[quote name='skankdelvar' timestamp='1480533423' post='3185204']
Do you mean pants in the British or in the American sense, pants meaning 'trousers'
[/quote]
British. American's clearly misunderstood the concept of pants when the Mayflower landed.
We have a rule in our house.
If there is anyone in a music video who is dancing in their pants, we turn it over. The rationale is that, if an artist has to resort to that kind of thing, the music must be a bit cack.
As a result, I have completely lost track of all forms of contemporary pop music. No idea who any of these people are and what there songs are. It just occured to me that the 'pants' rule is a deal breaker and that most music video in the current era is all about titilation, not music.
I roadied for a band when I was a kid and we had all sorts of trouble; collapsing stages, fireworks that were supposed to spray sparkes turning into live torpedos in amongst the audience etc. Trouble is, we were all so naive that it was all just a laugh. If anyone had sued......
I first heard DAryl Jones on this track which was featured on one of those plastic discs on the front of Guitar Player magazine. I couldn't get the core line to work then and still can't today, despite it only containing four notes.
John Scofield's Techno.
http://www.youtube.com/watch?v=FdoFDl1N-eI
[quote name='DanOwens' timestamp='1479317927' post='3175624']
Steve Berry, who teaches at Cheetham's and RNCM amongst others has a German grip Thomann brand carbon fibre thing and swears by it. I think it was around £70
[/quote]
I heard that Steve's bass cost him £50. The man's a legend!!!
Hey, my Jazz Guitarist chums!! Did you know about the Jazz Guitar Workshop being delivered by Nigel Price at West End Music in Ipswich this coming Sunday, 4th December. 4-5.30 pm. £10 to attend. A 1:1 lesson with a player of this calibre would cost you five times that!! What are you waiting for? Nigel will also be appearing at Jazz East at The Alex that evening (see what we did there?). Details on the Jazz East Facebook page or at www.jazzeast.vpweb.co.uk
Listen to a shitload of Paul Chambers, Ray Brown and Milt Hinton. Then practice for the rest of your life
Seriously, though. Work with quarter notes as much as you can, especially in the early days. The drops and kicks are great but you need to nail the time first.
I have owned up to three at any one time but have only ever really used one (my Wal). I love the idea of all sorts of kit but the reality of my musical life means that this is absolutely unnecessary.
Don't get me wrong, bands like The Crusaders are great at what they do. I am just not a big fan of it. Personally. I think the difference is in the drummer. Jazz Funk is mostly very ordinary back beat stuff which I find uninspiring as a general rule.
I completely agree. Jazz Funk, for me, takes the best bit of Jazz, the surprises, and replaces it with predictability. Jazz Rock, yes. Jazz Funk, not really (don't hate it, just wouldn't listen to it as a first choice).
[quote name='lojo' timestamp='1478991460' post='3173238']
Dave Holland did that
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Dave Holland has recorded two solo double bass albums) Emerald Tears and One's All) and one solo Cello album (the latter after he had a heart attack and couldn't play bass).
I guess its the same as painting. Here is a picture of a face - can you do something with it that makes it fresh.
Chord sequences are only a part of the deal. The arrangement, timbres, vioces, melody, rhythm etc etc will all conspire to create a whole that is greater thatn the sum of it's parts. THAT is the Art of it. Being original is, in some ways, easier than sounding fresh using old material.