nige1968

Zon 6ers

I think Squiers are usually “correct” size and shape, but possibly less depth. HB I don’t have direct experience of HBs but they don’t have to conform in the same way so you’d expect them to be differenter.

1 hour ago, cheddatom said:

I'm from Stoke so kind of proud of this, but to be honest I've never listened to much of Lemmy's work. I did think he was known as a pick player, but this statue shows fingerstyle. I guess he did both else someone would have pointed it out already?

Pick in pic

https://www.bbc.co.uk/news/articles/c5ylnyrydl0o

Can't get this out of my head now. Thanks everyone.

I entered but I don't do social media or have any friends so it looks like I will not win. Oh well.

Had an email the other day from Hobgoblin looking for small-scale investments from their customer base.

Now yours for just £180.

I was so expecting to get on with this amp that I binned the box. However, all the rest of the bits are here, including the posh little bag, UK mains plug, sticker and manual on a CD-ROM. This bite-sized bass amp has been used precisely twice, for less than an hour in total.

I just didn't like the constant fan noise, which apparently is a feature not a fault. Would be fine for playing with other musicians I guess, and everyone seems to love these amps, but my main use case was (quiet) solo home practice and it's too noisy. Don't make the same mistake!

Full skinny here: https://peavey.com/product/trace-elliot-elf-ultra-compact-bass-amplifier/

Pick up from Hove or UK postage at cost guess I'll cover the postage, then. Hit me with your vexed questions.

I imagine that's what they'll be doing. Whether you follow suit or not is up to you. It will make things much easier if you do the same, though who knows what you might discover through having to play in Eb in standard tuning?

Overthinking? 

I got an Elf and was shocked by the fan noise, always on and way loud (I do need to play in acoustic settings). So out of the other pocket bass amps around, which ones have quiet cooling that people are happy with? Gnome, maybe?

Or maybe looking ahead at possible trade barriers between US and Mexico? Not sure Indonesia is in any different position, though

Bought Bas's Future Impact synth pedal one day, it arrived the next. Excellent transaction from start to finish.

https://en.wikipedia.org/wiki/Georg_Ohm

John's Shure wireless system came to me exactly as described, thoughtfully packed and for a reasonable price. Great comms and a pleasure doing business – thanks JohnR.

You would need to split the signal, but you also have the problem of syncing the loops. Try to do it by feel and you generally find the two loops won’t stay together. The longer you play them, the more out of step they become.

So you’d need to use something like midi clock sync. Alas, I don’t think either of the loopers you mention supports that feature.

I bought Dave's Filter Twin pedal and am very happy with it. Cheers @davebass66!

I bought a BF Big Baby cab from Neil and suggest you all do the same. He’s da man and so are his labradors.
 

@P-ZARN Thanks for a straightforward and pleasant sale, and for coffee and fancy bass fondlage. 👍

A (moderately) famous (at the time) touring band cancelled their gig at our polytechnic ents hall *on the night* because their drummer was sending the noise-o-meter off the scale and they wouldn't/couldn't make him/it any quieter. I helpfully suggested they could use the support band's drum kit and I wish I could convey in words the dirty look I got in response.

40 minutes ago, Dad3353 said:

 

I thought it meant 'bollox'. 

 

...

 

 

No, that's coyotes

Four pages in and nobody said 'cajon' yet?

(For the drummers in the house, it's a fancy word for 'wooden participation box').

I have attention issues. Any time I become conscious of what I'm doing, my chances of f***ing up rocket. At best I look to the audience like like an ape trying to work out algebra. At worst I lose the rhythm completely, or miss the first beat, or embark on an ill-advised and needless fill, or even produce no sound whatsoever for whole seconds at a time, then start up again in the wrong key. 

So instead, I try to go by feel and hope that most of the notes work. As people above have noted, you need to know where the changes come to do this confidently, but that's not the same as being note perfect. Bum notes are sometimes bad, often inconsequential; bum grooves and missed beats are way worse.

My last band was highly improvisational, by which I mean that half the time the guy who wrote the songs would forget bits, or randomly change the structure without realising, and we became used to working around that.

Listening to recordings helped me a great deal – you can immediately hear what works and doesn't work, things that on the night went unnoticed by all. It also gives you chance to properly hear what everyone else is doing, and think about how you can better support that. You can then work out your changes at leisure, without having to simultaneously hold down a groove.

Most of all, though, it's the way the song feels that people really respond to, way more than the bassist's consistently perfect note choice. So I learned to empty my head of everything but that. I practise often enough to keep the tunes 'under my fingers', to feel the cues subconsciously so I don't have to think about them. That's very different from rehearsing songs repeatedly in search of note-perfectness, because that's just setting myself up to fail.

All of which is kind of the same thing everyone else has said, plus get a £75 digital recorder and listen back.

Clearly if you're applying to the LPO, it's definitely best to ignore me. Maybe ask your GP about beta-blockers instead.

14 hours ago, simisker said:

 

As someone who spent nearly a decade in and around email marketing, I can confirm that this is the optimal solution. Played, sir!

I feel your pain

Thought y'all might not be able to sleep until I updated on this one ...

Turned out there were some domain-level issues that needed sorting ('from' address with a different domain) and things were looking pretty fixable. But I've now quit the band so it will alas remain unsolved.

Thanks all for your suggestions, though! Genuinely helpful.

14 hours ago, simisker said:

In that case, if you ARE going to be sending an email out to that list, it absolutely needs to be a message along the lines of:

 

"You probably won't remember us, but here's a reminder of who we are, and why your details are on our mailing list.

 

If you still want to be on our list, CLICK THIS SHINY BIG BUTTON.

 

If we don't hear from you in the next week or so, we'll take your details off our list and we won't contact you again. Love, light and peace etc..."

 

Even so, it's going to be a bit of a gamble if your list is old. You're almost certainly going to invoke some spam reports, as erroneous/unfair as that may seem. Some people will have forgotten that they ever signed up for anything.

 

 

 

 

Again thanks, but I really am au fait with the legal and regulatory frameworks of email marketing, cookies, competitions and the like. I was really only after recommendations for services that might succeed if I try to send mail on behalf of my skint/skinflint BL. Obviously, thanks on behalf of those for whom this is new and useful.