It’s good.
Go back 3-4 years and I had three through necks - they were great but picking up the G&L made me realise that I enjoyed a bolt on fender-type as much as anything else.
Tone wise it’s obviously been designed to have a certain sound, there is a punch to the notes and musicality that seems designed to sit a certain place in the mix. Even in passive The bridge pup sounds a bit more full than you might expect, and the neck pup is usable, rather than a nasal tone. The nicest thing is that the ‘mid drop out’ with both pups up full isn’t too extreme and that’s where I like it. It’s seems both more trebly, more bass focused and with a punching midtone - all at the same time.
With the current strings on, it doesn’t have the hollow warmth of the L1000 (think P bass) and in passive mode seems more synthesised and tailored to sound a certain way.
Switch the preamp on, boost the bass just a tiny bit, and the bottom end fills out just enough for a typical P bass player like me.
Thats playing gently/normal - dig in hard and the tone gets a certain aggressive grind to it that makes you smile.
The Will Lee mids switch I need to try out more in different contexts to have a strong opinion on. Simple to use.
I did the trade for it with the thought in the back of my mind that if I didn’t like it it would be easier to move on than a vintage Warwick. To my ears it will just ‘work’ in a mix, it’s super playable, not too heavy and Is more than enough bass for me.