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LukeFRC

⭐Supporting Member⭐
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Everything posted by LukeFRC

  1. [quote name='whitlock1987' timestamp='1338499655' post='1675630'] ok, so I have been informed that I may be overcharging for this somewhat, but still - make me an offer - only I know how much I will accept [/quote] well why not advertise it at that price and make your sale easier. or bring the price down in increments?
  2. if it were an original 70's P maybe, maybe not- but as a reissue- well it seems a waste to not! Maybe think about a stacked pot rather than an extra hole though
  3. on the warwick start flat. then boost the bass about 33% to fatten out. Then treble boost if the song needs it. Warwick 2 band is interesting though as the Eq points are quite high for a bass and low for a treble. When I briefly tried a Glockenklang it was utterly different and didn't shape the tone as well, just added low and highs. All being well I'm going to go for an ACG which will be utterly different!
  4. it's a big heavy item... and it's in devon collect only! what did you expect?
  5. [quote name='charic' timestamp='1338464710' post='1674928'] Wenge top? [/quote] spalted maple top is of course what I meant to write....
  6. interesting! If it were me i would have preferred it without the wenge top but that's me!
  7. [quote name='Ou7shined' timestamp='1338423198' post='1674516'] As the kind of guy who does this work for other people I might be a wee bit biased in suggesting that if you are not sure about it then it probably is best to give it to someone else to do.... this is your bass we are talking about after all. If you think you'd like a go anyway, why not practice on something else first - maybe a busted pedal or something. There are a few tut vids on yt which show the basics. [/quote] what he says
  8. [quote name='Bassman Steve' timestamp='1338415033' post='1674406'] Check out Far East Guitars on the web. The guy imports s/h Japanese Fender instruments and has a good few Strats for sale. I've bought a couple of basses from him and he's a straight up guy. The site has a number of pictures of the guitars so you get a good look at it and he also gives a good description of the instrument. He only buys non-export guitars so you get the Alder/Ash bodies with US pick-ups. [/quote] far east guitars are great... BUT the 'non-export' fender japan ranges (incl. that he buys) includes a fair amount of stuff that isn't the "US" range with the alder/ash and US pups. Pedant in me there. Nice bass though
  9. I'm having a clear out... going to start adding stuff here, photos will come/ be added tomorrow or when people ask if I don't get around to it.... A lot of the stuff people will have first dibs on, I guess I shouldn't stick them up till I hear back.... [size=5][s]Standing on the shoulders of Motown. £15 posted[/s] [color=#ff0000]SOLD![/color][/size] [s]Ex condition, 2 CD's (a few pencil marks on some of the bars on 1 or two of the songs)[/s] [size=5]Serious Electric Bass: The Bass Player's Complete Guide to Scales and Chords (Contemporary Bass Series) by Joel Di Bartolo. £13 posted[/size] Awesome book, full of theory and not as dry as it sounds. [s][size=5]Bass Culture: The John Entwhistle Bass Collection. £28 posted SOLD![/size] [size=5][size=4]Not really sure how I ended up buying this! But great for the pictures. It's a hard cover first edition (though I doubt there was a second edition!) tour through John's bass and guitar collection- lots and lots of nice pictures. Worth it for seeing a whole role of 60's P basses in his garden! Book is in very good condition but dust cover worn on edges with the odd wear worn/tear part esp on corners. Check out the price of this one on amazon! [/size][/size] [size=5][size=4] [/size][/size][/s] [size=5][size=4][/size][/size] [s][size=5]Dunlop Dual Design Straplocks £9 posted SOLD![/size] silvery colour (they may have another name for the colour, nickel or chrome or something) Brilliant brilliant strap locks. Like Schaller but without the risk of it gradually loosening and falling off when you least expect it. They also seem to work with Warwick strap locks (but don't quote me on this) These are a second set I have for some reason BUT the two screws aren't there. I'll root around my box of stuff but lets presume they have gone. I think when I fitted them to an old bass I had I just used the original screws from that bass and lost the dunlop ones.[/s]
  10. you are in cape town, you have this old fender bass and what you REALLY want is a warwick..... great refin though
  11. so let me get this right..... You are a bass player of a large number of years. Talented and able to write 'clever' lines. You normally play prog and play a 6 string bass. he is a very very talented musician. former bass player, now guitarist and songwriter. He plays punk type bass and writes kinda poppy simple metal songs. You hang out and work on songs, he pays for a big recording session himself to record these songs. You (and for very good reason) can only make a day of the session and record the lines you wrote on some of the songs. as it turns out the songwriter listening back doesn't like your lines and rerecords them. Meanwhile the 'band' get signed. my questions... 1) given the different musical backgrounds, and the fact they are his songs- why are you surprised? 2) this is somewhat unrelated.... but.... what is your role in this band in the future going to be? This fella seems to stick a lot of cash behind his dream and his talent, you have work and family commitments. When the band leader and the label wants to take the band on tour of europe for a month- what will you do then? If he's that good, are you going to make the commitment to follow? (I will add also at this point that I think it's far better to put family before any rock and roll dream.)
  12. my jv squier - because its the best bass I've ever played- and i get to own it
  13. [quote name='BigRedX' timestamp='1338056981' post='1669160'] Wouldn't happen to be around G# by any chance? [/quote] sounds like you have a hunch whats going on...
  14. .... I know a man in moffat that would probably take the frets out of this one for you....
  15. [quote name='4 Strings' timestamp='1338328732' post='1672987'] Go figure? What does that mean? [/quote] go figure, go work out why I have two versions of an instrument I can't really play. It makes little sense
  16. [quote name='Matt P' timestamp='1338206703' post='1670741'] i think ishould have read the question a little better, it's semi acoustic that i voted (335 copy) but that was because i thoiught you were asking what i would reccomend (i love mine and with a coil tap and a piezo bridge it would cover most bases) but if it was a house on fire moment or that nightmare (for me) situation of having to sell all but one of my guitars then my McIlroy acoustic would be the one i'd keep, nothing i've ever played comes close to how good it sounds and how well it plays, i still can't quite believe that it's mine and i've had it for just over 4 years. [url="http://www.mcilroyguitars.co.uk/"]http://www.mcilroyguitars.co.uk/[/url] (mines an AS25, walnut and cedar with pearwood bindings) [/quote] Nice looking guitar that! I think the route of the question is this- I'm moving house soon to leeds, and shortly after getting married. Currently studying a masters which has been great but money is dwindling- so money and space are not things I have loads of. I have an amp and 2 basses- which are amazing- one of the great things about basschat is that i have owned amazing instruments and been able to sell them on and ended up settling with two that are exceptional. I also have two guitars, a 1987 Takamine EN10 which is a lovely dreadnaught acoustic. sounds great and a lovely to play (and even better plugged in) and a 1984 Yamaha SG400 and a wee Line6 amp. again a really special instrument. I can't play either really yet and was thinking along the lines of if I could only have one, either an electric or acoustic which would I go for? and why? It seemed a good question to ask on here- and the results are certainly interesting. As to what I will do? Not a clue, I know the old owner of the acoustic would take it back, and some time in the future if I wanted I could get some other acoustic (prob not a dreadnaught though) though I would be hard pressed to find one remotely close for the money. Like ways the Yamaha is a 'lower end' SG and not that valuable- but... you know when you pick up an instrument and it just feels 'right' and musical.... yeah it's one of them. prob I will keep both and struggle for space and cash
  17. it is one hell of a cool looking bass!
  18. I got engaged and forgot to ring you! have a bump on me!
  19. LukeFRC

    G&L L5500

    [quote name='EmmettC' timestamp='1338284084' post='1671983'] Now I want to keep it original, too many options. I think I'll use it this weekend and see how it goes at a gig, it hasn't been out much in the last couple of years. I can make a decision then. [/quote] In my experience, and not liking the "emg active sound" they work better in a gig than at home. And nickel strings too
  20. LukeFRC

    New (old) name

    i left the band who abbreviated to FRC about 5 years ago. Sometimes I think of asking nicely to leave the band.... but what would I replace it with huh? huh?
  21. [quote name='bassickman' timestamp='1338282914' post='1671955'] Whats hartke like? [/quote] supposedly some of the best bang for buck out there. the amps look good, I don't like the cabs much
  22. LukeFRC

    G&L L5500

    also I would keeps trying to trade it- eventually someone will bite. it's a nice looking thing and if I had anything spare that would interest you I'ld be coming to try it. try a new sale post, pretty pictures (daylight on bed sheet, flash off) bit of the history of them and so on.
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