoff' post='770256' date='Mar 10 2010, 12:22 PM']Maybe some of the big stores like GAK have one on the floor and a couple out back but almost every guitar ever is ex demo! Strikes me as an incredibly cynical way to get away with bigger discounts.[/quote] Strictly speaking yes, but Ex Demo is generally taken to mean the "floor model" that has never been sold, and is still "new" but may have picked up fingerprints or the odd little dink by the saturday morning warriors. What, pray tell, is wrong with a discount? cynical or otherwise!
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was thinking of changin the pickups on the tbird
robocorpse replied to bassbarber's topic in Bass Guitars
[quote name='bassbarber' post='769763' date='Mar 9 2010, 09:26 PM']hi was thinkin of changing the pickups on my eppi tbird non reverse, but what to? any gd ideas? was wanting to change them all and have about £120 to spend.[/quote] EMGs. No contest. Grab some used off ebay and sling them in. -
[quote name='Annoying Twit' post='769355' date='Mar 9 2010, 04:03 PM']As the owner of a "Shine" bass, can I point out that this is a "Swift" bass, distributed by "Swift Music of London". It clearly says Swift on the headstock. Shine basses get better reviews than Swifts, and I think my Shine six string is well worth the £60 I paid for it. It's the same bass as has been sold as the Harley Benton six string.[/quote] Oops my bad, I meant Swift, but Shine stuff aint much better IMHO.
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[quote name='cocco' post='769215' date='Mar 9 2010, 01:42 PM']So if I want a 'hot' ric this isn't the way to go and I'm better off with a later 4001 or even a 4003? but I still want some sort of good investment ric but one I'm not gonna be scared to gig. What should I be looking for? Also what is the difference between a 4001 and a 4003? Sorry I've hijacked your thread by the way[/quote] I'd say find the money and buy this one (Stackers bass). Whatever Ric you buy, its always gonna be an "investment", even unloved early 4003s are starting to pick up in price now, and this FG will probably blow all of them out of the water in most respects, and it will continue to appreciate. Whatever Ric you gig with will always get the odd dink, so why not buy one thats nicely worn in, and sounds like a Ric SHOULD, rather than compromising your lust for a nice 70s one by buying a later, plain bound, Hi-Gained 80s/90s hot Rick? Unless you desperately want Hi-Gains? Seriously, whats the difference between gigging a well used £2000 bass, and a slightly cleaner £1500 bass? Once you are up in that sort of price range, I'd only worry if the bass was a minter, or a really rare colour/variant. They are meant to be played after all! I have my giggers and my home/recording basses, they all get played, but I would never gig the V63 unless it was a crucial gig that absolutely needed it, and even then it would be a kid gloves job, and I would be devastated if it got dinked. However, I can throw my 4001S round with impunity, as the previous owner already did a good job of wearing it in and chipping the edges.
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They've obviously been threatened to cease and desist by G*bson or F*nd*r. Shame that the musical instrument market is becoming subject to the same restrictions as DVD regions nowadays, and being enforced. Very sad. Rickenbacker are the arch bastards for this sort of thing, all kinds of strict rules about not shipping parts internationally, so you officially had to pay £125 and a 6 month wait for a part from Rose Morris you could have had in 2 weeks for $99 under the counter from a well known Ric parts stockist in California...
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The thing is, he wants 59 quid for it, I have seen those "Shine" basses for 39.95 new in the box. They truly plumb the depths of horrific cheapness, matched only by the MDF telecaster I saw a couple of years ago.
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Ooh, that reminds me.... That clip is taken from the BBC classic "Rockschool" programme with Dierdre "Girlschool" Cartwright, Henry "King Thumb" Thomas and Geoff "Geoff" Nicholls. Does ANYONE have a copy, no matter how ropey, of the first series? PM if you do...
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Toaster has lower output and bags more "Traditional Ric" character. The mismatch between Rick neck and bridge pickups is the key to the sound, the neck pickups are wooly, the bridge pickups are like razorblades. As the years progressed, the sonic gap between the 2 was narrowed, firstly by the original Horseshoes being discontinued in favour of a conventional bobbin and magnet pickup with screw-in polepieces, then later, the ubiquitous "Hi Gain" pickups with the rubbery polepieces. The neck "Toasters" were upgraded to "Hi Gain" around 1973, and they now balanced the bridge pickups a lot better, but at the expense of the original Ric sound, which many people (including Rickenbacker themselves) were keen to improve upon at the time. Toasters are very cool looking pickups, and they give the Squire/McCartney tones their wooly bottom end in bags, but for most other applications, you might be better off with a Hi-Gain in the neck. The best way to "upgrade" any Ric bass to make it sound right* is by finding a proper Horseshoe bridge pickup, and these are rare as rocking horse poo, so are the reissues. Reissue Horseshoes go between 400 and 1000, but 1960s originals you can count on writing a blank cheque and hope the American hoarders/archivists haven't got there first. Thats why the V63 series go for such bonkers money now, they were an all-in-one proper reissue as close as Rickenbacker could get it without going overboard. It will be a cold day in hell (or a 60s Ric, and even then it would have to be a corker) before I part with my V63. * like a lovely clanky 60s Rick a'la Squire, Glover, Rutherford.
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Heavy Metal Britannia BBC4 21.00 Fri 5th March
robocorpse replied to OldGit's topic in General Discussion
[quote name='RAY AGAINST THE MACHINE' post='768378' date='Mar 8 2010, 07:27 PM']I used to go to the Soundhouse in Kingsbury back in the day. When myself and a friend used to request 'heavier stuff' (Budgie,Motorhead,etc) Neal kay seemed to love playing 'pomp' stuff (styx ,triumph etc.) I could be wrong about the band names, but I was only 16 then and Neal didn't seem to like the harder stuff.[/quote] We always had the same problem when he moved the Soundhouse to the Clay Pigeon in Eastcote, it was hard work getting any Motorhead, Tygers etc out of him, and the one time we actually asked outright for some Metallica was the week Cliff Burton died in the coach crash, and he just said "F*ck off, I'm not playing any of that thrash sh*t", about 10 of us stopped going there after that, he had a good Metal night, but he was an arrogant twunt.