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stewblack

⭐Supporting Member⭐
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Everything posted by stewblack

  1. Sorry! The only way I could fund it would be to sell my Maruszczyk. Which doesn't make a lot of sense 🤔
  2. I love a Maruszczyk. I love a P bass. I love a red P-bass with a dark fretboard and tort plate. I don't have £850. If anyone looking at this doesn't know how good these instruments are and does have that amount of money, don't hesitate. Good luck with your sale.
  3. God yes. I wouldn't spend Apple money even if I had it! It's a refurbed Huwewaweiwawei I got off ebay.
  4. I would say that is very, very cool logo.
  5. It's this little thing - I use an Android tablet for all my setlists, chord charts and sheet music. My software of choice for reading dots is Mobile Sheets Pro. I have no complaints, but turning the page or setting automatic scroll can be a pain. These two little pedals, once paired and connected via Bluetooth, allow me to flip that page with my toes! I am so happy it's embarrassing.
  6. Happy to agree with you there. You can't make bad music better by turning it up. But I was specifically talking of the phenomenon where something appears to sound different when actually it just feels different
  7. I took it to mean that I am not hearing it but my brain presents it to me as if I was. Like a placebo isn't doing what my brain decides it is It's all a bit beyond me tbh
  8. Almost certainly, but at the very least it implies that we 'hear' in ways we don't fully grasp
  9. It's curious. When I sit on my vibrating love seat (home made version of the vibrating board thingy) and play with headphones I swear the sound of the bottom end becomes louder. Switch off the seat and the bass is thin and reedy, turn it on and it once more sounds rich and full. But here's the thing - I can't hear the seat when I'm wearing headphones. At all. So I'm feeling bass and my brain is telling me I'm hearing it. I don't understand the science at all, perhaps someone else can shed light.
  10. I'm sure you'll be able to find a 400 dollar strap for it Jack.
  11. I put 'intervals' in brackets with a question mark to indicate just this confusion.
  12. If @Woodinblack gets it to Yeovil I can get it from there. Then we can sort out the M4 / M3 corridor.
  13. I can't ever decide between LTBR and Powerage, then I realise I don't have to! I can just like both.
  14. I'm not in Taunton but I'm in Somerset, if there's anything I can do to help just say the word.
  15. No argument from me at all. I was only sharing something I'd seen I thought might be of interest given the topic. I certainly wasn't suggesting that would be appropriate down the proverbial Dog and Duck! I wonder, has anyone actually played a pub called the Dog And Duck?
  16. I think I get it. I was definitely confused about the term interval. But my first question is answered. The E is always the 3rd regardless of whether it is high or lower than the root note. Thank you. (assuming the key is C)
  17. I was listening to Let There Be Rock and it occurred to me that it is one of the rarest of things. The perfect album. Each successive track sounded like the best song on the album. So I contacted a guy I know who plays like Angus and sings like Bon and said how about it? I have recruited an unfussy drummer and a guitarist who is strictly rhythm - he doesn't want to make it cry or sing. We're learning (separately) all of LTBR and Powerage (the high points in their career for me) and are going to put on a gig when the bug passes. Just for fun, like.
  18. No work for me at present so playing with different rigs as I plod on trying to learn new tricks. This compact but fierce little rig is an Elf on a 2x8 on a 1x12. Light, bijoux and loud.
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