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Everything posted by TRBboy
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[quote name='discreet' timestamp='1335140605' post='1626355'] OP doesn't want brass saddles! [/quote] Apologies, I was half asleep!
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I've got one of these. http://www.ebay.co.uk/itm/Wilkinson-4-String-Bass-Bridge-Brass-Saddles-B56-/130571241166?pt=UK_Guitar_Accessories&var=&hash=item641fc57e22 Solid brass saddles and cheap but quality! I had the same trouble with a Gotoh, but this Wilkinson one has been perfect.
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[quote name='Gust0o' timestamp='1335137250' post='1626334'] What are you using on maple, out of interest? Of course, in the long tradition of [i]ask three bass players, get five answers[/i], another player told me never to use Lemon Oil on Rosewood - instead, Linseed Oil should be used. Make of that what you will. I've used a combination of the following before: - Wire wool, to remove gunk (sweat residue, general dirt, decaying lacquer) - Cocktail sticks (to get in along the frets) - Fret polish (gotta have some bling) - A cleaning oil... be it Lemon, Linseed or other, as per your preferences Car polish can work, but be careful of abrasive polishes on some finishes. Mindst you, the Jaq will likely have a clear finish as the top coat, so it's probably just a case of wiping that and buffing to a shine, using a clear polish as appropriate. [/quote] You don't want to use anything much on maple if you can help it, except a clean dry cloth. If you've got some "gunk" of some sort on there, I'd try gently rubbing it with an alcohol wipe. You really don't want to use any type of oil because of it gets under the finish/laquer anywhere (usually where the frets are seated), it's a downward spiral. Apart from having marks/stains that you can't get rid of, it'll start to lift the finish. I really wouldn't use linseed oil, as it is thicker than lemon oil and will actually leave a shiny coating (almost like a fine varnish) on the fretboard, although maybe some folk like that. People use it on cricket bats! Apart from being good for cleaning the surface, Lem-oil is very, very thin, and is really there to penetrate into the fretboard and keep the wood moisturised and protected from your sweat, etc. Wouldn't wire wool be really abrade the finish!? On really gunky guitars, I've used either lem-oil or alcohol wipes (whichever is most appropriate) and a medium plectrum to get it off!
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[quote name='thebuckets' timestamp='1335127263' post='1626192'] PPS having a history of selling and changing my gear regularly, when I told my band mates that i'd like to get a sandberg basic ken taylor I was told in no uncertain terms that id have to save up for it and wasnt allowed to sell my current basic to fund it! They were so impressed by the sound i had and how well it complimented the band [/quote] Don't tell me that! I'm finding it hard enough letting them go anyway! I'm keeping the custom build under wraps for now........ watch this space!
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*shameless plug alert* Every tried a Sandberg Basic? Similar style, and a proper growler! http://basschat.co.uk/topic/174277-fs-two-awesome-sandberg-basics/
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[quote name='Prime_BASS' timestamp='1335108581' post='1625828'] do you have some neck dimensions? as a reference I am using a sterling neck which is very slim, slimmer than most jazz basses I've played. 38mm nut etc? Stephen [/quote] Hi Stephen, sorry for the delay, been a bit busy this afternoon. I can't find my vernier, so I've done the best I can with a tape measure. I think it's about 38 -39mm at the nut. It's the profile of the neck and the slimness front to back that really does it for me. I measure the fretboard to back of neck about 18-19mm at first fret, and about 22-23mm at 12th fret. As I've said before, I think the zero fret and fretboard radius play a part in the amazing feel of these basses too. The back of the neck sort of flattens out down the centerline as you get further up the neck. It really does feel sublime!
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[quote name='op76' timestamp='1335105461' post='1625781'] Sandbergs are awesome. I know it may not be what your looking for but do let me know if I can tempt you with my Fender Victor Bailey 5 string Acoustic Bass advertised here plus the difference. Gets you some cash and a cool acoustic bass that was about £800 new... The natural finish for me of course. [/quote] Sorry, really need the cash for a custom spec Sandberg!
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[quote name='winterfire666' timestamp='1335105460' post='1625780'] that greenburst one is really tempting me, what is the action like? [/quote] The action is set how I like it; as low as possible without getting loads of buzz. It's always a bit subjective to talk about action, but these things really have such slender necks and are so easy and pleasurable to play! Put it this way, when I bought my first one, I ended up selling my old faithful jazz I'd had for 14 years, because the neck felt like a tree trunk compared to the Sandberg!
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[quote name='petergales' timestamp='1335102934' post='1625743'] These basses are absolutely great. I have a Basic and its name belies what this bass can do. The EQ is very subtle and allows you to create tones from warm and round to punchy and 'Jacoesque' The neck is beautiful to play - very comfortable and fast. These basses are about £1,000 new so this is a real bargain. Best of luck with the sale. [/quote] Thanks, they really are incredible!
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For those of you who aren't familiar with these basses, they are absolutely incredible. They are handbuilt in Germany and just ooze quality. Some of you will have undoubtedly seen threads I've started raving about them, because they have genuinely changed everything for me! They're so easy to play, the neck is extremely fast and slim, the fretboard is a fairly flat radius, and there's a zero fret, all of which combines to make these basses feel just effortless to play, and to be honest has really maximised my playing and opened things up for me. "If they're so great, why are you selling them?" I hear you say. Well, I really want to order a custom spec Sandberg, but I need to sell these (unfortunately) to afford to do that. I will be very sad to see them go..... Here's the spec off the Sandberg website: NECK 6 x bolted / canadian hardrock maple FRETBOARD 24 frets or fretless SCALE 864 mm / 34", also available with 889 mm / 35" for 5-string BODY OPTIONS european ash, alder, mahogany with rarewood top FINISH OPTIONS matt, aged HARDWARE sandberg PICKUP 1 sandberg powerhumbucker PREAMP sandberg 3-band, active / passive These both have 2-piece solid European Ash bodies, and maple neck with rosewood board. The preamp is made by Glockenklang and is absolutely fantastic, and I suspect that the pickup is made by Delano. It's surprising the range of sounds you can get out of these basses despite the single pickup. They have LOTS of guts and growl, but can be tamed by subtle use of the eq and playing technique. These basses have a push/pull volume pot for true passive bypass. The Natural finish one is absolutely immaculate, and in fact when I bought it last year, it still had the film on the pickguard and backs of the tuners. There is zero fret wear. I am looking for _______ for this one [b] *SOLD* [/b] The Greenburst has seen more use, but is still in excellent condition, with the only real marks being a small ding by the bass pot, and a couple of tiny ones on the neck. The original black pickguard (included) has got quite a few pick marks on it, and the Sandberg logo has worn off the pickup. I made the clear scratchplate, so it's not perfect! i'm looking for _______ for this one. [b]*SOLD*[/b] Price includes mainland UK delivery, and both will be sent in a hardcase BUT it's first come, first served. The first one sold will ship in a Hiscox Liteflite case, the second will ship in a..... lets say "vintage".... tan/sheepskin 80's case. Any questions, please ask, and feel free to make me an offer. Thanks for your time. [sharedmedia=core:attachments:100361] [sharedmedia=core:attachments:100360] [attachment=109010:IMG_1864.JPG] [attachment=109011:IMG_1867.JPG] [attachment=109013:IMG_1868.JPG] [attachment=109014:IMG_1871.JPG] [attachment=109015:IMG_1873.JPG] [attachment=109016:IMG_1874.JPG]
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Lem-oil for any fretboard (apart from maple!), and whenever I re-string these days I always give the frets a quick once over with Planet Waves Fret Polishing System. Really helps to keep the frets tip-top! If you've got any decent car polish kicking about, it should be fine for the paintwork too.
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I bought a Wilkinson bridge for about £15 brand new for one of my basses and it's superb! In fact, it's better than the Gotoh one I used to have! It's very similar to the standard one, but with slightly thicker plate and bigger solid brass saddles. Looks like you can get them for £11.99 off eBay at present! http://www.ebay.co.uk/itm/Wilkinson-4-String-Bass-Bridge-Brass-Saddles-B56-/130571241166?pt=UK_Guitar_Accessories&var=&hash=item641fc57e20 I personally like the Dimarzio Model P, best passive pickups I've ever tried. You could get a complete CTS wiring kit for £12 from axesrus.com http://www.axesrus.com/axeWiringBass.htm I think the uprated pots and caps do make a slight difference. Pickguards for Squiers can be a pain, due to the amount of variations, but I THINK Howard The Bass Doc on here could make you one that's a perfect fit if you post him the existing one......
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I think definitely one of the key things (as others have said) is finding the right 5 string for your needs. When I had my Thumb (apart from not knowing how to use a 5 properly in those days!) the geometry of it just didn't work for me, and the string spacing was just too narrow. Subsequently, I felt like the B string was just getting in the way all the time, which i resented. When I got my TRB, it was just great, and for the first time I started getting the most out of a 5. That said, I still never felt comfortable playing a 5 in a rock band (which is the bulk of what I do), until I sold the TRB and bought my Sandberg, which just feels like it was made for my hands and I've been playing it in anger in my rock covers band. I still think I'm leaning toward having two 5's and no 4's (except my RBX!), and I guess at the end of the day if I do a complete u-turn in a year or two, I'll just have to track down another Sandberg 4! Now, anyone want to buy a lovely Sandberg or two?
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[quote name='chris_b' timestamp='1334876766' post='1622955'] You've got three good basses what are you going to do with a cheap, and not at the same level, back up bass? If I was getting a backup bass I'd get one that I would alternate with my main bass. Looking at your gear list I'd be waiting for another Sandberg 5 to come up in the FS section. [/quote] http://basschat.co.uk/topic/173765-ditching-four-strings-altogether/ Well this is the thing...... I quite fancy a custom spec Sandberg Basic Ken Taylor 5. To do this, I would need to sell two of my Sandbergs. If I sell both the 4's, I would end up with two 5's. BUT what if I miss having a 4? I've still got my RBX, but I would feel stupid if at a later date I end up gigging that and leaving the 'bergs at home! If I sold one 4 and my current 5, I thought it would be beneficial to have a backup 5. Decisions, decisions.....
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Anyone know what Stagg basses are like? They do a.passive MM copy with a solid Alder body for next to nothing.
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[quote name='ThomBassmonkey' timestamp='1334873625' post='1622878'] What kind of price range are you looking at? If you're able to go to about £450ish (maybe less depending on if you can find a nice one), a G&L or MM Sub 5 will be within your budget and they're both great basses. For really cheap basses, I'd probably be looking at Ibanez personally. The problem is that lots of cheap 5 stringers are horrible with floppy B strings with no definition. [/quote] Really as little as possible tbh, I guess under £200 if possible. Agree that the Ibanez's are good value for money, but I would prefer something passive (and I never seem to like the B on their 5 string SR's, too floppy).
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[quote name='guybrush threepwood' timestamp='1334872736' post='1622862'] I'd say keep an eye out for another used Yammy BB. Great basses and always a bargain! [/quote] True dat, every ball a coconut! There is another one on eBay at the moment, it's one of those brown stain ones with J pups, but it's starting at £200, which seems a bit steep (i think that's about what they were new!)
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I'm possibly gonna buy a cheap backup fiver, as I don't currently have one. Just wondered if anyone had any suggestions really. It needs to be as cheap as possible, but good VFM, and play as nicely as possible for the money. I would like something passive so that I don't have to worry about batteries, at least 21 frets if possible. I've been looking at the Peavey Millenium BXP 5, and all the reviews seem positive, but I've never tried one. Anyone had/played one? I know I'll be unpopular for saying this, but I really don't like the Squier VM jazzes..... every one I've picked up in a shop has felt horrible to me! I know used will be best value, but it just depends what comes up. Forgot to bid on a mint Yamaha BB (I think it was a BBN of some sort) on eBay the other day, which sold for £83 in the end! It was passive, but with the Alnico humbuckers like in the TRBs. Any thoughts folks?
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Don't think I would ever buy a mega-bucks boutique bass (unless I was a multi-millionaire!). I'd probably buy a couple of decent basses, and buy a new car!
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[quote name='nicklathambass' timestamp='1334753905' post='1620688'] I'll be posting a picture of my prototype MarloweDK Signature bass here when I get it! Je suis excited... [/quote] Looking forward to it! Congrats by the way on winning, it was well deserved! Maybe you could do a bit of a video review for us, as you have the talent and the technology to do so......
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They are great basses for the money! When I worked in an Ibanez dealership we shifted loads of those, along with the SR500. As far as O can recall, it has the Ibanez PFR alnico humbuckers, and the 2-band eq. I had a SRX750 through-neck version when I worked there, but unfortunately it had issues with the neck so I had to get a refund because they had just been discontinued.
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Holy crap, what a dirty great stinking pile of donkey poo that was! The Maccabees and Weller were okay, buy not mindblowing, and most of the rest was utter rubbish. The Brazilian lot could have been quite good but the singer wasn't very convincing. Willis Earl Beal was just awful! You can tell that he could be a good singer, if he could sing at more than one pitch, but the monotony of his voice combined with a backing track which reminded me of when I got my first 4-track at the age of 15...... Shocking!
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Thanks for all the great replies peeps, it's turned into a far more interesting thread than I expected! Unfortunately I'm still confused........ But I think I do possibly find myself leaning more toward just playing 5s. As some have said, I guess there's nothing you can do on a 4 that you can't do on a 5, and if that's all you play then you'll soon get used to it. I think I need to do a lot of playing with both and see what I think. Maybe I should try only playing my current 5 for a few weeks and see how I get on before making any rash decisions. In the meantime, I have been pricing up the bass I want.......
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[quote name='ashevans09' timestamp='1334656862' post='1619115'] Ah right. Was getting confused! Thanks for that. Definitely in the market for one will post gratuitous photos if/when I get one . If i were to order a particular combination from the factory ( through a dealer) anyone have any ideas what their lead time is? Want to take this on tour in August. [/quote] I believe the current lead time is about 12 weeks/3 months. I've been speaking to Session Music about a custom order in the last few days......