Bilbo

That'll be an octave divider

Take this guy, Neil Jason. Plays a great groove, serves the song etc. Why no kudos? [url="http://www.youtube.com/watch?v=oAbmv70uvJ8"]http://www.youtube.com/watch?v=oAbmv70uvJ8[/url]

Agreed - but so have many, many others. Why is PP considered so exceptional? I am not slagging him off, just wondering why the cult of personality with this one player over 1,000 others of equal standing? Not that it matters

[url="http://s283.photobucket.com/user/bilbo230763/media/DSCF1032_zps2d044de4.jpg.html"][/url] [url="http://s283.photobucket.com/user/bilbo230763/media/DSCF1033_zps044b6341.jpg.html"][/url] PC (Windows XP) Cubase SX Sibelius (2.0 ) Edirol UA20 audio interface Focusrite Pre-amp (mostly for phantom power for mics) Behringer Mixer Behringer headphone amp M-Audio Prokeys 88 piano/midi controller Gibson ES175 Epiphone ES335 The Dot Wal Custom Fretless Antoria acoustic steel sting Takamine CD132SC nylon string Thomann Soprano saxophone There is a Rode NT1 mic and a Shure SM58, both with Hercules mic stands (not shown)

[URL=http://s283.photobucket.com/user/bilbo230763/media/DSCF1028_zpsabb28dc8.jpg.html][IMG]http://i283.photobucket.com/albums/kk287/bilbo230763/DSCF1028_zpsabb28dc8.jpg[/IMG][/URL]

[URL=http://s283.photobucket.com/user/bilbo230763/media/DSCF1034_zps1378729d.jpg.html][IMG]http://i283.photobucket.com/albums/kk287/bilbo230763/DSCF1034_zps1378729d.jpg[/IMG][/URL] [URL=http://s283.photobucket.com/user/bilbo230763/media/DSCF1029_zps1b656ff3.jpg.html][IMG]http://i283.photobucket.com/albums/kk287/bilbo230763/DSCF1029_zps1b656ff3.jpg[/IMG][/URL]

[URL=http://s283.photobucket.com/user/bilbo230763/media/DSCF1035_zps3a2af88d.jpg.html][IMG]http://i283.photobucket.com/albums/kk287/bilbo230763/DSCF1035_zps3a2af88d.jpg[/IMG][/URL] [URL=http://s283.photobucket.com/user/bilbo230763/media/DSCF1037_zpsc1778627.jpg.html][IMG]http://i283.photobucket.com/albums/kk287/bilbo230763/DSCF1037_zpsc1778627.jpg[/IMG][/URL]

I have been meaning to do this for years. I thought it would be fun to start a thread of photos of bass related crap we have collected over the years - you know the stuff; bass shaped clocks, wall plaques etc. Here's my contribution to get us started. REMEMBER: NO SHAME! [URL=http://s283.photobucket.com/user/bilbo230763/media/DSCF1038_zps4fcc0b0c.jpg.html][IMG]http://i283.photobucket.com/albums/kk287/bilbo230763/DSCF1038_zps4fcc0b0c.jpg[/IMG][/URL] [URL=http://s283.photobucket.com/user/bilbo230763/media/DSCF1039_zps19b76b8e.jpg.html][IMG]http://i283.photobucket.com/albums/kk287/bilbo230763/DSCF1039_zps19b76b8e.jpg[/IMG][/URL]

[quote name='Rich' timestamp='1374664904' post='2151440'] When you say 'journeyman playing', I presume you're not including his astonishing fretless work with Paul Young, Gary Numan, etc etc etc. I know it's all a fair few years back but you can bet your boots he can still play the stuff and, my god, I wish my playing was as 'journeyman' as that..! [/quote] It was lovely, but 'astonishing'? Isn't that a little hyperbolic

[quote name='wateroftyne' timestamp='1374665394' post='2151450'] I'm sure he doesn't lose sleep over your opinion of his ability... [/quote] Why would he? Anymore than I would lose sleep over his opinion of mine. Doesn't negate it, tho

[quote]Bilbo and I are actually in a fairly unique position in that I think we're the only people who've submitted something each month [/quote] I think I missed the drunk santa one, mate.

Nope. Still too much time going over the same territory. Nothing fresh to get inspired by. Could use the time better.

I am not being critical of PP but I do wonder what he would sound like if someone put a third chord in there? (Meeeeoooow!) Seriously, tho', I have no problem with Pino (he's a Cardiff boy and I did most of my early playing around there) but I think he is possibly the most overrated player in the canon. He is good at what he does but most of it is journeyman playing. If half of us had Steve Jordan (and, indeed, Mayer) to bounce off and played that often as a trio, we would probably sound that good.

If I was going to write a 12 minute piece of music that went through 12 different 'sections' building to an integrated whole, it wouldn't be this. I couldn't even be arsed to segue one minute sections of the twelve pieces I have already written into one continuous whole. Sorry, guys. It's not going to happen. Count me out.

'tis to the Dot.

Sounds like mid-era Sabbath \m/

I have just finished a six week season playing with John Etheridge, Jim Mullen, Nigel Price, Julian Siegel, Vasilis Xenopoulos, Gareth Lockrane and Martin Speake. Later this year, I get to play with Gilad Atzmon, Tony Kofi, Steve Fishwick, Tim Whitehead, Kate Williams, Pete Whitaker, Christine Tobin, Phil Robson and others 'to be announced'. What a year!!!!

IT'S MINE!!!!

My turn today, Clarky. Hope it was a good one!

Every electric sound on my soundcloud page is my Wal. I have no idea if that is a 'Wal' sound; they all sound remarkably like me so could be nothing more than a Bilbo sound. None of them sound like Geddy Lee. I'm not helping, am I?

To be cool, it has to be on vinyl. Nothing on cd is cool, nothing digital is cool. My coolest record? Probably Diamond Head's White album.

I also loved this guy's sound: Carrado Rustici [url="http://www.youtube.com/watch?v=KbS28fTWXHQ"]http://www.youtube.com/watch?v=KbS28fTWXHQ[/url]

Love Vai but I always found Gary Moore an intensely emotional player. [url="http://www.youtube.com/watch?v=-G-PtmcPyK0"]http://www.youtube.com/watch?v=-G-PtmcPyK0[/url] Also love Peter Green's 'Fool No More' [url="http://www.youtube.com/watch?v=BXXI87DHL-s"]http://www.youtube.com/watch?v=BXXI87DHL-s[/url]

Learning by copying has some merit buy, in my experience, learning complex 'party pieces' without understanding them is pretty pointless. Most bass players can nail some of this stuff; Teen Town, Donna Lee etc but, without the knowledge behind it, nothing happens. Learn to read music and open everything up.

That's 'cos Jazz is the best