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Everything posted by LukeFRC
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Maybe that is his pjs?
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@sifi2112 maybe? I think?
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That looks excellent!!
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having owned a L1000 and played L2000 ... I would use the L1000 passive bass treble and OMG wiring for it - it's' great.
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C2C is the diy arm of the same guy who does Sushibox effects. If you fancy getting the soldering iron out Klaus at Musikding can help
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A 21st century style user interface woild help
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snap!
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Interesting! Without giving anything away. No.3 which I disliked I kinda guessed right what that would be. It just sounded like there's a mid scooped to it to my ears. I personally would not want this one. No. 1 - When it started and when from 1st to 2nd on the P bass my first thought was "sound like 1 has higher input impedance than 2" which I think it does - I enjoyed it on the Sandberg, and less so on the P. This was ok. Number 2: Big sounding, colourful mids. This is a nice sounding preamp/DI. But I like this style of thing. I'ld use one. Number 4: was not expecting to like this one. It's clean, with 1 seemed to have the widest freq range- has that balanced warm unhyped sound that is good unless you're going to go for a colour. Enjoyed it on the P bass, less so on the jazz - which is possibly the higher freq of the rounds. (for reference, my dream sound is the old Warwick hellebore preamp, and the last 2-3 years the v2 Colourbox has been at the end of my pedalboard, so I like things with transformers in!)
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Posted without seeing the reveal Set 1: Number 1 - meh, brittle Number 2 - Rounder, middy, fatter I like this Number 3- sounds scooped, hyped bottom Number 4- sounds the widest and biggest Set 2: Number 1 - clean Number 2 - richer than No1 Number 3- still sounds scooped Number 4- warm and nice Set 3: Number 1 - sounds ok, nice bottom here Number 2 -mids give as bit of colour Number 3- still scooped Number 4- yeah good. Set 4: Number 1 - sounds ok Number 2 -sounds better Number 3- I don't like the tone Number 4- still good So from that... I'd say I like Number 4 best of them, then Number 2, then Number 1 and Number 3 Purely subjective obviously - I would enjoy owning 4 or 2. Can't wait to see what they are!!
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that was a wierd 30 min on google... I have an acoustic 6 string that was made by a Yorkshire luthier who then made resonators.... no google search joy but gemini tracked him down, different guy Steve Evans later Beltona resonators.... anyway I have put the date in the diary and will confer with the other half... tbh last time I came it was sunny and I thought it would be fun to walk up the hill behind the hall too!
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That's Quatschmacher isn't it?
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you go on another thread on here and people are still trying to nail Michael Jackson synth bass tones... people still have Gill Sans on their PCs...
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Quincy jones?
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switching to IEM is enough of a learning curve without everything else!! I had a fun Sunday, the PA guys had mixed me really subby and not much middy punch... so after practice I may have been a bit naughty and turned the mids up on my preamp... sounded great. Took one of my ears out halfway through and my word people were singing loud!
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This is not correct for the Nobel preamp- it bb is not a parallel out. The xlr goes via two valve stages, the Jack out goes via all 4 stages.
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TWA Krytical Mass - Brass master style Fuzz
LukeFRC replied to Stofferson's topic in Effects For Sale
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- twa
- krytical mass
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Oops - OEP was another pedal - this one looks to have proper big ones!!
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I just messed around with my hx stomp... using expression to change the time of a delay on 100% with a time of 0.00s to something like 800ms kinda does it. issue is after 800ms it repeats the note
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artefakt can do that on the second fs ... It's a pretty awesome envelope filter if you could make use as that. It's also £300 and lots of editing on a computer to get the best out of it so it's got that going against it.
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Garbage covers?
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Surely not much over 5 octaves?
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See that’s naughty - that’s trade dress and PCB layout that looks the same
