Bilbo

[quote name='dave_bass5' post='962384' date='Sep 20 2010, 04:47 PM']We play an extended version of Moondance at any gig where people are either ignoring us or eating etc. It passes the time.[/quote] Go to jail. Go directly to jail. Do not pass Go. Do not collect £200 An extended version on Moondance? That is a crime against humanity.

Fever, Moondance, Canteloupe Island, Watermelon Man, Song For My Father, Mercy, Mercy, Mercy.......

mmmm.... tough one.

I'm with Faithless. Bass solos are generally pretty dull compared to saxophone, trombone, trumpet, piano and guitar solos. Try Gerry Mulligan baritone sax solos, they are generally playable.

That Jarrett/Haden stuff is sublime. Proper jazz without that kind of macho competitiveness that marrs a lot of the music. Coincidently, I downloaded it yesterday (I have not had a chance to listen to it properly yet).

Yeah, it sounds like Ron (those slides at 2.38) and it certainly doesn't sound like Jack DeJohnette. I can hear something of the Gadd off Chhick Corea's Friends album but Gadd doing jazz is not something I am that familiar with - I heard him most with fusion bands..

[quote name='Faithless' post='958696' date='Sep 16 2010, 07:21 PM']Bilbo, don't get angry on me for Autumn Leaves, but it's just too musical.. And the band is just killing it - but what else would you expect from Gadd and Carter.. And that pedal point is nice too! Desmond's has been probably my favourite sax for a while, but this is just sick - that laid back vibe and sound is just what enslaves me.. Definetly the next one I'll be transcribing.. enjoy.[/quote] Bizarre video. A young Chet Atkins (1950s) playing with a 1970s Steve Gadd and a 1980s Ron Carter. Bit of a montage thing going on there. Are the players on the audio definately Gadd and Carter? Something is not right here.

Wiry little sucker, ain't he?

One of the issues to think about where odd time signatures are concerned is that of bar lines. If you take a tune like Apocolypse in 9/8 by Genesis, it is performed as a mathematical exercsie as follows: one two three FOUR one two THREE one TWO and repeat. I thought it was so clever and hard when I was 14. Now it sounds pretty remedial! Dave Brubecks Take Five is done in a simialr way: ONE two three ONE two - and the tune is built around that endlessly repeating riff (for the record, the reason the track is essentially a drum solo is because the other band members of the Brubeck Quartet couldn't blow in 5:4). Its a same with a lot of King Crimson or generic prog rock stuff: the odd time signature refers to a one bar pattern/phrase that is repeated ad infinitum. To take it to the next level, you have to start thinking about crossing bar lines, whether as a soloist or accompanist. The trick is to try and avoid those little boxes that the riff creates for you and to develop ideas that are more organic. Its hard but worth pursuing.

I saw this years ago and it has been on my youtube favourites ever since. But the applause goes to Ian not Bona. She is what makes this perfect. I think he would agree.

[quote name='mildmanofrock' post='954993' date='Sep 13 2010, 04:29 PM']No, not on escape. Randy Jackson was on Raised on Radio. The shame of knowing that.[/quote] Yes, that's the one

Round Midnight - is a biopic of a Bud Powell and Lester Young hybrid Bird - Charlie Parker biopic (a bit Hollywood but its ib there) Mingus (b+w documentary) Triumph of the Underdog (highly recommended) Made In Heaven (documentary about Kind of Blue) Not heard of the Norvo Farlow film.

I have not really played anything but for 24 years so can state categorically that a fretless is entirely at home in any situation.

[quote name='RhysP' post='952804' date='Sep 11 2010, 03:23 PM']There's some great bass on the Journey stuff - "Escape" is just full of really excellent bass parts . It's been one of my favourite play-along albums for years.[/quote] Isn't it Randy Jackson on half of it? Or did I invent that?

You learn by repetition. The best way to 'learn' tunes to play them without charts is to just play them without the music and to not rely too much on the chart (Bill Evans told Marc Johnson this). Put the charts away and just do it. It will sound crap at first but you will soon develop that ear.

More to the point, I love Jazz. I have been playing all sorts this week (funk/pop, Latin, Shows etc) but, when its time to put the ipod on and listen, you can't beat the sound of surprise. And anyone that don't get it is now a 'Cheryl Cole'!!

[quote name='Faithless' post='929573' date='Aug 19 2010, 11:31 AM']Continuing that, what would be the [i]movies[/i], that every jazz-cat should see? Bilbo?[/quote] If you are looking for films that feature jazz content as opposed to just soundtracks, try..... Mo Better Blues The Fabulous Baker Boys Round Midnight Bird The Man WIth The Golden Arm Bring On The Night (Sting) Mingus (b+w documentary) Triumph of the Underdog (highly recommended) Young Man With A Horn Kansas City Made In Heaven (documentary about Kind of Blue) Miles Davis, David Sanbourn and John McLaughlin had a cameo in Scrooged (they were buskers) Branford Marsalis was in Throw Momma From The Train and in an episode of The Fresh Prince of Bel Air

Watch the prices at Quinns. I needed a five string set of Evah Pirazzi Weich's and, in order to get the best price, I had to buy a 4 set from String Mail and the high C from Quinns. Good service from both, however, so its a win win.

Just finished 8 gigs in 9 days. A bit knackered but nice to pretend I was a pro for a week or so . Nothing in the diary now for a month. Feast or famine!!

[quote name='skej21' post='951543' date='Sep 10 2010, 09:53 AM']You could just buy it from that link I posted, for £13 [/quote] I will get it ordred when the cash starts flowing again..... thanks for the tip off (I had seen this book before and was interested but got sidetracked).

Great!! There is a used version of Patitucci's Etudes on Amazon Marketplace for £110. Back to the Cello Suites!!

Absolutely. Consensus is the precursor for mediocrity. The debate is more important than its resolution...

[quote name='EBS_freak' post='950817' date='Sep 9 2010, 04:54 PM']I've seen some varied charts from fully transcribed with every little detail, through to an outline of style, just to a chord sheet that relies on you having heard the original to get somewhere in the region of...![/quote] Absolutely. The show was proper dots - fully transcribed down to every detail. The jazz gig was classic fake book charts, the function band is chord sheets without bar lengths but with rhythmic notations for stops and starts and the Brazillian stuff is a lyric sheet with chords over the words! Its a lottery but the show, where someone had properly prepared the paperwork, was by far the most professional production. My point is simply that, if I had had to rely on memory, I would have fallen at the first hurdle.

I am half way through a series of 8 gigs in 9 days. Monday to Wednesday, I played in a pit orchestra at the Theatre Royal in Bury St Edmunds doing a 'songs from the shows' review. Les Miserables, Sweeney Todd, Chicago, Sound Of Music, Oliver, Wicked, We Will Rock You etc. Saturday it was a jazz quintet, Sunday a Brazillian band, Friday a blues bnad and next Saturday the Brazillian thing again.... Tunes included - Don't Stop Me Now, Somebody To Love, Reviewing The Situation, Lonely Goatherd, Ballad Of Sweeney Todd, A Little Priest, Noone Mourns The Wicked, What Is This Feeling, One Short Day, Agony, Mr. Cellophane, Cell Block Tango, All That Jazz, Not While I'm Around, One Day More, On My Own, Noone But You (only the good die young), A Night In Tunisia, Chitins Con Carne, Chicken Shack, Theme From Alfie, Canteloupe Island (yeeuch), I Feel Good, Papa's Got A Brand New Bag, Tiro Onda, Xote De Alegria, A Luz A Tieta, Waiting In Vain, Isn't She Lovely, Clandestino, Palco, Pressao, Arrocha, Aninha Na Praia, Festa Do Passa A Mao, Domingo De Manha, No Balance, Pancadao, Pescaria, Quebre Quebre Quebre, Te Desejo, Sambadinha, Nova Danca, I'm Yours, What's Going On, Son Of A Preacher Man, Billie Jean, Mercy, Valerie, Stuck In The Middle With You, Johnny Be Goode, Ain't Nobody, Good Times, Hit The Road Jack, I Want You Back, Signed Sealed Delivered, Mama Mia, Good Vibes, Shuffle King, Work Song, Tim’s Crones, Feeling Good, Long Time Coming, Smoke & Mirrors, People Have Spoken, Blue Eyes, Power of Now, Kissy Kissy, Ain’t No Turning Back, All I Ever Want a few originals and some other odds and sods I can't recall. Am I glad I can read the dots!!!!