Bilbo

[quote name='Merton' post='308132' date='Oct 16 2008, 08:32 PM']I'd try Charlie Chandler's Guitar Experience in Hampton Wick to get hold of Paul Herman there, or get another contact no. for him [/quote] What's the chances of this: Paul once fixed my bass and I have gigged with him (Paul is a great guitar player) and Charlie, who I only met once, was my line manager's partner (I used to manage a Probation Hostel in Kew which is near Hampton Wick. In fact, I got promoted to a Senior Probation Officer because Charlie's partner was carrying his child!). Small world!

Good for you - just take it slow and don't damage your hands like wot I did!!

Did you know Plonk is an anagram of Pkonl which is Russian for Pkonl? Welcome on board

{ardon? But seriously, I dealt with it another way. I got everyone to turn down. Radical, eh?

[quote name='casapete' post='308620' date='Oct 17 2008, 02:28 PM']Just great to see players supporting the songs, not afraid of leaving space where required etc.[/quote] Not on my watch

Cheap Miles Davis starter - 2 classic LPs for £1.13 (Amazon Marketplace) [url="http://www.amazon.co.uk/Round-Midnight-Cookin-Miles-Davis/dp/B0011XDIUO/ref=pd_ys_ir_all_66"]http://www.amazon.co.uk/Round-Midnight-Coo...pd_ys_ir_all_66[/url]

Strange New Flesh - great LP - 'Down To You' was a favourite! That was when Gary Moore was sounding great and not generic!

Mark Levine's ' The Jazz Theory Book' has it all. You don't need to buy anything else. And all of the examples are evidenced with references to tunes. For cds, just try your local library and ask around' everybody has a copy of Kind of Blue (except you, obviously )!! If I can help at all, PM me. I have mountains of this stuff.

Long before he hit the mainstream with Whitesnake, Gary Moore etc, Murray was the bass player with a UK jazz rock group called National Health. He has some quite credible fusion chops hiding behind the hair and his ability to nail that gig at short notice comes as no surprise. [url="http://en.wikipedia.org/wiki/National_Health"]http://en.wikipedia.org/wiki/National_Health[/url]

[quote name='Happy Jack' post='306382' date='Oct 14 2008, 04:37 PM']Do they do an Ampeg 810 version?[/quote] Fcuk me! How big are your cows?

[quote name='thedontcarebear' post='306306' date='Oct 14 2008, 03:24 PM']Looks like a Fender amp to me? Do you sit on a Fender Amp to milk your cows?[/quote] Best way to get a good sound out of one

Has he still got the gig? Some great music being played on there. Cuban, Salsa, Rumba....

How is THAT in any way cool? Looks like something you'd sit on to milk Daisy!

My first amp was a Carlsboro Cobra 60W - piece of junk.

Nothing crazy, agroupuk, just practice. One finger after the other and repeat 1,000,000 times and you'll have it. It's not rocket science, just incremental. No easy fix, just time.

Looks like a bug splat to me Not my cup of tea but its 'original'!!

My first ever gig was Gillan at Cardiff Top Rank on the Glory Road tour supported by White Spirit (inc Janick Gers on guitar) and a band called Quartz. Remember when the bands used to do 30 date UK tours in the little clubs with support bands like Diamond Head and Trust and Rose Tattoo? I used to see some quality stuff then. Now the name bands all do 4 nights at Brimingham NEC, Wembley Arena, Manchester Apollo and sod all else. Shame for the little people who can't afford £100 for a night out. Rock On!!

Try sight singing - learning to read music without an instrument and using your voice. Its hard but you can get skills that will make you the most employable bloke in Gloucester (!!??)

So he has good days and bad. Me too (grrrr!!)

Great - are they playing any jazz on it this time?

[quote name='mcgraham' post='301034' date='Oct 7 2008, 09:05 AM']I wouldn't say it shows a lack of critical awareness if you are a listener, but I reckon that's not what you meant anyway.[/quote] Sorry, Mark, but that WAS what I meant! I think liking everything shows a complete lack of taste!! Now wait for the fireworks!

[quote name='4000' post='300759' date='Oct 6 2008, 07:45 PM']I love a lot of pop music. I love a lot of rock. I love a lot of jazz. In fact I like most of everything. It's all music. To pigeonhole is ultimately pointless. There are tracks I don't like, some artists I don't like (please stand up Mr Hucknall, Boyzone and those other post-Boyzone guys I've thankfully temporarily forgotten the name of), but there is no genre I don't like. I love ABBA. I love Motorhead. I love Yes and Matt Garrison. I love Public Enemy and the Beastie Boys. I love the Chilis and Bow Wow Wow. I love Basie & Ellington. I love Faithless, Manowar (yes, Manowar!!!), 30 Seconds to Mars and Bob Marley. I love the Stranglers and the Damned, Simon & Garfunkel and James Taylor, Paco De Lucia, Bach, heck I love Thomas Newman, John Williams, James Brown...I think you get the picture. As for pop music, even leaving bands like ABBA out of the equation, the Primitives' "Crash" is to me as perfect a record as you'll ever hear in any genre, and that's pure pop through and through.[/quote] I play with a pianist who likes everything and she is a pain in the a***. One minute she is calling Anthropology, the next its Candyman by Christina Aquilera - idiomatic anarchy. Probelm is, a jazz drummer with a jazz kit isn't going to sound like a rock drummer with a rock kit and vice versa. Your eq is set for jazz, then you are playing pop/funk with a band that can swing but can't play funk. I can see the moral justification for liking everything but, somehow, it feels more like a lack of critical awareness.

That Evans/La Faro/Motian Vanguard LP is a great recording but what amazes me is that there is this ground-breaking, creative artistry going on but, in the background, you can hear people's cutlery clanking away as they dive into their nosebags, oblivious to what's happening in front of them! Paul Motian - now there's a real jazz drummer, one I would love to play with.... :wub:

Has anyone here heard Hal Wilner's 1992 'Weird Nightmare: Meditations on Mingus' cd? Its marvelous! Features a range of musicians from Bill Frissel to Keith Richards to Vernon Reid to Henry Threadgill and also features some 'made' instruments from Harry Partch. Stunning stuff and one that really shows the importance of the creative producer in a recording situation. It also shows the flexibility of Mingus' compositions.