or even active basses with all the knobs and switch to a P bass with just two... it's about the interface IMO - both analogue and digital. About ten plus years ago I had a Line6 Pod thing, it got sold after the second Gig where I managed to overwrite my patch within 3 min or starting. Too fiddly and annoying.
Fast forward to now and the HX stomp is simple enough interface that for my use it's good enough that the benefits outweigh the complexity.
I mean this as lovely constructive feedback to your marketing copy:
I think this is something that isn't apparent in your marketing copy. I read it as distortion and fuzz and aimed at a lot more processed sounds. I think, esp with cleaner rigs there's a massive use in a basic distortion sound. One of my fave pedals I had was a clone of the Caitlinbread SFT ... which is essentially a transistor version of a SVT circuit ... what was nice wasn't the extreme sounds but the things it could do at low settings, how it could help the bass sit in the mix nicely.
I'ld be interested in knowing what the machinist does at that end - and then how the clean channel can help support it... If you think about the amount of players who use the sans amp to do essentially the same thing... and really that's what I use my HX stomp for...