LukeFRC

Oh it’s horrid ild hate to have a bass like that… oh wait… 😁🤪

That’s what I thought but found a post where Roger said that it wasn’t and yoshi kikuchi had cut his interest in AtelierZ before starting Sadowsky japan … Japanese manufacturing is apparently quite collaborative so a factory building the bits that then a semi independent team put together isn’t inconceivable … and there’s a video from Bass japan direct where he says it’s ESP… I mean process of elimination for the volume it’s probably going to be one of the bigger manufacturers… Fujigen, Devisor, PGM or ESP … and Devisor and Fujigen aren’t based on Tokyo… so…

I think I heard the Japanese metro manufactures might have been also called ESP for everyone’s interest, and tangential related to this thread… Sadowsky blue label steel strings have def changed since the Warwick licensing thing, similar, not as balanced and sweet tonally in the mids and less tension

well - go on then, please do explain to us (that know almost nothing about it ) why we shouldn’t find the battle flag of the confederacy offensive. (and I guess Ild wonder why you care if we find it offensive?) Afterwards I’ll explain the basics of semiology which will hopefully help you understand if not agree with most views in this thread, and also why ideas and symbols can’t really be separated

Is blue her favourite colour as well as yours? And was she actually after your bb1600?

Having just read the thread back again - respectfully, wtf are you on about? No one has mentioned country musicians, or even “all southerners” - the whole thread has been about the morality of putting the flag of a bunch secessionist states (that crucially liked keeping humans as property, that started a war over it) on a bass - especially when that flag in the U.K. and US has increasingly become a rallying point for a certain type of right wing racism … plus someone pointed out the stars were wonky.

It is a bit like a AA meeting where the guys who have fallen of the program still go to the meeting- and show off their bottles of whisky or something

See this is another reason your back benchers don’t like you - “you’re”

I wonder if Basschat erm... so I work for an American company, so apploagies for how I will l write this... but I wonder if Basschat reached out to Rickenbacker and tried to come to some understanding... if the answer was about speed of take down of fakers there presumably could be agreements RE how quickly things happened that would suit everyone ... or something. anyway, hope you're on the mend @Kiwi

In other words - Are you an addict if you’re on a methadone programme?

Rule of thumb - if you are debating the grey areas around an abstinence challenge you’re not really doing an abstinence challenge …

actually google found it for me! looks nice. One difference to mine... Sadowsky metro japan pickups with sharp edges apparently made by Dimarzio or Seymore duncan, the later ones with a slight radius to the edge were made by nordstrand (to the same reciepe I guess)

what colour is it?!

I have no idea. Used Japanese ones seem to have had a bit of a price rise since they stopped making them and secondhand is about the same as a new German one. The Will Lee MIJ retailed new at about £3k. Whether the weird pricing between the japanese and German ones is justified or not I don't know, I've not tried the German ones (and I'm biased anyway owning a japanese one).

IF that bass is as good as mine it's easily worth a 2.5 drive. I took it too a bass bash and had three people sidle up to me and ask if I wanted to sell it, I took it to @walshy's for him to try and he bought his own Sadowsky the very next day...

I’ve got one of them, @warwickhunt traded it for me. It redefined what I expect in a bass, sounds amazing and super fast neck. Mind is just amazing, I has a real middy tone and doesn’t sound quite like a trad jazz bass - but I think that could be a freak to my specific instrument rather than all of them. never played a Victor Bailey though - sorry. is playing them side by side a possibility?

Suggesting @Owen should keep the bass he has that speaks both fretless language and fretted dialect with a very quick turnaround?