eude

Stunning! What's the rest of the spec mate? Eude

Nice. Looking forward to seeing more, and hearing how you get on with those gauges. I've got some starting at 0.115 on the low E for my 26.5" bass, and I find them just too thick. Eude

That neck is stunning!

Wow this is one crazy "save" as you call it, very much looking forward to watching this one progress! It's in safe hands, I know from my own experience Eude

Absolutely! A pal of mine, with an old Superfly head needed spares and didn't know about their legendary customer service, I set him straight and after a very pleasant chat with Dave Green, everything he needs is on it's way in the post! This is the kind of stuff that keeps people brand loyal, if you know you can rely on a manufacturer to have your back, plus the fact they make brilliant gear, why would you look elsewhere? Eude

I've talked to Mark about this before, and as @Merton says, the PCB would need completely redesigned. I wish they could make more of a "lunchbox" style design, like the Orange Terror Bass, albeit a fair bit deeper, but I don't think it will happen, as they don't have any bother selling the amps as they are. Eude

Absolutely brilliant.

Awesome, all good info dude, thank you. I know the SL 12s are a lot more pokey and mid range focussed, compared to the now discontinued GS ones. The GS come across a bit scooped with lots of low end and sparkle, but I managed to get out of it what I wanted and I like mids. I guess it's not fair to compare to Barefaced cabs in a lot of cases, as it's just not like for like. If the DarkGlass 1x12 stands up though, that's quite an endorsement! Eude

Thank you for the reply, much appreciated. The reason I ask about a comparison is the only 1x12 cab I really loved was an Aguilar GS112, with the tweeter. I seemed to kick out a lot of low end for its size. I paired it with a MarkBass LittleMark, but hearing a pair powered by an original AG500 left me weak at the knees! I moved mine on as I needed something smaller, more portable, as it was a bit of a lump and I didn't need massive volume by any means. I do miss it though. What model of Aguilar 1x12s did you have? Eude

A very good plan 🤘 How does it compare to other 12s, if you've had any before? Eude

Lovely stuff, is that the 1x12?

Here's a demo of one >>

I think it's actually by Ray Rogers, R Basses. Here's another one, quite different though >> https://reverb.com/item/563441-ray-rogers-r-bass-5-string-zebra-over-alder-w-lane-poor-pickups

That is STUNNING!

Very true. I'm a graphic designer and as much as there's a lot more you can do than Wix and Squarespace, for a basic site, you can't really go wrong with these web building sites, silly to pay pro money when you don't need a pro site. Cheers.

How would you describe the difference in sound? Lovely cabs by the way! Eude

I'm going very much all Rockboard here, so a single Rockboard daisy chain cable should do the trick... https://www.rockboard.de/kabel-und-verbindungen/rockboard-flat-daisy-chain-cable-2-outputs-angled-rbo-cab-power-dc2-a Thank you for your help folks! Eude

Ah right. The 9V outputs are all 150 mA. I hadn't considered daisy chaining... All the pedals are fairly standard offerings, couple of tiny TC Electronic ones too, perhaps I could daisy some of them. Eude

Hi guys, I'm planning a new pedalboard, and I need to power pedals, maybe 10 in the future, but don't want to go too crazy on the PSU. There's a nice Rockboard one, that has 8 X 9V and 2 X 18V outputs, is there anything out there that will allow me to adapt the 18V down to 9V? There's the Truetone V189, but it states "This cable is designed for use with the Truetone 1 SPOT PRO power supply" one various websites where its for sale. Anyone got any ideas? Cheers, Eude

Can I be cheeky and ask what this cost all in? Really glad it's working out well for you, they're extremely appealing, especially the new 18" scale model. Eude

Warwick Thumb is another example of a bass with an exaggerated reach. I played one for many years, but I had to wear it very low to bring 1st position within easier reach when playing on a strap.

Personally, I love single cut designs, so much so now that I actually find non single cuts a little funny looking As mentioned above by a few folks, the extended shape comes from accommodating the additional scale length you get with a bass, when compared to a Les Paul or a Tele. All of that is moot is you play seated of course, but on a strap it REALLY matters, especially for us shorter bassists. You can get single cut basses, with more guitar proportioned bodies, Gibson make, or made a Les Paul bass for a while, with a marginally oversized Les Paull guitar shape, but it didn't sell well at all, like most Gibson basses sadly. I think in part that flopped due to the neck dive and extended reach for first position. Ultimately, I think single cut basses, esepcially modern style ones will forever be THE martime of the bass world. I love them, but oddly I hate martmite... The offset thing, the original marketing for the Jazz Bass noted that it was "offset" as one of the main USPs, so I have no idea why Fender seem to omit it from their more recent offset marketing strategy... Eude

Yup, absolutely terrible logo.

Really nice specs dude. Have you got an ETA? I expect it's a more complex build than the usual basses they make. Eude