LukeFRC

I had just presumed it was close enough to Manchester that We were all leaving it for Andy?

Balls quoted myself rather than edited!

I’ve not checked but tuners don’t look right if he’s selling it as a top line fender japan. compare to this which looks better https://reverb.com/uk/item/41406488-fender-jazz-bass-62-reissue-jb62-2000-burgundy-mist-metallic-cij-japan

A Darkstar would be fun

things on that one that don't look quite right too.

bonus points @martthebass for turning the lights on on the status

I think you need to fix the oven before showing her the next vid with the vigier in it. feel free to show us lot before then

which to be fair is a good question

Really?! If Ped said come over for a brew and you can try one bass - that’s the bass I would want to try

Whereas I would guess the ceilinder is the least played of the 3

Thats where the relic insects get onto the end grain and start eating big lumps. They have to keep pushing them off and get them eating the finish again like they are supposed to

I liked the black ones best. The G&L reminds me of when I stuck chromes on my L1000 - which I didn’t like! So even though it sounds fine that makes the ceilinder the winner for me. interesting to see the different rh positions fingerstyle too not that it was a competition or anyone would care about what I think!

of course - in between buying and selling that pedal a few more times

Distributor is the unfriendly Mr. W of Warwick ....

Cos what I want to know is are any PA cabs any good for metal? I mean, not on stands or fly mounted providing FOH, like sat on the stage behind the bass player as a back up for if the IEM fail.

that is all

Fixed it for you…

tried a mirror one yet? 😁

Fair enough. The AZ-Oxford jab is available.

Thing is there’s two different things here - attitudes to how average Joe at average church approaches worship and doesn’t make it a performance ego trip (though some churches go more or less on performance vs spontaneous) The second thing is dull wall of noise songs with little melody. (Personally I’m less fussed about it being interesting for musos.) The way I might explain that Is: think of Radiohead’s the bends, it’s kinda indie sound but you can hum the melody’s - some delirious stuff back in the day had that Britpop influence melodic focus ... some of of the more recent stuff doesn’t have that and it’s dull flatness verse quiet chorus verse loud chorus before the inevitable MASSIVE bridge (which often is the only melody that sticks in the head)

If it helps put you all at rest I bought a 73 key electric stage piano - so no real strings in it! it is lots of fun even at my very very early stage (plus it’s obviously teaching me to read music which I couldn’t before)