LukeFRC

I guess that’s what the original question was coming from - how much difference other than cost of wages is a CNC operator in the USA vs one in Indonesia? The plan would be to defret whatever so ild end up doing work on it anyway… theres a short scale secondhand Warmoth neck on eBay for £300 (which is overpriced) and the same price as a whole secondhand sire u5 for similar and a £70 retrovibe equivalent… I’m sure the warmoth is better - but by the time I rip the frets out etc I’m taking out a chunk of the value I just paid for

oh they exist - this one has a push pull on it too... https://shop.warwick.de/en/parts-for-instruments/warwick-spare-parts/electronics-parts/20276/mec-volume/balance-push/pull-pot-modules?number=D0813137001564882618A2674-A00000127336 But if you couldn't get them, as the blend seems to be a single gang currently I don't think iy will be a issue

Oh and I’m not saying there isn’t any. I’ve owned enough basses to know there really are big differences in almost everything between a £700 instrument and a £7k one. And I don’t judge that, I would gig a fodera (though not afford) or a nice Harley Benton with no problem, but wouldn’t expect them to be equal. I also am of the opinion that the neck is the most important part of bass tone and playability after fingers and pickups/placement.

Slightly clickbaity title sorry… I have in my head a project/build I would like to do that would involve a fretless shortscale. now the last build I did I picked up a musicman neck which was nice… and was half thinking of building my own next from scratch for this though I’ve seen the almost perfect spec neck for less than I could buy the neck blank for, from a brand with a reasonable reputation so other than finish (which I can redo if needed) and care of fret install (which I will be taking out) what really is going to be the difference between the cheap and the expensive? Wood quality/stability? to be fair im pretty sure a £50-100 neck will be better than anything I could make, and far worse than something Jon shuker or Alpher would make - but from a factory what would the differences be?

This pedal I built is about 185v inside - what do I win?

fly cloth is what I used on my BCCab - looks ok to me (the odd stripes are camera artifacts I think )

Crikey you caught it out in the wild!

our desk can do multiple levels, so different mixes for YT and the room. I don't think it's particularly ever used!

Did skylark used to be CGC? I was born and grew up in Chelmsford

while I wouldn’t touch him with a barge pole and would suggest anyone interested read the thread… the guy messed up big time - but that’s sadly not uncommon with people taking too much on and overstretching themselves…. And if this is his income he still deserves to eat, and finished basses via reverb isn’t a bad way of doing it and making sure he doesn’t mess up again

Not that I have recreated your board on pedal playground or anything geeky like that... but the D'addario Expand 1 board looks to be the perfect size for those pedals fully extended... (if you ask ask @jimbobothy he's had one of those boards.)

helping you spend your money ideas... C4 synth Torpedo cab thing at the end of the chain. Nobel preamp Loose the tuner and add HX stomp ANY OF THIS

What I like about this is in a hyper-GAS-filled forum addicted-to-the-latest-shiney-new-thing - you’re actually talking about gear that is suited to the music you play, and about how you can best focus on that. I applaud that.

Just found them- (They are v loud!) had my first go programming it myself tonight - finally worked out how to turn the sequencer on! This wee box can do so many cool things!

So the amp and cab is prelude for show as it coordinates with the Nord?

At least designing your enclosures is easy!

I was expecting you to suggest a 5 string!

The good thing is it will be possible - but unless you find someone else who’s done the same thing and published their code to share I have a feeling you may need to go through a learning curve in working out how to code it yourself

A bit like mine!!

You can do both. when the band issues and personality stuff aren’t there and you are at the point where playing on a Sunday is a joy then you can play and worship and help the others in your church worship too. When it’s not all playing the dots but When you are listening to the band and the people singing, and God and that affects what you play. that’s the good stuff. That’s what makes the rest of the rubbish we have to go through worth it and also worth persevering through

@disssa- is Tecamp in your schematic archive at all?