Bilbo

I have some very personal theories about the relationship between tone and swing that I discuss in my Paul Chambers biography. In short, imagine what Kind of Blue would have sounded like with BS's tone heard here. Not wrong but starkly different.

If you put 'brand management' before the music, you are part of the problem. I do not, however, think that BS is making a bid for Jazz credibility!

It's a kind of thing. It's almost impossible to swing with a tone like that and the drummer isn't helping but it's not without merit. It's the wrong gear as much as anything :-D

Ooo, look! I came first!

And then worked with George Martin who DID study music. The 'music theory stunts your creativity ' argument is a justification. Any knowledge empowers you. A lack of knowledge will not improve creativity, it will be irrelevant to it.

I find this a challenging thread because I agree, in principle, that the answer is no but my experience tells me that the best players I have ever worked with tend to be those with massively deep training on their instruments. We all can reference the occasional savant but, in terms of advocating an approach, I would always recommend the tried and tested route.

Function Jazz gig last night. Played like a tosser.

Great sound.

Anyone know who the guitar player is?

My wife turned me on to this last night. Monster groove.

I came up with this. I was trying to get a medieval vibe. I was working with my newly downloaded Sibelius 8 and am still finding my way around the sounds etc but this is close to what I was hearing. What you are hearing here is literally the Sibelius file with Sibelius sounds etc i.e. no external VSTs or acoustic instruments.

Have you TRIED moving around with a double bass? I can do it but not whilst playing

I always thought that it was Colin Hodgkinson from Back Door.

I 'm thinking. I 'm thinking!

I can now go to my grave happy. Now I have to find a bloody picture for April.

Weird. Nearly 500 views and only 10 voters!

I convert everything to pdf already, Wolf. Always have. Good advice.

One more voter than participant. Grim.

I do try to avoid the obvious but also have a bit of a downer on VSTs and drum machines at the moment which forces me to think within my limitations as a player. Glad people like the results.

Voted myself in the foot.

The difference between a four and a six in range is less than an octave. Lot of fuss about nothing, if you ask me.

Semi Pro but the percentage varied dramatically. If I am honest, I would add another category ; struggling artist or artist with aspirations. I do a decent number of gigs but I don't pay myself that often in order to ensure that I can get the best players I can. The money isn't the driver but hobbyist isn't a fair description either.

My instinct is to agree with you, Higgie. I have just pressed the button on Sibelius. It is the industry standard for a reason.

Another fan here. Crash and Burn era. Great LP.